I have made little secret over
the last decade and indeed before that how much of an admirer I am of Bob
Odenkirk. I have loved him well before he took on his iconic role of Saul
Goodman on Breaking Bad, and was actually appalled to learned that he had
little choice to do so at the time because his agent told him he was basically
broke. (The co-creator of Mr. Show was nearly bankrupt? That’s a crime
in itself.) His work as Jimmy McGill on Better
Call Saul was one of the great performances on one of television’s greatest
series. I’d be angrier that Odenkirk has never won an Emmy for it, but I
remember the field he’s been a part of over the series’ run, and I would have
voted for at least four of the actors who ended up winning anyway. (Doesn’t let
you off the hook to ignore him this year.)
Given that he suffered a heart
attack while filming the final season of the show, we are lucky that he is
still around to keep working. Odenkirk himself could be forgiven for taking time
off before doing any other projects but less that a year after the finale of Saul
aired, here he is on another AMC series playing another title character
in the new comedy Lucky Hank.
Now it’s worth noting I would
watch Odenkirk in anything he does by this point, and if nothing else Lucky
Hank an adaptation of Richard Russo’s novel Straight Man resolves the
one thing I was troubled by throughout Saul’s run. For the better part
of seven years, Odenkirk had to pretend that he was at least five years younger
than when Breaking Bad started when he was already six years older. I credit
the makeup artists for doing that (as well as the series for never pushing it
that hard) but I’ll admit that part of me has wanted to see Odenkirk play a
character at least his own age for the last few years. Watching him play failed
author turned head of the English department at an underfunded Pennsylvania
college, I get to see the pleasure of
Odenkirk essentially playing the complete opposite of Jimmy McGill/Saul – a late
middle-aged, family man, who feels that life is a waste and barely has the
effort to go through the motions with it. It also helps Lucky Hank is
more or less a comedy as opposed to the dark drama that Odenkirk has been
working in (albeit brilliantly) for the last fifteen years now gets to be the
curmudgeon who can’t take anything seriously if his job depends on it. (Unlike
Saul, his life does not.)
Now I imagine Odenkirk’s
presence alone would be enough for some viewers but not for many. I’ll admit one
of the reasons that Lucky Hank appeals to me more than some is that I
thoroughly enjoy the setting of Lucky Hank - the English department of a mediocre Pennsylvania
college. I kind of fell in love with the show in the first scene where a
clearly bored Hank is supervising (one can’t really say teaching) his literature
class. Bartow, the classes prodigy,
wants Hank to ‘criticize’ his excerpt, when its very clear he wants to be told
how great it is. Hank points out the obvious flaws in the chapter and Bartow,
who has pretention written all over him, basically says that Hank isn’t
qualified to instruct because ‘his only novel isn’t even sold in the campus
bookstore’. Exasperated Hank berates Barton telling him that he’s not a good
writer and the reason he knows this is ‘you’re here! I’m not a good enough
writer to teach you and the reason I know that because I’m here!” Naturally
the student newspaper berates him for calling Rackleton college mediocre and
the next day all his teachers are giving him fisheye stares.
The thing is, Hank is
absolutely right. Rackleton is the kind of college you go to if your safety
school won’t accept you but community college is somehow beneath you. Bartow
himself is a prime example of this, as one student says: “Your parents have a
building named after them at Notre Dame and they still couldn’t get you in
there.” (Bartow says: ‘I don’t want to talk about that.’) The only sports that regularly
wins at the athletic level is field hockey. The college has been underfunded
for years and there are more budgets cuts looming – for good reasons, when one professors
holds a seminar it’s in her office because there are exactly three students in
it.
But just because this is such
a mediocre college doesn’t make the English teachers any less egomaniacal,
back-biting or self-important. Hank’s arch ‘nemesis’ is Gracie DuBois who is
angry for being considered mediocre even though she is considered the ‘top scholar
in 21st century feminist poetry’ -
a genre so narrow you think she has to have created herself. Indeed, her top prize in this came over a decade
ago and she hasn’t written anything interesting since. She would be the most
unpleasant person in his department except at this point no one’s even
bothering to go through the motions. (A rival of her actually says: “I don’t
have to be pleasant. I have tenure!”)
