OUTSTANDING LEAD ACTRESS IN A COMEDY
Do the Emmys even remember what it
was like to give an award in this category to someone who wasn't Julia-Louis Dreyfus? By definition, someone different will
win the Best Actress prize this time. (Of course, it's possible they could
nominate Debra Messing again, but still...) The prohibitive favorite would
appear to be Rachel Brosnahan, who won both the Golden Globe and the Critics
Choice. But there's room for a lot of new blood in this category (they did
expand it to seven nominees last year). So here's who I'd consider.
Kirsten Bell, The Good
Place
As Eleanor slowly began growing
after the hundreds of reboots, it became clear that there might have been a
decent person (if not a saint) within her. And as she began to realize that
Chidi might be her soulmate after all, it actually demonstrated how much she's
begun to (albeit against her well) evolve. That aside, Bell
is an outstanding talent who's been due an Emmy nomination since Veronica Mars. Can we pull the trigger
this time, or does she have to deliver a train of cocaine to the judges?
Rachel Bloom, Crazy Ex-Girlfriend
I feel like I'm beating my head
against the wall, considering that the Emmys have basically decided CW series
are unworthy of Emmys no matter how brilliant they are. But come on. Rebecca's
journey this season was the kind, if it had been on Netflix, would be on the
shortlist. She hit rock bottom, somehow managed to drill deeper than that, nearly committed suicide, was finally
diagnosed, and in the finale, finally realized that she could keep blame her
problems on other people any more. She did all this while writing songs and
dance numbers that basically humiliated her, and continues, as she demonstrates
on constant award show cameos, that she should be hosting everything. Give her
a nomination. And not just for songwriting.
Alison Brie, GLOW
Ruth is a different kind of
character than so many of the ones we see on TV comedies. She's an actress who
can't find a role, she auditions for a wrestling show without knowing anything
about wrestling, and she has an affair with her best friend's husband, which
she still hasn't been forgiven for. And as she finds herself taking on the role
of the villain on the show, it becomes clear that she, like so many leads in
Kohan's world, is very hard to like. But there's something plucky about Brie as
she does more and more to raise the humanity as a fish out of water, forming an
intriguing relationship with Sam, and desperately trying to rebuild her
friendship with Debbie. Like the lead, she's definitely appealing. And like
Ruth, Brie's overdue recognition. My
guess is she'll get noticed this year.
Rachel Brosnahan, The Marvelous Mrs. Maisel
One would be tempting to write
Midge off as just another Amy Sherman-Palladino character; after all, she is a
fast-talking brunette, albeit one who curses.. But in the hands of this
brilliant actress, Brosnahan managed to find the sweet spot between hilarity
and poignancy as her character was abandoned by her husband, blamed by her
family, and constantly jailed for obscenity, as she delivers her hysterical
rants about the life she finds herself locked into. I still don't know which
comedienne Palladino has modeled her after, but in the hands of Brosnahan, she
has become another brilliant creation on this actress' impressive resume. (And
she's still only 27!) It would be good for the series to win an Emmy to make up
for the decades of the Palladinos being ignore by the Academy. It would be good
for Brosnahan to win because she deserves it.
Issa Rae, Insecure
As the series navigated the second
season, Issa (the character) navigated her post-breakup life messily and her
career even more timidly, as she dealt with kinds of racism most series don't
take into account. Rae, the actress-writer, was just as brilliant, remaining
hysterically funny, emotionally raw, vulnerable, angry, and just about any
other emotion that she could find. She's already become one of HBO's great
unsung talents, on the verge of becoming one of the great creative forces on
TV. How about this year we give the mandatory HBO Best Actress in a comedy slot
to someone who really has earned it?
Tracee Ellis Ross, black-ish
Bow has always been the soul of the
Johnson family, always willing to prick the bubble of Dre's inflated sense of
outrage. She always manages to bring the comedy, but the season showed her
stretching her dramatic muscles, first in dealing with post-partum depression,
then with the struggles of a fragmenting marriage, and finally dealing with the
passing of her father. Her journey this season was funny and moving, often
simultaneously, and its hard to think of a reason, any reason, to ignore her
for a nomination.
FOR YOUR CONSIDERATION
Frankie Shaw, SMILF
It's likely that if there's a
seventh nod, it'll go to a veteran actress like Alison Janney, Lily Tomlin or
Jane Fonda, but is also possible that it will go to another hyphenate. In my
mind, there are two women who worthy of such a nod: Pamela Adlon for Better Things or Shaw for this
undervalued Showtime series about a twenty-ish woman living on the poverty,
trying to find some kind of way to build a life for herself and her makeshift
family. There will brilliant moments of humor, and moves into darker territory
as Frankie dealt with sexual abuse of her character as a child. Adlon deserves
recognition just as much as Shaw does, but I give the slightest of edges to the
latter. It can be at least as experimental as Better Things, and often a bit funnier.
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