Written by James
Yoshimura and Tom Fontana
Directed by Peter
Weller
We’ve had our fair share of ‘red ball’ cases
over the past few episodes, so its rather refreshing that Homicide is back doing what
it does best: simple murders, the difficult process of solving them and the
frustration that certain cases bring.
Yoshimura and Fontana , two of the ‘old school’ writers,
bring this and in addition deal with
another problematic social issue: homosexuality.
Bayliss and Pembleton catch what appears to
be a stone whodunit: a young man is killed outside a gay bar in what appears to
be a hate crime. From the beginning of this episode it is clear that Tim is
very uncomfortable about this whole murder. He throws it off at the crime scene
with a justifiable excuse: the two of them arrived before the paramedics and
thus witnessed his last moments. (In old school Homicide, the last words do not help the detectives catch the
killer.) However, he then spends the better part of the episode wondering about
homosexuality in regard to the victim but mainly in regard to himself: he talks
about how this case doesn’t get to
him the way that, say, Adena Watson did. Combine this with overly aggressive attitude towards
the skinhead’s who helped commit the murder and it’s clear this case is
unsettling him. Just as in the murder of
Angela Frandina in ‘A Many SPlendored Thing’ where the victims overt sexuality
troubled him, we are once again led to believe that Bayliss is repressed in
some way. We will not, however, get an explanation as to why until the middle
of season 5.
Frank, as always, does not let his own
beliefs cloud his efforts to solve the case. Like the Frandina case, the
sexuality of the victim doesn’t trouble him in his efforts to close the case.
However when he learns the truth about the victim, he is angry and upset at
himself for doing what he hates seeing done by other cops, making assumptions
based on limited evidence.
The issue of homosexuality plays a vital
role but Fontana and Yoshimura don’t preach, letting
the actions speak for themselves. The most startling reaction is that of the
victims father, who becomes so inflamed by his son’s apparent sexual preference
that he says that if it is true, its better that his son as dead. However, as
we find out with the detectives, the victim was not gay, he was merely in that
neighborhood on business. When Tim tells the father this, he bursts into tears,
his grief at his loss finally coming through. His first reaction, however, remains the one that
stays with us as we realize that some prejudices can overcome even the most
powerful grief.
As effective as this story is, there’s more
going on. The Erica Chilton case, the
albatross that spoiled Kay Howard’s 100% clearance rate last season is back.
Lewis and Kellerman get a lead when the daughter of the victim comes in and
says that she saw who killed her mother. When this information comes in,
however, Meldrick doesn’t think to bring the primary of this case in, a
situation complicated by Kay’s new higher rank. The two of them have an out and
out shouting match in the aquarium. This does not however change Meldrick’s
attitude and when he and Kellerman track down the suspect, he purposely does
NOT tell Kay that they are interviewing him.
Meldrick’s attitude is unusually selfish
and rather difficult to understand. Part of this is probably because the
Chilton murder was Crosetti’s and he considers it his. But the truth this
antagonism runs deeper than that, as we are reminded by his actions in
‘Autofocus’. This problem will resurface later in the season and nearly wreck
his career in the process.
Erica Chilton’s murderer, by the way, is revealed
to be her boyfriend Tom Marans. He was so pissed off at her relationship with
her ex-boyfriend (mentioned in the earlier episode dealing with the
investigation) that he killed her. IN many ways this is more troubling than the
fact that a young man was killed by two skinheads for being in a gay
neighborhood. Her sexuality angered him so deeply that he murdered his
girlfriend of three years in front of her own daughter.
Kellerman,
who didn’t work this case before and has no leanings either way, is disturbed
by Marans entire attitude. (AS it turns out, even though he has confessed to
murder, we still aren’t done with Tom Marans.)
This episode takes place around
Thanksgiving, but even though we see hints of the holiday everywhere this not a
holiday story. The only person who has something to be thankful for is J.H.
Brodie. Since he lost his job, Brodie has become a royal pain freelancing at
murder scenes. In a rare act of kindness, Gee and Russert hire him to the unit
as a videographer of crime scenes. However, considering the havoc he wreaks a
lot of the other detectives aren’t grateful for his presence.
‘Hate Crimes’ is a troubling and complex
episode which asks a lot of questions without preaching or glamorizing things—
another one of those ‘old school’ episodes that we get filtered in with the new
crop. It’s not perfect by any means but its far better than the last episode
and better than many of the other episodes to come.
My score: 4.5 stars.
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