When I first
watched The West Wing I was still a novice when it came to watching TV
shows and still in the process where I had 'favorite characters'. They were
always the biggest names in the cast or even the showiest actors but I could
form an emotional connection quickly.
With Chicago
Hope it was Adam Arkin's work as Dr. Aaron Shutt, almost always the voice
of calm in a hospital filled with craziness. With The Practice it was
Steve Harris as Eugene Young the biggest believer in the rules and justice at
Donnell, Young, Frutt & Dole. With Homicide while I really loved
every character the one that I most consistently favored was Kyle Secor's work
as Tim Bayliss and if you've read my articles on the show you know why.
And with The
West Wing it was Josh who I instantly connected with from the first minutes
of the Pilot and who, even after Aaron Sorkin left the series in 2003, I always
felt was the most true to himself.
I can't point to
a single reason why that became so true in the first season. Maybe it was because
from the start he had this tendency to, to use a political quote, 'shoot from
the lip' which was something that was excusable in private but every time he
did in public it was destructive even if he was right. (Sam famously said:
"A very good friend of mine is about to be fired for going on TV and
making sense.") Sometimes it could be hysterically funny as when he hosted
his only press corps briefing and said the President had a secret plan to fight
inflation, and sometimes it backfired as when he let policy details slip to his
girlfriend and as a result he got chewed out by Bartlet and nearly suffered a
policy defeat. (I didn't mind he and Amy broke up; he was always too good for
her.)
Or maybe it was
because he was the smartest person in the room and never missed an opportunity
to show it. Everyone loved the way he lectured Donna on policy or history or the
White House's statistics (even Donna admitted she was smarter for doing so). Of
course with great genius comes great arrogance and that also got him into
trouble more than once, particularly with CJ. (So many of the scenes between
him and Alison Janney were the comic highpoints of the series.)
Or maybe it was
because there was a level of tragedy in his life that we learned about early
that made him more relatable in a way it took much longer for us to get to know
the personal lives of everyone else on the show. In the fifth episode we learned
that his sister Joanie had died in a fire when he was a teenager and by the end
of the first season we learned his father Noah had died on the night of the
Illinois primary. (Those who have read my review of the classic In the Shadow
of Two Gunmen' know how magnificently Sorkin handled that storyline.) For that
reason he was perhaps more loyal to the people at the West Wing then any other
character was and you got the feeling everyone supported him beyond the
political reasons.
But much of it
had to do with the incredible work that Bradley Whitford did for the entire run
of the series. By that point I was starting to cover the Emmy nominations in a
casual fashion and I remember being annoyed that of all the 19 Emmy nominations
The West Wing got for its first season Whitford somehow had been
ignored. It was a lapse the Academy would immediately correct: Whitford would
be nominated in 2001 and deservedly win. He was also nominated the following
two years, which were the last two of Sorkin's tenure on the show.
There are many
ways to show how much I loved Bradley's work as Josh but I think the most
effective way is to show what I think most fans will considers one of the most
important relationships during the entire series: that of Josh and Leo.
Leo is White
House Chief of Staff and Josh is Deputy Chief in the Pilot so clearly Josh is
the go-to guy for basically everything Leo considers a priority. But it becomes
clear very quickly that the two of them have a bond that has more to do with
the fact that they clearly worked together to put Bartlet in office. As we
learn in Gunmen Leo was a friend of Josh's father and the two of them clearly
moved in the same circles in DC for years. Josh was one of the chief aides for
John Hoynes when Hoynes was in the Senate and Hoynes clearly has a high opinion
of Josh as Leo does when it comes to politics. We've gotten a hint of that in
the Season 1 finale with the following exchange:
Hoynes: If I listened to you two years ago, would I be
President right now? You ever wonder about that?
Josh: No sir, I know it for sure.
It's clear that Josh's decision to come work for the Bartlet
campaign was the first step that led to Bartlet's seemingly impossible victory
to claim the Democratic nomination and then the Presidency. Everyone in the administration
knows this and it's clear by the end of the Pilot Bartlet knows this and is
always going to have a place in his heart for Josh no matter what.