The fact is this is such a mediocre
college that even the scheming and back-biting is fundamentally lazy. When Emma
wants to form a ‘coup’ and take over the English Department, Hank doesn’t even
bother to put up a defense because he doesn’t care that much. Neither does the
department: the motion carries because three people vote in favor of it,
everyone else abstains. The next day Hank expects to be dismissed but is saved
by the narcissism that comes from being in higher education: everyone votes for
themselves and Finny (by far the most pretentious) accidentally votes for Hank
because in his mind ‘that’s abstaining.’
The student body is just as lazy.
Bartow camps out at Hank’s desk the next day saying all he wanted to do was write.
Then he demands a written apology posted on the website. Hank won’t even go
through the motions with it, so Bartow puts a piece of paper in front of his
desk that says ’23 days without an apology.” In last night’s episode George
Saunders (playing himself) who was an old rival of Hank’s sits in on Hank’s class
and basically gives the same criticism of how lousy a writer Bartow is. Bartow’s
reaction is that he’s learned more that in class and demands to form a class of
‘excellence’. (This club has three
members, including a sycophant who I suspect in a future story will be revealed
to have a crush on him.) The beleaguered dean gives into this just to get Barstow
off his back. It’s clear that Bartow didn’t listen take Saunders’ criticism any
more seriously than he did Hank’s; all he cares about is a famous writer criticized
his work! (Of course just before Saunders gives his lecture, Bartow reveal he’s
never even read his work.)
As someone who truly loved the
Netflix comedy The Chair, I find Lucky Hank appealing for much
the same reasons. This is a whimsical study of what all English departments and
indeed so many college faculties are like; you get the feeling the student body
doesn’t even have the energy to cancel someone. And Hank, whose entire life has
been in this mediocre town, is completely fit for it. He’s always been living under
his father’s shadow. His father was a brilliant writer who abandoned him and
his mother for a younger woman when he was a child. (In the scenes we see with
Hank’s mother, though, you sort of get the sense of why he might have done just
that.) Having spent the last fifteen
years seeing Odenkirk playing a character who spent his life punching above his
weight, it’s fascinating to see him basically play someone who doesn’t even
have the energy to punch any more. He knows he’s not a good teacher, he’s been
stuck on his second novel for more than twenty years and he hates the town he
lives in but just doesn’t have the energy to leave. His life might be
unbearable were it not for his beloved wife Lily (Mireille Enos returns to AMC a
decade after The Killing left)
Lily is everything Hank is not,
tolerant, compassionate and completely understanding of her husband. She is a
capable high school guidance counselor and she has a certain level of ambition,
which Hank continuously frustrates. There is also the problem of their daughter
Julie who has been living with her boyfriend for awhile but is nowhere near
independent. She says she wants to have a meeting with her parents to announce,
‘big news,’ which means they expect she’s pregnant – and it’s a plan to buy a
pool and start a business plan on their app. Judging by Hank and Lily’s
reaction at the news, they have been down this road many, many times.
I will confess to being
charmed and constantly amused by Lucky Hank. Most of the cast is made up
comedy veterans who know how to do this well. Oscar Nunez of The Office is
constantly put-upon as the dean. Diedrich Bauer (who played a college professor
in American Housewife) doesn’t even have to try hard to get laughs (he
hasn’t been used nearly enough) And it’s wonderful to watch Cedric Yarborough,
a favorite of mine from the gone far-too-soon gem Speechless play an
English professor who loves being unpleasant in every aspect. (I love his reaction
when he learns his sacred campus parking spot is being taken: “Do you know how
many tenured professors had to die for me to get that spot? Four! And the last
two really suffered!”) One would expect such humor from the work of Peter Farrelly,
but who would have thought that show-runner Aaron Zelman, who I know best for
his work on the cutthroat drama Damages would have such a gift for
comedy?
Now I admit that, for many
fans of Peak TV, a series like this that seems to have so low stakes and so little
action in it might not be enough of a reason to watch. (No doubt they would rather
watch Succession a show which has so little action but at least the
people are you know…well, you tell me.) That being said, I’m glad that Lucky
Hank is around and that it’s on AMC. Over the last few years I have despaired
at the network that brought us such groundbreaking dramas as Mad Men and
Breaking Bad has basically become the home of The Walking Dead and
stories relating to witches and vampires.
Lucky Hank is the kind of series that AMC used to do very well
but stopped trying because monsters were more profitable. Perhaps Odenkirk was
drawn to this project for the same reason Hank Devereaux is still teaching: he
can’t leave his home. And in this case, I think the viewer is lucky for it. I’m
glad that I’m here.
My score: 4.25 stars.
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