Six Feet Under, despite being a vital part of the revolution that
help lead television and HBO in particular into the current Golden Age, has
never held up as well as the other great
troika of series or the three David's that ended up being considered
icon of the television broadcast. There's a good reason for that: Despite being
extraordinarily well acted and often very well written, Six Feet Under was by far the most erratic production of the HBO
series to come up in the 21st century. It could never really make up its mind
as to how metaphysical it was supposed to be, or how grounded. And despite
having one of the greatest final episodes in the history of the medium, it
never defined itself as well as The Wire or
The Sopranos did as to what, exactly,
it was all about.
Paradoxically, Allan
Ball, the creative force behind Six Feet
Under has been far more successful in his follow-up projects than either
Milch or Simon has been. True Blood was
one of HBO's greatest hits, even though it was barely a step above pornography.
And because it was mainly an adaptation of a series of novels, one could hardly
say that there was very much that Ball added. So, in a sense, Ball's most
recent collaboration with HBO, is a return to basics. Sort of.
Here and Now deals with the story of Audrey Bayer and Greg Boatright, a couple who have been
together for nearly forty years, and have raised a very multi-cultural family.
Audrey (Holly Hunter) is a therapist who specializes in dealing with the
raising of empathy and a new form of psychiatry which she mainly practices
among teenagers. Greg (Tim Robbins,
doing some of his best work in a decade) is a philosophy professor teaching at
a university in Portland . Both are
extremely troubled. Audrey is overbearing and incredibly politically active,
but has no patience for her own family. Greg has been having a relationship
with an escort for nearly a decade, and is on the verge of an emotional
breakdown, which comes at his sixtieth birthday and seems to be accelerating.
Their children,
three adopted from various troubled countries, and one biologically born
teenager are all equally troubled. Duc (Raymond Lee) is a life-coach and
psychiatrist on the verge of a major publication, but because of the trauma of
growing up in a Cambodian whorehouse, has decided to remain celibate. Ashley,
from an African country (Jerrika Hinton) is married with a child, but is so
bored with her life, she decides to flirt with people she shouldn't. Kirsten (Sosie Bacon) is the natural-born and
most troubled. She is constantly at war with her mother, is troubled using
drug, and decides to have her first sexual experience with a stranger, in which
she contract an STD .
All of this would be
enough material for a good series. Where the show seems to be putting
everything in is its focus on the eldest son, Ramon (Daniel Zovatto) is from Colombia ,
a video game designer and gay. But the focus of the series seems to be on his
seeing visions, mainly those where the numbers '11/11' keep coming up. When he
sees them in fire at Greg's sixtieth birthday, Audrey immediately thinks he's
having a schizophrenic break, and wants him to be medicated. When she takes him
to a psychiatrist, who doesn't do what she wants, Ramon sees a photo of the
man's mother and him - and it's the same vision he had in a dream in the
opening episode.
Here & Now has a lot of intriguing ideas in it, and you really
wish that Alan Ball would be more inclined to follow the real ones over the
spiritual, because they're the ones that resonate the best. There was a
brilliant sequence in last night's episode where Ashley took Kirsten to Planned
Parenthood to get diagnosed for her STD .
After dealing with it, they engaged a particularly unpleasant protestor (Ashley
kneed him in the balls), they went to a police station, and there was a
brilliant three minute sequence, which by showing how these sister were each
treated by their booking officer eloquently demonstrated the way African
American's and white people are treating by law enforcement. And like Six
Feet Under, its incredibly well acted, particularly by Robbins, whose
emotional breakdown is far better to watch than the paranormal influences. What
I am afraid of - and what I am pretty sure that Ball will do - is that he will
try to emphasize the more unexplainable aspects of his story than the more
grounded elements of his characters. The
Fisher family had so many facets, the fact that they kept seeing ghosts
eventually became distracting, and ultimately did more to damage the coherence
of the series.
Despite all this,
maybe even because of it, I'm going to give Here
and Now a chance. Because there are good ideas here, and there are
characters that are more well drawn than what you see on so many TV shows these
days. (I haven't even gotten to Ramon's doctor, who has a child who seems to be
gender-fluid and has anglicized his name to try and withdraw himself from his
Muslim faith). I'll probably end up regretting it, but I'm willing to go down
the path. Maybe this will help solidify Ball's reputation more than a
faerie-telepath waitress.
\My score: 3.5 stars.
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