The best way, I believe, to illustrate the relationship between
Josh and Leo is by looking at the Christmas episodes for all four seasons in
Sorkin's tenure. Any fan of The West Wing knows that these episodes are
among the greatest episodes not just in series history but TV history. The cast
themselves knew that. In each of the first three years of The West Wing's
tenure it won Best Supporting Actor in a Drama for, Richard Schiff, Whitford,
and John Spencer. Each time the actor in question had submitted the Christmas
episode for that year for consideration for voters and it had ended up winning
them the prize. (In Excelsis Deo would be the only episode to win the Emmy for
Best Dramatic Teleplay.)
All of them are extraordinary episodes for reasons that don't
always have to do with Josh and Leo's relationship but something I realized
after the series ended was that it was always present even if it wasn't front
and center. This is clear with In
Excelsis Deo where most of the show is focused on Toby but Josh and Leo's
relationship is still there.
In the previous episode The Short List, a Congressman named Lilienfeld
has begun to start talking about how one out of every three White House
staffers is on drugs. At first no one takes this seriously, not even Josh:
"Five White House staffers in the room. For the 1.67 of
you that are stoned right now, its high time for you to share!"
Toby is taking it seriously and he tells Josh to lead the
interviews. Eventually however, he goes to Leo because Josh has figured out
what this is about.
"You know the worst kept secret in Washington is that
you're a recovering alcoholic?" he says gently. By this time the viewer
knows this. Josh dismisses it at first: "You're Boston Irish Catholic...Were
you maybe into something less acceptable?"
Leo tells him Valium and that he spent time at a rehab facility
called Sierra Tucson. Josh knows that somehow Lilienfeld has though records.
Which leads to this magnificent line:
"You're Leo McGarey. You're not going to be taken down by
this small fraction of a man. I won't permit it."
This is the
first time the viewer has become aware of just how loyal Josh is to Leo. We get
a sense of how far he's willing to go in the next episode – against Leo's
wishes.
Josh tells Leo
that he wants to do 'a preemptive strike.' By this point Josh knows about Sam's
relationship with the high-priced escort Laurie but when he even hints at it Leo
tells him absolutely not. Josh considers going against it but Donna is worried
about it and says that Leo would do the same for any of us.
Josh then
persuades Sam to do it and Sam is, if anything, angrier than Leo is. It's only when
Josh tells him of the stakes – and more importantly that Leo went to rehab
while he was Secretary of Labor – that he agrees.
The meeting goes
badly to say the least. Laurie (Lisa Edelstein) immediately throws a fit. Josh
tries to defend himself:
A man has left
himself to open to the kind of attack from which men in my business do not
recover. Now, if our tactics seem less than civilized, its because so are our
attackers.
Josh might have
been able to prevail had he left it at that. But then he goes too far:
We don't need
your cooperation Laurie. One of your guys wrote you a check, and the IRS works
for me. And anyway I don't feel like standing here, taking civics lessons from
a hooker.
That is going to
far and Laurie immediately chews him out by making it very clear she has
Democratic customers as well as Republicans and she doesn't like being bullied.
Sorkin, as is his brilliance, lets her have the last word:
You're the good
guys. You should act like it.
This is
horrible. But then they come back to the White House.
Leo: You saw
Sam's friend?
Sam: How did you
know?
Leo: I had you
tailed.
When Sam asks
why:
Leo: On the off
chance that you're as stupid as you look.
He makes it
clear he holds the same standards as Laurie. Josh says he did it because he
wanted to help Leo.
Leo: Is that
supposed to mean something?
Josh: Yes.
(pause)
Leo: Well, it
does.
It's clear Leo
doesn't agree with what Josh chose to do but he does respect his loyalty. And
we're kind of proud of him too
Noel won Whitford the
Emmy for Best Supporting Actor and deservedly so. (imdb.com ranks it one of the
highest reviewed episodes of Season 2.)I've discussed to an extent in my piece
on Janel Moloney but to review this episode takes place in a therapy session between
Josh and a psychiatrist named Stanley (I can't tell you what it meant to see
Adam Arkin doing it). As we know Josh was shot in the Season 2 premiere and has
spent the last six months physically recovering from having 'hot lead shot into
his body'. Most of the staff and the President basically managed to get through
in the episode 'The Midterms' (which I'll go over at another point.) Josh
hasn't been so lucky. There have been signs, subtle but clear, that Josh has
been struggling with PTSD throughout the second season and its clear during the
leadup to Christmas it all came to ahead.
