The longer I watch Better Things, the more I begin to
realize just how much I like Pamela Adlon. Adlon has been around television for
a very long time. She was probably the only thing that made Californication worth watching, and her
fine work on Louie seemed to be
leading to a great collaborative process, until Louis C.K. disgrace caused her
to cut ties with him two years ago. None of that has rubbed off on one of TV’s
quiet masterpieces FX’s Better Things.
Adlon plays Sam Fox, a struggling
actress still trying to make a living as she turns 50. The entire world has
always seemed to be turned against her.
Her rarely seen husband is a monster who torments her through her
divorce. Phil, her mother (the incredible Celia Imrie) may be the single
coldest maternal figure in television history. It’s not just that she doesn’t
seem to care for her daughter; its that she seems incapable of caring for
anyone or how her actions affect them. In the fourth season premiere, she
clearly had what was some kind of cardiac episode that cause them to put a
defibrillator on her. (No doubt this stunned those of us who have watched her,
and were pretty certain she never had a heart at all.) The near death
experience has just made her more careless to her own family. Sam’s three daughters are some of the most
exceptional children in all of TV.
Frankie is clearly a genius with
a genuine eccentric style to her, who can barely tolerate her mother. Max went
to college last year, and basically went through a long process where she
seemed to drop out. Duke is by far the youngest, and at times the most
compassionate of the children. All of them
have their own way of being a joy and a curse to their mother – Frankie just
turned fifteen and wants her first huge birthday party – a quinceanera. This
irks Sam not only because her daughter is ‘too Jewish for this’ but tradition
is the mother must invite the father – who as we’ve already established, is a
prick.
Some
might complain about the often glacial pace of so many episodes of Better Things – the entire fourth season
premiere was basically a lazy vacation day for the Fox family. But in a world
where even the best TV series rush along from event to event, Better Things lackadaisical pace is
something to admire. As I have found as I rapidly approach the age of so many
of the characters in this series, I find that life can move not only too fast but
not fast enough any more. This isn’t a show about nothing, the way Seinfeld was, this is a show about the
way life progresses even so little seems to happen. Shows have centered on
Easter egg hunts, lazy parties, and how Pam has begun the process for that
joyous event, a colostomy. They may not seem
obviously funny, but they’re what life is about sometimes – the small
incremental moments of it.
One of the bigger problems I had
with last season’s Emmys was that there was no place at all for Pamela Adlon anywhere,
among acting or writing. Granted there was a lot of solid competition –
particularly among her fellow hyphenates – but it was still inexcusable.
Considering that Julia-Louis Dreyfus, Phoebe Waller-Bridge and (so far) Natasha
Lyonne will not be present this year, there’s definitely going to be room for
her this year. For their consideration, I submit Adlon and Better Things, currently the best female run comedy on the air –
until Insecure returns next month.
My score: 4.25 stars.
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