The art of the dramedy has always
played badly on HBO. Showtime has turned it into something of an art form in
the early part of the decade, but HBO has never fared that well with it,
particularly in the past year. Mrs.
Fletcher worked a lot better as a comedy, while RUN never quite worked on any level. But in the past couple of
weeks, we’ve gotten a look at a series that is completely different from
anything HBO has tried, and indeed, something that very few services have
tried, period.
I
May Destroy You centers on Arabella, a black woman living in London working on stories
from her opinions on the Internet. Very much a citizen of the world, we see in
the opening minutes of the pilot driving away from a booty call she has in Italy that her
publishers cover as ‘research’. Hopelessly behind on her latest book, she
spends the night before a meeting with her editors getting drunk with some
acquaintances: Simon and Kat, who are interesting in having a threesome. She
takes a break from her work, she has a drink with them, they start partying,
and then… something happens.
It’s not clear even to Arabella
what has happened. She wakes up the next morning, she keeps having flashes of
the night before, her phone has been smashed, there’s a bruise on her forehead,
and she just can’t concentrate. And when she tries to call the people about
what happened the night before, they’re very vague. But what she thinks has
happened is some kind of trauma, almost certainly a sexual assault. And while
she goes to the police and reports it, there’s a part of her – a really big one
– that just wants to move on. While another part wants to know what happened.
I’m not going to lie to you; I May Destroy You is pretty bleak. But
it’s not the kind of darkness we’ve come to expect from your typical pay cable
series. This takes a piercing look into what it is like to be drugged and lose
the ability to consent in a blunt and unsparing way. Those who get their usual
kicks about seeing Olivia Benson deal with this kind of story on a weekly basis
will be very uncomfortable here, maybe because there don’t seem to be any real
answers. And most of that is due to the work of the central
character-showrunner Michaela Coel. It takes the perspective of so many of the
internet age, and looks at them with an unforgiving eye. Arabella doesn’t fit
the definition of the rape victim the television viewer has come to know. She’s
trying to get answer, mainly because she doesn’t have a clear perspective on
what happened to her. But she’s not in a particular hurry to change her life…
at least not yet. Later episodes will demonstrate that she will do just that.
There’s also the fact that almost
the entire cast are African-Brits, but even in a world where race has become
ultra important, this kind of sneaks up you because no one goes out of there
way to talk about it the way they would occasionally on, say, Insecure. But Coel goes to a great deal
of trouble to give all of her supporting characters detail. Arabella’s friend Terry is an actress still
trying to make it; Terry is a black gay man, a whole world which rarely gets
explored anywhere, and Simon and Kat
just seem as lost as any other couple in a relationship.
As I said, I May Destroy You is not an easy series to watch. I can imagine
most people will turn away from it just hearing the description, and I haven’t
seen enough of it to know if there are rewards for staying the course or
whether it’s a series that you admire more than enjoy. But I’m more than
willing to give HBO and Coel a lot of points just for effort. It’s probably not
going to be an example of the new HBO (my guess is they’re still focused on Game of Thrones spin-offs), but in terms
of approach and execution, it really should be.
My score: 3.75 stars.
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