Written by Matthew Wittem; story by Tom Fontana
and James Yoshimura
Directed by Kevin Hooks
As I have mentioned at least a half-dozen times by
now, one of the things that made Homicide
such a brilliant show was how it would, once or twice a season, stop a
while to linger on the anguish of the victims. This has already been done to
brilliant effect in episodes like ‘Every Mother’s Son’ and ‘A Doll’s Eyes’ or
this season’s ‘The Heart of a Saturday Night’.
You wouldn’t think there would be any new twists they could put on it,
but again ‘Blood Wedding’ shows that Fontana and company know how to do it.
Assistant District Attorney Ed Danvers has always
been portrayed as the typical city prosecutor--- not deliberately mean or
callous, but mainly because he feels the endless pressure to try and get the
case file closed or the docket freed up. As such viewers--- and probably some
of the detectives--- saw him as
indifferent or unemotional to the process of crime. In this episode Danvers learns about this in an incredibly violent way.
While shopping for a wedding dress with his fiancée Meryl Hansen, an armed
robber comes into the store with a gun. Somehow, Meryl ends up dead at the end
of a .38 and Ed Danvers spends much of
the episode with his clothes splashed with
the blood of his intended.
The case ends up being Pembleton’s first as a primary
detective since his stroke nearly six months ago and when Danvers learns this he doesn’t think Frank’s up to the task.
However, even though Frank is still a little rocky as an investigator, Ed is in
no shape to be making judgments of sense. Much like Robert Ellison in Season
2’s ‘Bop Gun’, Danvers spends much of the episode almost in a trance. He
has clearly been wounded but he can not bring himself to go to the hospital.
Unlike Ellison, however, Danvers
is constantly challenging Frank, interfering with witnesses statements and
coming up with different angles for the detectives to investigate. Pembleton is
understandably pissed at having to deal with this, especially when Giardello
backs Danvers on this.
Eventually Frank and Tim track down a suspect in the
robbery homicide. They find some evidence linking him to the robbery—ammo, ski
masks, threads--- but nothing that conclusively links the suspect to the
murder. In the interrogation they go after the robber hard, especially saying
that since the victim was a public defender, every prosecutor in the city will
want to convict him and no lawyer in the city will want to defend him. This
shakes the suspect up but not enough to make him confess. The stoic prosecutor
voices his demand very simply—he wants the suspect to die. So much so that he
goes down to see him and lock-up and tells him that he will make it his life’s
work to see the man dead.
But neither Danvers or anyone else will get any kind of closure with
this case, because at the end of the episode the suspect hangs himself in his cell.
In typical Homicide fashion, we never
learn whether this is out of guilt or because of the fear that the detectives
and Danvers rammed into him.
Zeljko Ivanek gives the most emotional and intense
performance that he will ever deliver as Ed Danvers finds himself at the hands
of the callous investigative process and the indifference of the legal system,
an indifference he himself fostered. In a powerful scene near the end of the
episode, he berates himself for all the years of cutting corners and closing
files, of forgetting the victim’s names and the heinousness of the crimes. This
is a strong scene made even stronger by the fact that when Danvers returns to work later this season, he will be
obeying the same rules and sticking with the same indifference; the criminal
justice system can not survive any other way.
In desperation Gee turns to Deputy Commissioner
Harris, who we haven’t seen since season three. It is here we learn an ugly
truth: Roger Gaffney was promoted to captain over Giardello because Harris
wanted to remind the lieutenant to be more politically pliant. He is still
holding a grudge against Gee about the Congressman Wade affair and the beauty
of being in power is that you have the ability to carry out your grudges. The
antagonism between the two men will fester until the end of the season when a
conspiracy will reveal ugliness in Harris’s past--- enough to destroy a career.
Not only are things going lousy professionally for
the squad, they are faring badly personally. After Kellerman’s one night stand
with Cox, Mike thinks that the two of them have more of a relationship then
they do. It will develop but not very well, as it will take both Mike and
Julianna into a severe downward spiral. And now Brodie has been reduced to
sleeping in the morgue, having run out of detectives to pinch rooms out of.
Fortunately, in a couple of weeks, he will find a place to stay and this overly
milked storyline will get dropped.
‘Blood Wedding’ is a very dark episode of the level
we have almost come to expect from Homicide.
Andre Braugher, Yaphet Kotto and the woefully underutilized Melissa Leo deliver
top-notch performances. We have seen the grief that murder brings to the
victims, now we see how callousness of the system can often be as brutal as the
crime itself. Ed Danvers will get over the death of Meryl Hanson but he will be
scarred forever.
My score: 4.5 stars.
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