When The People V. O.J. Simpson premiered in February of 2016, it did a
revelatory job of looking at one of the most shocking crimes in the twentieth
century. and in such a way to make it resonate even more than it had more than
two decades earlier. In a season of brilliant limited series, it dominated the
awards circuit, winning at the Emmys, the Golden Globes and the Broadcast Critics.
It has taken FX and Ryan Murphy nearly two years to come up with a follow-up in
their American Crime Story series,
and even if it was as good as the first season, it would still be an
anticlimax. Yet The Assassination of
Gianni Versace has moments of
brilliance, is just as good at grasping
the Zeitgeist, and even has some moments of being superior.
Unlike the O.J. Simpson case, Versace murder didn't quite grab the medias
attention the same way. It did have a certain grasp in the world of fashion, where
Versace was king for more than two decades, but his murder never made the same
impact. Part of it had to do with what is clearly unspoken - Versace was gay,
his killer was gay, and there was a still great tendency to ignore that part of
our society. And in a sense, that was what led to Versace's murder in the first
place. Andrew Cunanan had been stalking Versace for years - we see their first
meeting in the opening episode. In the gap between their meeting and Versace's
murder, Cunanan killed four other, middle aged gay men, many of whom were
closeted homosexuals. Indeed, last night's episode demonstrated just how dark
the world was, focusing on the murder of Lee Miglin, an elderly Chicago architect who Cunanan had been
meeting with secretly with Cunanan for years. After the killing, when the
details of Miglin's death became public, his wife allowed details of the crime
to be made public, putting the reputation of her family above the safety of the
public Even afterward, when the FBI began hunted Cunanan in earnest, the Bureau
never seemed to pursue their quarry with the zealousness they usually do for
serial killers.
Perhaps the only real flaw in O.J. Simpson was that the circus of the trial made the
victims get lost in the media glare, and to an extent, so did Simpson himself.
In a sense, Versace tries to course
correct by showing us the killing, and before that, the lives of both victim
and perpetrator. It's a daring approach, and in some ways it works very well.
In addition to his work as a designer, Versace (Edgar Ramirez) was a
revolutionary. He lived a traditional gay lifestyle with his partner Paul
(Ricky Martin, kind of a revelation), but during their life, he became HIV
positive. The fact that he managed to emerge from this not only alive, but with
a sense of optimism in his work is remarkable, and does add a level of tragedy
to an already dark story. It certainly astonished his sister Donnatella
(Penelope Cruz), who had her only problems with him near the end.
All of this intriguing, but it pales
in comparison to the portrait of Cunanan. Darren Criss, who represented all
that was good on Murphy's Glee, is a
revelation playing a monster. Everything so often you can see parts of Cunanan
that were charming, but most of that comes from the lies that he has no problem
spinning. Its clear from almost the very first moment that we see him that
there is something missing from Andrew.
As he told us at the climax of the second episode, he can be whatever someone wants him to be -
except a human being. The only time he seems complete is when he's humiliating
someone, and that's usually before he kills them. Criss automatically goes to
the frontrunner position for Best Actor in A Limited Series.
Assassination
of Gianni Versace is not nearly as perfect as People Vs. O.J. Simpson. But
there are far darker aspects to it, and there is a certain level of realism
that wasn't present in the first season. It's more about the ugliness of gay
sexuality and the true danger of being in the closet that no doubt millions of
people still live in. It's well acting and seems to be focused on telling more
than one story than the previous series did. This may be the most personal
story Murphy has told since Glee, and
its definitely one of his more spartan ones, despite all the
accoutrements. More than that, it proves
that the first season of American Crime
Story was no fluke, and that hopefully more daring, vital stories of our
nation's criminal history can be retold. Otherwise, how can we learn?
My score: 4 stars.
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