Last March, in a time that now
seems as far back as the Pleistocene era, Council
of Dads followed the season finale of This
is Us. Another series in what seems to be the new genre tragi-comedy, it
dealt with the Perry family, mother, father and four very distinct children.
The pilot dealt with the father (Tom Everett Scott) diagnosis with cancer, his
recovery, and the year in between. Worried about what would happen if the
cancer came back, he made the suggestion for a ‘council of Dads’ to help raise
his children. These involve three different men in various parts of his life: Evan,
a fellow restaurant owner, Oliver (J. August Richards) a gay oncologist, who
worked at the same hospital as his wife, and Larry (Michael O’Neill) someone
Tom knew from AA. The inevitable happened at the end of the episode – the
cancer returned and Tom passed away. Things moved forward from that point on,
but for some reason NBC didn’t launch the series officially until last night.
It doesn’t fit into their usual list of Wolf procedurals and comedies, but it
might have a place in that middle ground of quirky series – Good Girls and Zoey’s Extraordinary Playlist – that don’t seem to show up anywhere
else.
It doesn’t try to instantly make
the Council a successful enterprise; indeed much of the second episode showing
the council either trying to hard (particularly Larry) or trying to ignore
their duties altogether (Oliver and Evan) It doesn’t help matters that Robin
(Sarah Wayne Callies, a light year away from Prison Break or The Walking
Dead) is still mourning her husband and is trying to do everything on her
own.
Her family would be peculiar under
any circumstances: Luly, the eldest, is a bi-racial twenty-something journalist
who wanted to move to New York
in the Pilot, got caught up with her Dad’s illness and recovery, and changed
her entire life. She got married at the end of the episode, and its hard to
know whether it was out of love or grief. JJ is a child who was born as a girl and identifies
as a boy. Charlotte
was adopted and has been looking for her birth parents. Theo is an adolescent
going through angst.
The series is an uneven mix so far,
but it works when it does when it leans into the awkwardness. I’m particularly
in favor of it because of the casting against type of Michael O’Neill as Larry.
O’Neill has been working steadily in television, but usually as someone who gets
killed early in the series (24) or
someone who has a twisted soul (he shot up the hospital in Grey’s Anatomy) Its rare for him to get a chance to play a fully,
mostly flawed human being, and he does a good job at it, as someone who is
overreaching – mainly because he was a horrible father to his children because
of his drinking, and really needs this second chance.
I’ll be the first to admit Council of Dads often tries to do too
much – it’s got a large cast and it doesn’t know how to handle all of them well.
And I have a feeling the grimness of the subject will not be a ready draw to
many audiences. But it’s different, and it tries to really analyze what makes a
family in this strange new millennium we live in. We don’t see that often on a
lot of shows these days, much less on broadcast television. For that much, at
least, I’m willing to give it a chance.
My score: 3.5 stars.
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