Four of Hollywood ’s greatest actors will likely go
head to head with two of the greatest television actors the medium has ever
produced. And unlike most of the categories in play, there is no clear
front-runner, which means this could be the most exciting category of the
night. Here are the almost certain nominees.
Mahershela Ali, True Detective
Will Ali be able to do what his predecessor in this
series wasn’t able to: win an Oscar and an Emmy in the same year? It helps that
Ali is competing in the less competitive (but no less cutthroat) category that
Matthew McCounaghey was. But more importantly, Ali’s performance as Wayne ‘Purple’ Hays was
deeper and had a greater resonance than McCounaghey’s otherwise mesmerizing
work was. It also helps that he was playing his character in three different
and distinct time periods, and was fighting in each of them against
overwhelming odds – and in the last one, his own mind. Any other year, you’d be
able to write Ali has a sure thing. But considering who’s in this category, he’ll
just have to settle for being the one to beat.
Benicio Del Toro, Escape at Dannemora
Despite his Oscar, Del Toro has
always been one of the more undervalued actors working in Hollywood , though by far he’s one of the most
versatile ones. So his work as Richard Matt, a ruthless murder with a seductive
way about him is keeping with that level of unpredictability, even though he
was an actual person. But playing a convict who worked so hard to get out yet
couldn’t be bothered to actually go the last few miles was mesmerizing, as were
his final scenes played almost in silence, where he seemed to be hoping his
eminent death. It’s a dark performance and he fully deserves a nomination.
Hugh Grant, A Very English Scandal.
Ever since his return in Florence Foster Jenkins, Grant has
completely left behind his bumbling romantic lead for someone with a far deeper
malevolence in his persona, though his charm is still there. So his work as the
British MP caught in a homosexual love affair, and who is willing to resort to
ordering murder in order to keep his position is keeping with that, and also
represents some of the finest work he’s done to date. Grant keeps getting
shafted by the Oscars. I find it impossible to believe the Emmys will do the
same.
Jared Harris, Chernobyl
Ever since he began his work on Mad Men, Harris has demonstrated that he
is at least as gifted an actor as his legendary father Richard. And as the nuclear scientist determined to
save his country from the worst nuclear accident in history, despite the odds
and the KGB’s determination to make sure this doesn’t embarrass the state, he
demonstrated just how versatile a talent he is. Railing against a world where
not only everything that possibly could go wrong is, but that the USSR is
determined to say it isn’t, he remains a voice of ethics throughout the
immediate crisis. But in the final episode, where he relates everything that
went wrong in the incident – and then reveals the country’s mistake, knowing
that it will cost him his freedom – was one of the great moments of television
so far this year. Harris will get nominated and recognized (even though he
continues his trend of playing characters who die by the end of the series)
Ian McShane, Deadwood: The Movie
Shall we just for a moment
celebrate that this film finally happened at all? In a fair world, there would
be room for both McShane and his equally brilliant co-star Timothy Olyphant.
But just as in the world of Deadwood, fairness
don’t fucking enter into it. And as Al Swearengen, the once ruthless owner of
The Gem, now concentrating more on drinking himself to death, McShane was
unlike tore into this brilliant character like no time at all had passed. Of
course, time has passed, and it is
starting to pass Swearengen by. And as he tries one last time to demonstrate
his power against Hearst, he reminded just how great a character he was. And
Milch, as is the case, gave him the last words – and they were perfect. The
odds are against his prevailing, but I’d like to see him try.
Sam Rockwell, Fosse/Verdon
Until fairly recently, Rockwell has
never been given the credit for being one of the greatest actors around. And
even though his work in this FX limited series was superb, he was as always
dwarfed by a brighter sun (who we’ll get to in the next category). But that
doesn’t change the fact that Rockwell more than filled the role of one of
Broadway’s greatest geniuses – as well as a man so self-destructive, he had to
be institutionalized after his greatest triumph. Bob Fosse was a deeply flawed
man that only a great actor could give life to. And Rockwell most assuredly did
that.
FOR YOUR CONSIDERATION
Michael Sheen/ David Tennant, Good Omens
I already advocated for Sheen in
the Supporting Actor category, so I’ll make my argument for Tennant this time. After
leaving the title role of Doctor Who as
one of the greatest Doctors in the series half-century, Tennant has spent the
last decade demonstrating why he is one of the greatest actors period.
Brilliant in Broadchurch and the best
thing about Jessica Jones, he has spent much of his time toning down the
ball of energy he was as the doctor. But given the chance to turn things up to
Ten as Azriphale, he once again demonstrated how much fun he is to watch – and
how ridiculous the Emmy judges have been in constantly overlooking him. (He
also starred in another series this year, but we’re not going to talk about
that. ) Give him a nomination. Trust him. He’s not a doctor, but he played one
on TV.
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