Story by Howard Gordon; Written by Gordon and Chris Carter
Directed by Michael Lange
There are problems all over with
this episode, but what mainly comes across is mainly missed opportunity. We are
given a subject that could be as deeply personal to Skinner as the last episode
was to Mulder--- a story about a Vietnam POW who is exacting a bloody revenge
on the men who left him and others like him to die. Yet except for a line that
is practically a throwaway in the first act, there's next to nothing about or
from Skinner at all. It's very telling that most significant line about the
whole affair comes in the final speech by Mulder, and has a real resonance. But
this is a connection that he shouldn't have needed to make.
There are all kinds of structural
problems as well. There's the obvious fact that for the second straight
episode, we have nothing at all having to do with Scully's cancer, and whereas
that was a flaw of scheduling in Kaddish, there's no real excuse here. (Pedants
would argue that based on the date that we see flashed this episode, Carter and
Gordon did really cover their ass. But even the most loyal viewer would've
missed that. I know I did the first time I saw. Then there's the fact that for
some reason, we get handed the climatic scene of the episode in the teaser----
and then, it's repeated at the climax, for no good reason. It isn't any more
unnerving then when we see it the first time, and by now we've gotten the
point. So why do it?
Then there's the most obvious
problem of all--- that this is an obvious rip-off of a much better episode
written by the exact same writer. Where Sleepless had a way of tapping into the
anger of soldiers in the Vietnam War
being experimented to make a superior soldier, it had a way of making
the attacks novel and chilling. This is done with all the quickness of a bullet to the brain, and even Mulder picks
up by the third death that their assassin is following a pattern keeping with
the first death. Also there's the fact that Augustus Cole was a more compelling
almost tragic figure, and Nathaniel Teager is mostly just a cipher. There are
some good scenes that show he is not a merciless killing machine---- and the
last scene between Teager and a fellow Vietnam
vet is actually very moving---- but
otherwise, he might just as well be any of a dozen other killers on this
series. And while there is something rather subtle about the way that veterans
of this war tend to turn invisible and forgotten when they get home, it only
works as a metaphor if you do it once. The scene where General Steffan is
killed in the most secure army base in the country is one of the more chilling,
but it never explains how Teager can learn to exploit a blind spot in people,
but not in technology.
Carter seems to know that this
episode is rather slim pickings, so he tries to jazz it up a bit by having
Covarrubias show up, link it to another government conspiracy, and then reveal
that Skinner was selected to this solely to fail. There's a certain twist there, but it's not
much to actually hang an episode on, especially because the revelation she has
about who his third victim will be is obvious by the Law of Economy of
Characters. In which case, why bring her in? Covarrubias is starting to feel
like a younger, more attractive Deep Throat, in that she's being drawn in on
episodes that should be traditional for an add of conspiracy. It didn't work
particularly well then either, and it barely works here.
Perhaps the real problem with this
episode is that right after the exact same kind of script by the exact same
writer. Once again, this was a flaw of scheduling more than anything else, but
even if Unrequited had come after Memento Mori, it probably wouldn't seem
better, because sadly, its a retread from a writer who should know better by
now. There's some anger and some neat effects, but just when it seems to be
getting to what be the meat of the story---- the military's denial that Teager
was ever there, that they used the militia group in order to discredit it---
the episode comes to an end. Maybe that's what the title of the episode is
supposed to refer to ---- our feelings towards an episode that wants us to admire
its ambitions, without noticing that we've seen it before.
My score: 2.5 stars.
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