The show is
magnificent showing in flashbacks how Josh has been hiding how he hurt his
hand. He's been saying all episode that he broke a glass and that was the
reason. In fact there's been days of tension leading up to it and what it has
to do with is the Christmas music. The biggest hint comes when Josh is upset
about it and says: "I can hear the damn sirens all over the
building." It finally comes to a
head when he's listening to Yo-Yo Ma play and then he goes home and says that
the shooting did it.
Now for obvious
reasons if it were to come out that the White House Deputy Chief of Staff was
suffering from PTSD, it would be the kind of thing that got him fired. Leo has
called in Keyworth to do it. At the end of this magnificent episode we have
this incredible conversation.
First make it
clear Josh has been in session at the White House for ten hours. It's Christmas
day. Leo is in the hallway:
Leo: How'd it
go?
Josh: Did you
wait around for me?
Leo: How'd it go?
Josh paused
Josh: He thinks
I may have an eating disorder…and a fear of rectangles. That's not weird , is
it? (pause) I didn't cut my hand on a glass. I broke a window in my apartment.
Josh has just
told this to his boss. This is Leo's speech and I know this speech got Spencer
a nomination himself (though there were a lot of other episodes he could have
submitted)
This guy's
walking down a street when he falls in a hole. The walls are so steep, he can't
get out. A doctor passes by and the guy shouts up: "Hey you, can you help
me out?"" The doctor writes a prescription, throws it down in the
hole and moves on. Then a priest comes along and the guy shouts up: "Father
I'm down in this hole; can you help me out?" The priest writes out a
prayer, throws it down in the hole and moves on. Then a friend walks by.
"Hey Joe, its me, can you help me out?" And the friend jumps in the
hole. Our guy says: "Are you stupid? Now we're both down here." The friend
says, "Yeah but I've been down here before and I know the way out."
(Pause)
Long as I got a
job, you got a job, you understand?
I honestly think
no matter how much therapy Josh got (and he got some no question) that speech
meant as much to him, if not more.
When Whitford
accepted his Emmy as he walked to the stage he whispered to John Spencer, who
he had defeated and said: "Next year." This wasn't just well-wished:
by that point the 2001 Christmas episode 'Bartlet for America' had been completed
and everyone came away from it convinced it was Spencer's best work so far that
season, if not the entire series to that point. They were right: Spencer would submit
it for consideration and would indeed win for it the following year. (Again
imdb.com ranks it as the best episode of Season 3.)
Once again I have
to give background. At this point the Congressional investigation into
Bartlet's lack of public disclosure about his illness has come for Leo and he
fears the worst. With good reason. One of the Republicans on Oversight knows a
secret. On the night prior to the final debate Leo was fundraising where
alcohol was served. He started drinking and relapsed. One of the fundraisers
(not in Congress yet) saw it and knows about it. He intends to ask Leo about at
the fundraiser, even though it has no relation to the hearings because there's
an election next year and he wants Bartlet to lose. He knows that if this
becomes public knowledge, Leo will have to resign and this will be another body
blow for the campaign.
I will deal with
this story specifically when I come to John Spencer in this study. For now I
will simply say that Josh knows about this and wants to help Leo. Before the
hearing begins:
Leo: Don't help
me.
Josh: I'm going
to help you, cause you know why?"
Leo: 'Cause you
walk around with so much guilt about everybody you love dying that you're a
compulsive fixer?
Josh: No, Leo,
no. Its' cause a guy is walking down the street and he falls into a hole see.
Leo becomes serious
Leo: Yeah.
Josh: Yeah.
Josh then spends
the rest of the episode talking to Sam and telling him to find a way to get the
congressman out of the room but he has no intention of giving up Leo's secret
so he doesn't tell Sam why. As a result Sam fails in his quest and the only
reason he escapes is because White House Counsel Cliff Calley intervenes and
forces the majority leader to call a recess.
In the following
episode H. Con 172 Calley comes to Leo and offers him a deal: they will end the
hearings right then in exchange for the President accepting a joint censure.
Leo has too much pride: "I take a bullet for the President. He doesn't
take one for me." It's because Calley goes over Leo's head to Josh (via
Donna) that Josh convinces the President to take the censure. When the staff
learns about Josh tells them flat out that he recommended they take it and this
is the end of the discussion as far as he's concerned. Josh's firmness on the
subject forces the staff to let it go.
