While I have few complaints about the Emmy nominations for Best Comedy this past year, I was irked that the third season of Atlanta which was more radical, surreal and hysterical than many comedies hope to be was ignored for Best Comedy in favor of the more traditional Curb Your Enthusiasm. That being said, it didn’t surprise me.
The third season of Donald Glover’s magnificent comedy was no doubt more divisive than any comedy season ever and for good reason: four full episodes took place in a world where none of the regular characters even seemed to inhabit, and seemed more fitting Jordan Peele’s recent remake of The Twilight Zone than anything else. While episodes like ‘Three Slaps’ and ‘Trini from the Block’ clearly showed insight into the world that so many African-Americans inhabit today, their relevance to what was going on in Paperboi’s European tour seemed non-existent. (Until the final moment of the season finale, which made us question everything we’d seen.) And it’s not like that there was a lot of craziness going around the tour: few who saw Alfred take that trip to ‘New Jazz’ will ever forget it and watching Van inhabit the world of ‘Tarrare’ in Paris showed us just how lost she was. While the HCA was awed in general by what they saw, I’m not surprised the more traditional Emmys couldn’t figure out what to do with it.
Well, the craziness that inhabited Season 3 has been on display to just as great an extent so far in Season 4, but I have a feeling fans will be more forgiving for a very important reason: Glover, Hiro Murai and his team have now put the leads front and center of it. The fourth season opens with Darius entering a store which is clearly being looted, trying to returning a pasta cooker, which utterly stuns the cashier who starts the process before running off with the cash. Darius then leaves the store only to encounter a woman in a motorized wheelchair who most of the people run from and so she focuses on Darius.
Darius then returns to Alfred, who has been waiting for him in a traffic jam that has not moved for an hour. Then he sees that same old woman in the motorized scooter. He gets out of the car, and she starts chasing him…and chasing him.
Meanwhile Alfred learns of the
death of a rapper he admired who has dropped a new album before he died. He
then goes to a restaurant the rapper mentioned, asks for a special…and finds a
clue to something. Earn and Van in the meantime are having an increasingly
weird time at a shopping mall. Earn encounters an old girlfriend in the parking
lot. Then Van sees that someone who waited on her at an Apple store ten years
ago. This starts becoming more and more frightening, particularly when they
return to the parking lot and find that same woman, who casually tells them
she’s been in the mall for more than six years.
The writers find a way to tie all these loose ends together (without
explaining all of them) and we get a hint that Season 4 might have more to it
than that.
The three episodes I’ve seen so far
show
Last night’s episode split the
focus fairly evenly between Earn and Alfred (Bryan Tyree Henry). Alfred found
himself being ‘bought’ to help a millionaire’s son becoming a rapper. He met a
colleague of his and they went off together, which led to a discussion where
the two got high and discussed how to get rich. This let to another surreal
sequence where they went to meet a man who discussed the importance of getting an
YWA (young white avatar) in order to win Grammys. (In all the years of the
series, this is the first time
Meanwhile, we saw Earn working at
his agency wanting desperately to get away from an account where the team was
working on how to ‘rebrand’ a white woman who held a gun on an African-American
child. Mentioning that he might be able to find ‘D’Angelo’, Earn goes to a gas station
where he finds a restroom sign labeled ‘D’Angelo’. He goes in to find a fancy
door with a man standing in front of it, reading a magazine. Earn waits…and
waits…and waits. Finally after he
protests for awhile, he asks the guard the right question. The guard opens a
passage in the wall and Earn goes through it. What he eventually finds I will
leave for you to see; all I can say is, even the radical artists have a price.
Atlanta
debuted just prior to the 2016 election, and in its way it seems like a perfect
mirror to the surreal world that everyone, not just African-Americans, have
been inhabiting ever since. Not everyone likes the weirdness that it inhabits –
it was one thing to go through it once in a while, like in the landmark
episodes ‘B.A.N.’ and ‘Teddy Perkins’, but after awhile one clings to the idea
of ‘normality’ as if every episode that we saw in much of the first two seasons
was a map of logic. In a way, you could
say that the third season of
What will happen to Paperboi’s
career? Will Earn and Van end up together? Will the link between the bottle
episodes be explained in the final season? I care about resolution to the first
two questions, but not the last.
My score: 5 stars.
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