Written by David Rupel,
Story by Tom Fontana and Henry Bromell
Directed by Michael Radford
About
the only positive thing of the demotion of Megan Russert back to detective was
that it gave the long wandering in the
wilderness John Munch a partner for the first time in a few months. It
is still clear that Munch really misses Bolander (he doesn’t like it that
Russert had usurped his desk) and it’s clear Russert isn’t thrilled being
teamed with this layabout. With all this tension between them and their obvious
social and political differences we finally have two detectives NOT working as
a well oiled machine. This leads to some
interesting sparks when the two of them
investigate their first big case in ‘Justice’, the murder of retired Baltimore cop Edgar Rodzinski.
To add to the tension they are under
intense scrutiny from Gee, concerned as always about his police family and the
bosses. More than that Rodzinski’s son
is also on the police force and a personal friend of Meldrick Lewis, both of whom are more than a little pissed
when the investigations putters around with no real leads.
Considering Lewis and Jake’s relationship,
another cop show might have the two of them working together to catch his
father’s killer. This is still Homicide, however
and Jake’s effort to ‘help’ only lead to
him being suspended and arrested. Watching Meldrick’s interaction with Jake we
get even more of a look at Lewis as a person. With Kellerman out of state
attending a wedding, Johnson lets us in a little more into the past of this
underused detective.
Also
very notable is the work of Bruce Campbell as Jake Rodzinski. Best known
for his work with Sam Raimi in the Evil
Dead movies and Hercules and Xena TV franchises Campbell is basically known for slapstick bordering
on camp. This is one of the few ‘straight’ roles that he has done and he shows
that he is more than up to the psychological drama of Homicide.
After a lot of ‘sensational’ cases the
investigation of Rodzinski’s murder is comparatively low-key. There are,
however, melodramatic flourishes, a couple of chase scenes and more than one
occasion when the detectives draw their guns. We also have the investigation
come to a dead halt, the finding and arrest of a suspect and then his trial in less than a week’s time. Some
would say that this unrealistically fast but considering some of the other
occasions where Homicide has screwed around with the calendar (last
year’s shooting of the three detectives comes to mind) it’s hard to raise real objections.
For the first time in a very long time (the
crossover with Law and Order
excluded) Homicide goes to trial. The case against the killer
Kenny Damon seems relatively strong. They have a clear indication of motive and
opportunity, his fingerprints are found on Rodzinski’s car, and the murder
weapon (with DNA evidence on it) is in the trunk.
However a good lawyer could poke holes
in this and Darin Russom (proving again he will represent anybody) does
so—pointing out that one of the witnesses did not come forward with critical
evidence until a cash reward was offered, that Detective Lewis found some of
the evidence, and that a lot of the evidence was circumstantial. We then get to
see a real sign of frustration as Jake and the others wait for a verdict,
adding an unusual level of edginess.
The kicker comes, however, when the verdict
comes back ‘not guilty’. Jake corners a juror in the hall and begs to know why
they found Damon innocent. The reason is
pretty simple— the jurors were basically indifferent and they all wanted to get
home for the weekend.
The
look of devastation on Jake’s face when he hears this is absolutely
shattering. A technicality ca be
understood, if not accepted, but this--- this is heart wrenching stuff. This
almost (but not quite) makes his later
actions understandable, if not excusable.
There are more than a few melodramatic
flourishes to ‘Justice, Part One’ not
the least of which are two unrealistic (if dramatically effective) scenes where
Jake Rodzinski confronts his father’s killer before and after his trial and
acquittal. But for the most part the episode is more realistic and believable than
some of the more hyped up episodes earlier in the season. This one really does
make you want to see the next episode in a hurry.
My score: 4 stars.
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