I mention this
for context mainly because it show collectively that Josh is willing to do for
Leo what Leo did for him. His discussion with Leo in that episode and going
forward is him being the rational one, dealing with Leo's pride and issues.
It is a case of the child becoming the parent.
Holy Night was
the last Christmas episode in the Sorkin era. By this point both the critical
acclaim and the ratings were off the rose of The West Wing and while it
would win its fourth consecutive Emmy for Best Drama that year (a record that
only Hill Street Blues and L.A. Law held before it and only Mad
Men and Game of Thrones have equaled since) it would win just one
more Emmy in 2003 and none of them were for acting. The show had its moments
(both the season premiere and season finale are among the greatest in the
show's history) but it was losing altitude) In truth Holy Night is not at the
same level as any of the previous Christmas episodes. But it still has its
moments and much of them do focus on Josh and Leo.
At this point
both Leo and Bartlet are dealing with their consciences for their role in the
assassination of Abdul Sharif at the end of Season 3. (At this point no one
outside them in the West Wing knows it but that is about to change in large
part because of events in this episode.)
When Leo learns from
Josh that the church of the Nativity in Israel has been bombed he demands Josh
start calling people in order to get it fixed. Its Christmas Eve and Josh has plans.
Then Bartlet comes to Josh and says he wants to fold an infant mortality bill
into the next budget for Congress on January 1st
Josh: I think
you're saying that before it goes to the printer on January 1st you
want to rewrite the Congressional budget.
Bartlet: You
think this is crazy?
Josh: No,
certainly not crazier than Leo for going for peace in the Middle East by the
close of business.
Josh actually
has to call Donna and tell her to cancel her Christmas plans – with her new
boyfriend – as a blizzard is starting.
In the final act
Bartlet and Leo both admit their trying to exorcise their guilt.
Leo then calls
Josh in and tells him he's calling it off and that he's sent Donna off to meet
her boyfriend. By this point Josh and Donna's attraction to each other is
becoming more obvious in Sorkin's writing.
In the final
minutes as they listen to the title carol:
Leo: It's four
years later and there are things that are worse and things that are exactly the
same. Where do you start?
Josh: By fixing
a roof. I'm staying on the phones. You want to stay with me?
Leo: Yeah.
The episode ends
with a montage of the various cast members. One of the final shots is of Leo
and Josh both on the phone. Its Christmas Eve and though Sorkin never says so
both men are exactly where they want to be right now.
With the exception
of Allison Janney Whitford has had the most consistent career with TV success
since The West Wing ended in 2006. He starred in Sorkin's follow up
series for NBC Studio 60 which ended up being a disaster. He then
starred in the undervalued Fox comedy The Good Guys with Colin Hanks
which was canceled after season. He actually appeared in two other failed
comedies that had some merit: ABC's Trophy Wife and Showtime's Happyish.
However in 2014 he appeared in a guest role in Amazon's groundbreaking
comedy Transparent and would win his second Emmy for Best Guest Actor in
a Comedy. While he was there he met his current wife Amy Landecker whom he
married in 2014.
He would
eventually be cast Joseph Lawrence one of the architects of Gilead in the
landmark Hulu Series The Handmaid's Tale. That was his most successful role
to date: he would win Best Guest Actor in a Drama in 2019 and was nominated for
Best Supporting Actor in a Drama in 2020 and 2021. Last year he was cast along Alison
Janney, who is now playing the Vice President on The Diplomat as her
husband which means as of Season 4, he's now First Gentleman. Nor was this the
only major role where he was close to political power in 2025. In the new
series Death By Lightning which focuses on the life of James Garfield he
has been cast as James G. Blaine, a force in Republican politics for more than
two decades and Garfield's Secretary of State. This role could be seen as a
mirror of his previous role as a historic politics Hubert Humphrey in All
The Way in 2016.
And just to be
clear every time Whitford is in any piece of work, whether it is film or TV, it
is as much a draw for me then and is was when I first was introduced to him in The
West Wing. The boyish youthful is gone and his hair is shock white but the
same relentless energy and determination that drove Josh is present in every
role he has played since then. He is just as entertaining and fun in comedies
as he is riveting in drama. TV is a better place because Bradley Whitford is
still working in it, just as the Bartlet Administration was a better place
because Josh was Deputy Chief of Staff.
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