This is always a tricky category to
vet, even though none of the major series that infiltrated this category are
present. Expect Ryan Murphy's series, as is their want, to dominate the
category. I have problems with American
Horror Story, but not American Crime
Story. I actually don't have objections to some of the HBO movies this
year, but my choices probably won't be the same ones that picked. Here are my
preferences.
Jeff Daniels, The Looming Tower
I've always had mixed emotions
about Daniels' work on television. I thought his win and nominations for The Newsroom were some of the biggest
errors the Academy has made since he joined the television revolution. But his
presence as an actor has been much more measured in some limited series. He has
as much a chance of prevailing for his work in Netflix's Godless, which earned him a SAG nomination earlier in the year. But
I think it more likely he will earn it for his fine work as the doomed security
head at the World Trade
Towers before 9-11. And should he
get a nomination for playing the lead, I wouldn't object to that either.
David Lynch, Twin
Peaks : The Return
In some ways, this may seem like
the most ludicrous pick of all, particularly considering that there are a lot
of other good options from this very series, including lawmen Dana Ashbrook and
the late Miguel Ferrer. But the truth is, Lynch's work as Gordon Cole, the FBI
supervisor of Dale Cooper, used mostly for comic relief in the original series,
was one of the stabilizing agents of the new version. As Cole found himself
going deeper into the morass that ended up grabbing his finest agent, Lynch
demonstrated gifts as an actor nearly as polished as his work as a director and
a writer. Perhaps its not surprising that seemed able to deal with the mess
that kept spiraling, even as he managed to lay out some of the more comic
moments with his chronic problems with hearing. I think the odds of him getting
nominated are remote. But the odds were long this series would ever see the
light of day.
Edgar Ramirez, The Assassination of Gianni Versace
In some ways, much like in the
first season of Crime Story, the
title character ended up playing second fiddle to far more brilliant suns. But
its hard to imagine the series working as well as it did without Ramirez to anchor it. As he played an iconic fashion
designer, struggling with his relationship, deal with being HIV positive,
trying to find a way for his sister to find her muse, and slowly climb himself
back to life all the while knowing that he would face a horrible demise,
Ramirez managed to hit all the right notes as this man who was born too early
and died too soon. It's hard to imagine the rest of the leads won't get
nominated, but Ramirez earned it.
Jason Ritter, The Tale
Since I first encountered this
incredible actor on the undervalued Joan
of Arcadia, Ritter has earned a great reputation playing warm, nice guys.
(He just got through a stint playing one on Kevin
(probably) Saves The World). So it was incredibly shocking to see him cast
radically against type as the running coach who very slowly is revealed to be a
monster and a pedophile, and yet remain so charming that not even decades later
does his victim realize she was abused. Frankly, its a hard performance to
watch, and not just because many of the scenes involve the seduction and
molestation of a thirteen year old. It's
because the viewer has such a hard time equating it with the actor we have come
to respect. Ritter's never quite gotten the acknowledgement he deserves from
the Emmys. This should qualify as one such performance.
Michael Shannon, Farenheit 451
Hugo Weaving, Patrick Melrose
Weaving has played some truly
memorable villains in his time, but as David, Patrick's father, Weaving did
some of his most truly horrific work. Seen by everybody who knew him as 'a
remarkable man', every we see about him from the moment he first appears on
screen as this hulking, washed out brute, who only seems human when he's
demeaning somebody. We know he's a monster before the horrific things he does
to his son ever take place. In a year when some of the best performances dealt
with true evil, Weaving's work reminded
us just how easy it is for someone to be a monster mainly because his sins are
ignored. Even under Cumberbatch's work, Weaving was nearly at his level.
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