I remember at the beginning of this
decade I was impressed with the direction the CW was taking with so many of his
new kinds of series, giving new twists to franchises that were decades old and
making them topical and entertaining, even with a twist of darkness. But at the
end of the 2010s, I’m really beginning to wish that they could just ease up on
the darkness a little.
Nancy
Drew has been entertaining and inspiring young readers for nearly a
century, creating a franchise for young readers before the term ‘franchise’
really existed. And you’d think that the CW, a network that going back to its
roots had such brilliant shows with young adult female leads like Veronica Mars (and if we extend it to
the WB, the sacred Buffy and Gilmore Girls) would be the perfect
place to come up with an adaptation where so many other TV channels have failed
to get off the ground. Well, the CW version of Nancy Drew may inspire fans, but I seriously doubt it will be the
same group of people who grew up reading those books.
I expected that there would be,
certainly by necessity, some updates to the plucky and wholesome heroine that
has been solving mysteries for ninety years. I didn’t expect the series
introduction to Nancy
to begin with her screwing Ned just
before heading off to her job at the Claw. Yes, this Nancy has delayed going to college because
her mom has passed from cancer, and while she used to solve mysteries as a
pre-teen, she has given that up. She doesn’t seem to even be talking with her
former bestie George (whose gender flip is frankly the least of my problems
with this series), and Bess happens to a former rich girl who has a leaning
towards kleptomania. All of this before the opening credits on the first
episode have rolled in which by the way, there’s a murder.
Naturally, the chief of police
hates Nancy ,
but this time its because he considers her, and everybody who was working in
the restaurant as suspects in the murder, who happens to be the society wife of
one of the most powerful men in town. Nancy
finds herself beginning to investigate the murder to clear her name. So
naturally, it turns out that Ned is a suspect because he was a juvenile
delinquent, who the woman testified against.
Not satisfied with dealing with all
of these clichés (which let’s face it, make up a lot of YA novels these days)
it now appears that her father, an attorney (Scott Wolf, how did you get
corralled into this?) may have a history with the town’s most notorious
disappearance. And as if this series wasn’t stealing from Twin Peaks enough, it now seems that Nancy keeps having visions of that woman’s
ghost.
I’ll be honest. I’ve never read a
Nancy Drew in my life. But even this series were to try and stand on its own
merits, I still wouldn’t like it much. It’s overly dark, it seems to be determined
to put way too many bizarre twists in every episode, and it doesn’t have a
sense of humor to save its life. It’s frankly the last thing to come from the mind of Josh Schwartz, who clearly
demonstrated his knowledge of teenagers in Gossip
Girl and The O.C., but
demonstrated that he had the light touch in the wonderful Chuck. Here, anytime there’s even a hint of lightness or humor, the
writers stomp it dead. They also seem to be willing to flip genders and races
for some characters, which I normally approve of, but they seem to have done so
without any effort to make them human beings.
When did the CW lose its sense of
humor? It clearly demonstrated it had one in the astonishing Jane the Virgin and Crazy Ex-Girlfriend and could make even the darker subjects seem
entertaining (iZombie). Now, the
lesson they seem to have taken from Peak TV is that you have to make everything
dark, dark, dark and God forbid that anybody involved (cast, writers and
audience) have a good time. They clearly seem to have an idea of what they’re
doing when they ignore franchises entirely (All-American
and In The Dark) but these series
are the exception rather than the rule.
After Gilmore Girls was cancelled, I gave up watching the CW for more
than six years. When I started watching again, it clearly seemed like they were
really going to find a genuine niche in the world of shrinking broadcast TV/
But if series like Nancy Drew are
going to be the new normal, I may go into hibernation from them again. Mister,
we could use a teen like Willow Rosenberg again.
My score: 1.75 stars.
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