Last night, the third season of American Crime, a series that nearly
every critic on TV considers one of the great creations of our time, came to an
end. The general consensus among many critics and trades is that, given the
paucity of the ratings, it will be the final seasons. Considering that ABC is a
network tottering on the brink of finishing fourth this year, and that this is
one of the few broadcast series that has managed to be nominated, much less win
Emmys for the last two seasons, I consider that the odds of its survival are a
little better - maybe fifty-fifty. But let us consider the reason why a show
this consistently magnificent even in the era of peak TV, is on the verge of
death.
American
Crime is a brilliant series, one of the most consistently well-acted I've
seen so far this decade. The cast, from Felicity Huffman, Timothy Hutton and
Regina King on down, are doing some tremendous work. The series deals with some
of the most relevant issues that any TV show, particularly in this political
climate, has ever dealt with. And that may be part of the problem. It deals
with them in a far more gripping and realistic manner than any series I've ever
seen - maybe even more realistically than one of Peak TV's first real
masterpieces The Wire. On that series, David Simon suggested that the
system of crime and punishment, along with society in general, were broken so
badly that no big fixes could come. However, he did suggest that individual
victories, however small, were possible.
American
Crime doesn't even believe in that. This has been made uniformly clear
every year, but especially in the third season, where it tried to take a
broader scope within the world of human trafficking. Here, even the people who
try to take a stand, most notably Felicity Huffman's crusading housewife and
Regina emotionally burnt-out social worker, are eventually worn down by both
their personal battles and the problems with the systems that in the final
episode they find themselves surrendering to the very institutions they have
spent all season battling against. It's wrenching and painful. And unlike The Wire, there aren't even the
occasional moments of black comedy to give us relief.
Indeed, that may be American Crime's greatest achievement -
creating an emotionally brilliant and scarring drama with no relief at all.
There's no background music to distract us, almost no music at all, as a matter of fact. The dialogue unfolds with
speakers in the background often carrying on unseen.. Whenever an obscenity
comes out, the screen blacks along with the word that's cut, which adds an even
more jarring appearance. The viewer is forced to look on at the darkness of the
scene and the reality of the situation.
This is a wrenching, painful
series, and considering that most broadcast viewers come to TV looking for
escapism, one can almost understand, if not approve, of why American Crime's numbers started low and
haven't gone up. One could rant and rave against the mentality of a viewer
wanting Olivia Pope or Jack Bauer to come in and bring a speedy resolution, but
let's be honest, this kind of fare has never been popular with the viewing
public. For my first witnesses, I would call Tom Fontana and David Simon. The
only reasons the series that were at least critical successes lasted as long as
they did was because of the patients of their corporate Medici's, not because
millions of viewers wanted to see them.
Now, let's be honest. Given the
fairly recent history of low-rated TV series being brought back to life by
other networks, and the fact that show-runner John Ridley has already launched
two successful series, one on basic cable, one on Showtime, the ultimate fate
of American Crime might now be so
dire. I can definitely see a network like HBO or a streaming service, picking
it up for at least another season, which would probably have the added
advantage of not only keeping the series alive, but allowing Ridley et all to
explore in more depth (and with less restrictions) the issues the show wants to
explore. (My personal choice might be superstation WGN, which in addition to
backing another Ridley based series was willing to explore darker field in the
critically acclaimed drama Manhattan .)
Yet there is a part of me,
something deep within me, that really hopes that ABC will see the light, and
keep the show alive. As I have said over and over, American Crime is a victory for network TV. If it's cancelled, or
even if it goes to cable or streaming, it will be another defeat, and a win for
Shonda Rhimes and Dick Wolf. ABC will fill its timeslot with another comic book
series, or a silly escapist drama that will probably get ratings only
marginally better, and won't be nearly as good. This is particularly true for a
network that seems determined to let its most interesting series go to other
networks, and fill its drama slot with Shondaland, which despite the facts its
ratings have been in decline (and only marginally better than American Crime)
continue to keep going on for reasons that escape me.
Keep American Crime on the air, ABC. You haven't produced a series this
purely brilliant in years. The world needs more shows like this, even if the
world doesn't know it.
No comments:
Post a Comment