Written by Christopher Kyle; story by James
Yoshimura and Julie Martin
Directed by Leslie Libman and Larry Williams
The
lives of the characters on Homicide took
all kinds of twists and turns over the series seven-year run. But the one that
caused the biggest uproar began with the central story in ‘Closet Cases’. The
reason that it invoked the uproar was not only because of the controversy of the subject but because
it involved Homicide’s erstwhile center, Tim Bayliss.
The
story begins with the severe beating of a homosexual man in the dumpster behind
a gay bar. Bayliss and Pembleton are called in. This isn’t the first
gay-bashing episode the series has explored---
recall Season 4’s ‘Hate Crimes’, in which Bayliss seemed almost
homophobic in his attitude towards the victim. Now we know Bayliss has explored
his sexuality in strange ways--- his visiting strip clubs in a black leather
jacket in ‘A Many Splendored Thing’ and his relationship with the morbid Emma
Zoole--- but none of this brought him anything that could be considered
happiness. In addition, by the end of the teaser, he has just ended his three-week
relationship with Julianna Cox. This
kind of thing would cause any man to start reflecting on his life.
Then
Bayliss meets Chris Rawls, the owner of the nightclub where the body was found.
Rawls is the antithesis of the typical television portrayal of homosexuals (at
least pre-1997). He is literate, subdued, witty and compassionate, most of
which we don’t see in a lot of portrayals of gays. When the save is resolved Bayliss decided to
have dinner with Rawls, something which is not unprecedented given Tim’s
history. Frank, however, is floored by this. He has noted that Bayliss has
improved in regard to homosexuality in the past couple of years, but that
doesn’t mean he expected Tim to take a walk on the wild side. (Tim must sense that his partner is vaguely
uncomfortable with this; though he will
continue exploring his sexuality over the last two seasons of Homicide, he will do most of it when
Frank is no longer around.)
Most
shows would be content to have one character make a potentially life-changing
decision in an episode. But lest we forget Georgia Rae Mahoney is still out on
the street and she appears to have Kellerman by the short hairs. Stivers learns about the possibility of a
tape from Meldrick, and needless to say, she is incredibly angry. Stivers has
been the most conscience stricken of the three detectives and she pushes for a
meeting between the three detectives that’s about four episodes overdue. The meeting between them is very unpleasant
but when it ends the three of them stand united--- they will not be blackmailed
by Luther’s sister. This is the high point in their union, relationship between
all three detectives are about to plummet.
Kellerman confronts Georgia Rae and in a move
that borders on suicidal, calls her bluff, saying that killing her brother is
worth his badge. Georgia Rae ponders
this, then near the episode sends Mike her response--- via videotape. (Hot in
here, or is it just me?) On the tape, she admits that the existence of the
videotape was a bluff but that she is now certainly that she killed Luther with
malice of forethought and that she has every intention of wreaking revenge on
him. And her revenge will not be as
simple as a bullet between the eyes. It’s going to be one that will shake the
squad to its foundation.
If all this angst isn’t enough we have Falsone
trying to negotiate a better custody agreement of his son with his ex-wife.
Unfortunately, Janine is as determined
to make sure that he does not change his custody arrangement, making it clear
that there will be a long bitter fight.
All
this personal tension going on, you’d almost forget that there had actually
been a murder. The beating of Alan Costello leads Bayliss and Pembleton into
the gay sections of Baltimore , investigating both the nightclubs and the
male hustlers that populate the city. It is eventually revealed that the killer
was a gay prostitute that Costello had tried to ‘help’ and was repaid by being
bludgeoned to death. This prostitute killed him as an apparent denial of his
own homosexuality, and he shows disdain not only of his victim but of Bayliss
as well. We see both sides of the homosexual fence--- the civilized, only
slightly ostentatious atmosphere of the gay clubs as well as the anger and
frustration of the community, and the general disdain of law enforcement for
homosexuals. The murderer was the
suspect of a similar killing in San Francisco but when he was flagged by a Baltimore cop, California refused to extradite him. More telling is
the attitude of Missing Persons (in the form of the woefully inadequate
Detective Higby, on another rotation from Homicide) when they learn that the
man he’s helping look for is a ‘corn muffin ‘. NBC had a lot of problems with
this episode, ostensibly because of the relationship between Bayliss and Rawls.
However, it seems equally likely that the network was afraid of isolating
viewers by showing cops with such
homophobic attitudes. This is a controversial issue and Homicide doesn’t run from them.
‘Closet
Cases’ is an interesting episode for many reasons, yet it doesn’t register as one of the better
episodes of Homicide. (Though it must
have inspired more fanfiction then any other episode of the series.) Mainly its
because it tries to do much and therefore seems a little overloaded. There’s
good acting by Secor and Diamond and fine work by Peter Gallagher as Chris
Rawls but ultimately the episode seems somewhat less than the sum of its parts.
It’s good, but we’ve come to expect more from Homicide, a lot more.
My score: 4 stars.
No comments:
Post a Comment