As those of you who have been
following my column are well aware, I love award shows. Sometimes, I tend to
enjoy the nominations more than the actual awards - there are no winners yet,
and there is no heartbreak.
But, like so many critics, I often
get frustrated by the fact that year after year, the same series tend to get
recognized by Emmys, and some of the better series fall completely off the
radar. It's one of the reasons I am grateful for the Golden Globes and, more
recently, the Broadcast Critics. They have a tendency to be more open-minded
and at least acknowledge some of the better series that don't get mentioned.
What I was relatively unaware of was that there were two other major groups
that have been giving awards for TV series for a significant period of time
that I have basically ignored, the former because I'd never heard of them, and
the latter because, while they have been doing good work, entertainment
television has mostly been on their back burner.
So, with less than three weeks to
go before the Emmys, I thought that it might not be a bad idea to give
recognition to those that give recognition themselves, mostly because, as a
critic, I feel a certain kinship with both groups.
The Television Critics Association
is a group that, frankly, I had heard nothing about. In one sense, they are a
fairly narrow group. They give awards for Dramas, Comedies, News and Information, Movies, Mini-Series
& Specials, and categories that sound like runners up like Best New Series
or Show of the Year, But they only give awards for Outstanding Individual
Achievement in each category, no differentiating between male and female, lead
and supporting.
But in a larger sense, they have
been far more inclusive than the Emmys have ever been, recognizing series that
they have to obtuse to recognize, and giving notice to some series that should
have gotten more awards then they did. In Drama, for example, they recognized Homicide: Life on the Street, my
personal candidate for best show of the 1990s for three consecutive years. They
also acknowledged series who star shone too briefly, like My So-Called Life, Twin
Peaks , Boomtown and I'll Fly Away. And they acknowledged some series that visited the
Emmys frequently but couldn't take home the big prize, such as St. Elsewhere, Six Feet Under, and The Good Wife.
They've also demonstrated
remarkable vision when it comes to comedy. The
Larry Sanders Show was recognized. So were Sports Night, Malcolm in the
Middle and Parks & Recreation. They've
also shown the good sense to recognize black-ish
and The Big Bang Theory.
You'd think their limitations on
acknowledging only a single actor for Individual Achievement would limit them.
Yet even there they've shown some genuine brilliance. They gave Andre Braugher
their first two awards for Homicide. They acknowledged Michael C. Hall, Hugh
Laurie, Ian McShane for Deadwood, Matthew
McConaughey for True Detective and
Carrie Coon last year for her dual turn in Fargo and The
Leftovers. They showed less versatility in comedy, but they did recognize
the late Bernie Mac, Nick Offerman, Amy Schumer and Rachel Bloom.
And they've shown remarkable
farsightedness in other categories. In New Program, they recognized Ally McBeal to Glee to Orange is the New
Black to This Is Us. But they
also acknowledged Gilmore Girls, My Name
is Earl, and Friday Night Lights. And
Program of the Year often serves alternately as recognition of new shows, like Desperate Housewives and Heroes, but they've also acknowledged Battlestar Galactica.
Which brings us, at last, to this
year recipients. Now, the TCA , like the
Critics Choice has always been an enthusiastic backer of The Americans. They picked as the best new series of 2012-2013.
They acknowledged it as Outstanding Drama for 2014-2015 & 2015-2016. But in
its final season, they showed it a huge amount of love. They named it
Outstanding Drama for the third time, only the fourth series to win at least
three awards. They gave their Outstanding Dramatic Performance to Keri
Russell. And their pick for Program of
the Year was The Americans. Not Game of Thrones, not The Handmaid's Tale. The Americans.
I know better than most that
critics opinions of what is the best series of the year rarely count for much,
unless the series is The Sopranos or Breaking Bad. But considering that the episode that the
producers submitting was almost certainly the last one, and considering that
one was probably the highpoint of the entire 2017-2018 season... just saying.
Outstanding Comedy was a little
harder to measure. I am immensely gratified that the Critics acknowledged how
truly and utterly great The Good Place is, I just wish the Emmy
voters could've been persuaded to see things the same way. And I'm not horribly
shocked that they chose to give the Outstanding Achievement in Comedy prize to
Rachel Brosnahan for Marvelous Mrs
Maisel, because that's definitely what she is. And the TCA ,
unlike every other award show until now, knows just how brilliant the
Palladino's are. (They recognized Bunheads
too.)
And I am encouraged by the fact
that their choice for Best New Program was BBC
Americas's Killing Eve,. Now I
definitely have to get caught up. And its pretty clear that Assassination of Gianni Versace is the
Mini-Series to beat.
Suddenly, I'm kicking myself for
not even knowing the TCA ever existed before
now. They look and sound like they'd really be my friends. I look forward to
seeing what they will do next year.
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