Ted Danson and Kirsten Bell
Forking
Incredible In Everything They Do
The Good Place is one of the great
triumphs of the decade, an extraordinary comedy that deals with ethical issues
that few other series, comedy or drama, would dare tackle. And much of the
reason for its incredible success is due to the work of its two major stars,
Ted Danson as Michael, a demon who undergoes some of the most remarkable
evolution possible, and Bell
as Eleanor, a horrible human being in life who ultimately has become the force
for righteousness in the afterlife. If it were just for the work they did in
this series alone, they would deserve mention. But both have done more.
One of the nicer
dividends of the New Golden Age has been watching Danson, who spent the better
part of fifteen years in comedy series playing off his affability in Cheers, completely shift his career in
directions you wouldn’t have thought possible from the lead in Becker. There was his extraordinary work
as Arthur Frobisher, the cuthrouat industrialist at the center of the first
three seasons of Damages, one of the
underwatched greatest series of all times. He did a marvelous comic turn in the
droll detective parody Bored to Death. And
as Hank Larrson, one of the few genuine forces for pure good in the second
season of Fargo ,
he was a dry force of stability in a world of chaos. I’m even willing to
forgive his by-the-numbers work in the later seasons of CSI – doing all that creative work, he had to find some way to pay the bills.
Is The Good Place one of the greatest shows
of all time? We’ll have to wait to see how it ends in January. But its pretty
clear that the work Danson and Bell
have put in is magnificent.
Felicity Huffman
Yes,
She Is a Criminal, But….
This is not an
article to defend Felicity Huffman for her role in the college scandals. I
realize her illegal activity has put a black mark by her – a lot of people no
doubt thought she is the epitome of celebrity privilege. But the fact is, despite her crimes, I can’t
deny she’s been one of the strongest actress of this decade – hell, she was one
of the greatest actresses the medium has ever seen.
In the final
seasons of Desperate Housewives, Lynette
may have been the one solid thing the series had going for it as it descended
into the soap opera it had originally been imagined to satirize. But she more
than redeemed herself in her extraordinary performances in American Crime. From the racist mother who tried to blame anybody
but herself for her son’s murder, to the entrenched dean trying to deal with a
homosexual rape that spirals out of control to the daughter trying to break
free of a farm that relies on illegal slave labor, Huffman was consistently and
frequently exceptional. Only the fact that the competition in the Best
Actress/Limited Series may have the greatest it’s ever been stopped her from
receiving at least one more Emmy.
And her work as
Linda Fairstein, the NYPD detective who leads the ever to torture confessions
out of the Central Park Five – and then, when their innocence is a certainty,
deny that it is real – was among the most frightening work I’ve seen this year.
Let’s face it, the college scandal put any onus on her getting a deserved
nomination.
I don’t pretend
that Huffman is a saint. (And considering how much I admired her as an actress
before the scandal, this truly is painful to admit it.) But even if she never
gets another acting job again (unlikely, this is Hollywood ) she should still be remembered for
who she was: one of the greatest thespians in TV history.
The
Former Doctor Whos
These
are The Good Doctors
No matter what your
opinion of the current incarnation of Doctor
Who (and really there are as many opinions of that as there have been
regenerations) the men who played the Doctor so well in the first decade have
some extraordinary work this past decade.
Christopher
Eccleston upset a lot of people when he departed the current incarnation after
its first season. Especially since he spent much of the next decade doing TV
series and movies – mostly in Britain
– that were far below his ability. Then in 2014, he took on the role of Matt
Jamison in The Leftovers and touched
greatness. A minister mentioned barely in passing in the original book, he
became a character trying to find God in a post-apocalyptic world. In the final
season, he found God – and found that he was just as lost as he’d ever been. It
was an extraordinary performance that the Emmys, like they did with the entire
series, felt fit to deny. While Eccleston was working in this brave world, he
also worked in The A Word as a
drunken Scottish grandfather of a family dealing with an autistic child. Here
we got to see the comic side we rarely did.
David Tennant may
be the greatest Doctor in history, and has spent his career since playing
characters that go vehemently against the cheerful Doctor we once knew. The
uncomfortable, prickly DI Alec Hardy in Broadchurch,
the villainous Killgrave who haunted the title character in Jessica Jones even after he was well and
truly dead, Crowley, the demon who helps misplace the Antichrist in Good Omens… all twisted characters where
Tennant’s charisma made you appreciate their problems. And of course, those of
us who had doubts about the new incarnation of Ducktales were immediately relieved when we heard who was voicing
Scrooge.
And of course, Matt
Smith spent the first half of the decade playing the Eleventh Doctor in such a
way that its hard to associate him as anything else – until he took on Prince
Philip in The Crown and put life into
the stodgy old man we see beside the Queen. He earned the Emmy nomination he
got.
They made an impact
as the Doctors, one can’t deny it. What we can’t deny is just how great they
are as actors of their own merits.
No comments:
Post a Comment