Among their many, many other
virtues, many of the comedies that air on Netflix have the benefit of providing
work to some of the greatest acting legends in history. I have already
mentioned just how many acting titans have appeared on Grace & Frankie, aside from the four leads. Rita Moreno
received some of the best notices of her life for her work on Norman Lear’s reimagining
of One Day at a Time. Carol Burnett
has been working on a variety series. And The
Kominsky Method, the Golden Globes choice for Best Comedy Series, has
offered employment to two of Hollywood ’s
greatest actors, Michael Douglas and Alan Arkin, who were already recognized
for nominations by the Globes and the SAG Awards and are likely heavy favorites
in the Emmys voting, which is fast approaching. It took me a while to get
around to actually looking at this series that I’ve heard great things about
for nearly six months, but it’s definitely worth the time.
The major impetus for everything in
the series starts after Norman ’s wife, who has
been suffering from cancer for a long time, finally dies, and Sandy finds himself in the position of trying
to take care of him. So far, that has been mainly been dealing with the
preparations for the funeral, which his wife went into great detail in
preparing, asking for Patti Labelle to sing Lady Marmalade, Jay Leno to emcee,
and Barbara Streisand to sing ‘The Way We Were’ (“I don’t think Streisand does
funerals” Sandy says). Much of what Norman is dealing with is a combination of
grief and outrage. He doesn’t want to tell his daughter, who never visited her
mother even on her deathbed, and shows up right at the key part of her father’s
eulogy. But it’s clear that he feels truly lost, and he will need all the
support he can get.
The series is engaging, witty, and
often moving, so it may surprise some that Chuck Lorre, the man behind such
randy comedies as Two and a Half Men and
Mike and Molly is the main writer.
But Lorre has been capable of showing great depths in his recent work: the soon
to conclude Big Bang Theory was
remarkable in the way it allowed most of its characters to grow emotionally
over its long run, and Mom has always
been superb in the way it managed to find laughs in alcoholism, gambling
addictions, and family dysfunction. The
Kominsky Method isn’t quite there yet, but it is much in that vein in many
of the early episodes: Norman goes insane at a bereavement director when he
suggests cardboard for a coffin, and Sandy blames Bill Clinton for the depth of
our culture: “Once blow jobs stopped being sex, we were doomed as a
civilization.) It’s also refreshing to see that Douglas, who is remember by a
full generation of movie goers as being so intense, was once and is still a
very natural comedian. And it’s good to see him, in his seventies, getting to
cut loose again. It’s no surprise to see Arkin, who was enjoying a late in life
renaissance before this, demonstrating how good he is at melding comedy and
tragedy.
This is a much more polished work
than so many of the Netflix series have been: it took Grace and Frankie a full season to finally hit its stride, and it
took half a season for GLOW. The Kominsky
Method isn’t quite yet a classic, but its definitely one of the better old
fashioned comedies you’ll find anywhere.
And in a world where the rules of comedy seem to change every thirty
seconds, this is a good sign that were not as bad off as a society as Sandy thinks.
My score: 4.75 stars.
No comments:
Post a Comment