Wednesday, April 16, 2025

Alert: Missing Persons Unit Returns for A Third Season - Missing One Person Whose Absence May Be Fatal

 

This review is going to take a bit longer than some of my previous ones and this is intentional.

Those of you who have read my blog know that when Alert: Missing Persons Unit debuted in January 2023 I dismissed it because I thought the underlying storyline – two parents being confronted with their missing son after several years but who are unable to recognize him – was so fundamentally ridiculous that after three episodes I abandoned the show. After I heard the storyline had been resolved when it was renewed for a second season I watched it as more of a time-filler than anything else.

To my immense surprise the second season was immensely better than the first. Freed from its ridiculous storyline it became a far more satisfying, albeit traditional procedural. After seeing the first two episodes I would watch the entire second season and found it, if not a masterpiece, at the very least one of the better series on network TV. The fact that it had improved so immensely both as a procedural, with character development and a far superior series of underlying storyline, was a revelation compared to almost every series I’ve ever watched with inevitably start like gangbusters and far too often fall apart in later seasons, if not during the sophomore one. I was overjoyed when it was renewed for a third season and I’ve spent much of the last few months eagerly awaiting its return.

Then it came back last month – and I had to deal with something I haven’t had to confront on a TV series in a very long time.

In the era of Peak TV the average viewer has gotten so used to characters being killed off on cable and streaming that they might well have forgotten that during much of television history they were frequently killed off for less flattering reasons – the actor involved wanted to be written of the show or behind the scenes arguments became so heated that the character was killed off. In recent years we’ve learned that frequently minority characters were killed off because of arguments with the showrunners (almost always white male) but it’s recently been revealed that it occurs in the world of Shondaland far too often – and she has been more than willing to do so for female characters and actors of color as well as white actors. (Killing off McDreamy is still a bridge too far for me and I imagine most viewers as well.) Because I’ve mostly avoided Shondaland and other procedurals I haven’t really encountered clear instances of this in at least a decade. But I suspect that may very well have been a factor in Season 3 of Alert.

At the end of Season 2 Nikki (Diara Ramirez) and Mike Sherman (Ryan Broussard) finally got married after two seasons. It was an event anticipated since the pilot and it was a clear sign of how much the series has changed. Jason Grant (Scott Caan) had gotten divorced from Nikki years ago and had been brought back at the start to help the MPU. While there was some initial tension between all three of them, by the time Season 2 ended the conflicts had all been resolved and Mike was willing to serve as Ryan’s best man at their wedding. It was one of the more cheerful moments watching TV all year – which makes what happened at the start of Season 3 seem all the more bizarre.

In the second episode of Season 3 Nikki Grant was assaulted by a parolee she’d once put away who’d just been released. We didn’t see Ramirez in the episode and her name had been removed from the credits, neither of which was a good sign. As the episode went on it became clear that Nikki had decided to meet with the FBI to inform on a Philadelphia crime boss who had been using her and who in the previous episode she had helped work to rescue his daughter from an abduction. Mike and Jason had both warned Charlie at the end of the first episode and it seemed like this might be the set-up for the arc of Season 3.

So when Nikki’s body was found at the end of the episode – murdered by Charlie’s triggerman -  it really seemed like a plot device to deal with the fact that Ramirez had been written out of the show. The fact that Ramirez is a woman of a color doesn’t strike me as a coincidence; this has been a recurring pattern throughout network television for many years though I hoped it was over with. That it happened so abruptly and without warning makes me believe that we will learn more about this in the weeks and months to come.

I’ve spent the last two weeks trying to figure out how I can review this show when it seems pretty clear to me there’s a cloud under eliminating a major character in a way so clumsy. The fact that Alert is a procedural helps more than the last time I encountered something this clumsy on a series: Ruth Wilson’s Alison being killed off on the fourth season of The Affair. (I’ve written about this quite a few times over the years so I won’t relitigate it here.) On a purely stylistic level Alert is still basically working at the same level it did in Season 2.

The last two episodes have proceeded with a rhythm that we frequently see on network shows when a major character disappears. Both Jason and Mike have gone back to work in order to deal with the grief of losing the woman they both loved. Caan is doing better work than usual during this period as we see a man who is dealing with a huge trauma again but is now trying to help his partner and his friend who has basically been burying it. He knows that this isn’t something he’s good at, so while he’s doing his best to ask the right questions he also basically tries to pretend everything is normal, and that means the typical giving his partner the business and humiliating him as part of the job. (In the first episode after they came back in order to see a doctor Jason pretended Mike was a partner who needed to see someone because he’d contracted a form of VD, something that Mike knew about but couldn’t react too while undercover.)

Mike has been clearly burying the trauma and it may very well come back to bite him – indeed that may be the underlying story of Season 3. But at this point he has thrown himself into his work and is trying to do everything to reunite people with their families. At this point he’s taking more risks in the partnership that the usually ‘throw the rules in the garbage’ Jason which has led to some interesting dynamics so far.

And the cases, aside from the one involving Nikki’s disappearance, have been at their usual level of interest. Helping things along is a new recurring character, played by Malcolm Jamal-Warner as an inspector with a military background. Warner has been superb in his initial appearance, particularly last night’s when a former colleague of his from overseas went missing. He went out of his way to deal with protocol even as he made it clear how important it was, impressing the unit in a way most bosses haven’t. When a deeper storyline revealed the victim’s husband – who’d come back from Iraq with a missing leg and had been dealing with so much trauma – had been indirectly involved he was met with sympathy for his actions more than usual both from the MPU and Jason, who knew first hand the trauma of coming back from overseas. The story had a more action based climax then we’re used to from the show but perhaps that was inevitable given the level of the conflict and it had a solid emotional reward at the end.

Much of what made Alert work in Season 2 is still very much in play in Season 3. The team is still incredibly professional, Caan and Broussard have a superb back-and-forth that is amusing (and something we rarely see outside the world of Law & Order these days) and the tech workers still have agreeable quirks that I appreciate. I really love the lab tech who is a Gilbert and Sullivan fan and who loves to sing in her lab and there are times where that really pays off. (I was tickled when being there to arrest a major she sang: “I Am The Very Model of a Modern Major-General’ as she led him to lock-up.) But I’m not entirely certain that the show can easily recover from the loss of Ramirez, who was very much the beating heart of the first two seasons. Right now, it’s still working pretty well despite it but I’m not sure that this is one missing person the show can recover from. We’ll have to wait and see.

My score: 3.75 stars.

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