BEST TV MOVIE/LIMITED SERIES
Oh, there’s going to be outrage in
certain places tonight. When They See Us may
not have been the easiest thing to watch this year, but if it wasn’t one of the
Best Limited Series, I don’t know what was.
And it’s not just that the Golden
Globes ignored it. It’s what they ignored it for. No one will raise an eyebrow about Chernobyl or Fosse/Verdon
being nominated, and even fewer will complain about Unbelievable, another Netflix series where the reviews border on
the extraordinary. But I imagine a lot of people will be irked to see The Loudest Voice here. The story may be
important, but compared to so many of the other series, it was really by the
numbers. If they wanted to honor the take down of Roger Ailes, they could’ve
given more nominations to Bombshell.
And Catch-22 is a weak choice, considering the Emmys completely shut it
out. More than that, consider what else got ignored. True Detective. Deadwood The Movie. El Camino. All established
properties the Globes have recognized before. Why pay tribute to a series that
was politely considered a mess? That’s an oddity not even the title can
explain.
BEST ACTOR TV MOVIE/LIMITED SERIES
They’ll be even angrier with the
nods for this category. Where the hell is Jharrel Jerome, who won the Emmy for
this category? And some of the other choices aren’t nearly as good.
Sam Rockwell and Jared Harris more
than deserve to be here, and a case can be made for Russell Crowe, though
admittedly his transformation was more the work of the makeup department. But
seriously: Christopher Abbott for Catch-22?
And if his nomination is questionable, Sacha Baron Cohen’s nod leaves one
wondering, what does the Hollywood Foreign Press see in this guy? Seriously?
They put him up instead of Aaron Paul? Of Ian McShane? Of Mahershala Ali?
Cohen’s nomination is one of the most bizarre inclusions the Globes have ever
done, and that’s including his nomination for Who Is America last year.
BEST ACTRESS TV MOVIE/LIMITED SERIES
Ok, this is a little more
reasonable. Michelle Williams and Joey King more than deserve to be here. I’m
withholding the verdict on Merritt Wever and Kaitlyn Dever until I actually see
Unbelievable, but I’m willing to be
convinced. Helen Mirren’s work in Catherine
The Great was exquisite, even if the series around her was sorely lacking.
I could make an argument for Niecy Nash, but this is a better selection
overall.
BEST PERFORMANCE IN A SUPPORTING ROLE IN A SERIES,MOVIE OR LIMITED
SERIES
The Hot Priest has been nominated.
All’s right with the world.
Andrew Scott more than deserved
getting nominated for Fleabag, and I
really hope he wins. Alan Arkin and Henry Winkler more than deserve their
nominations, and if I sullied them last year I apologize. Stellan Skarsgard was
superb in Chernobyl , and I recant my diatribe against nominated Kieran Culkin for Succession. Would I have liked to see
Tony Shalhoub here? Sure. But it’s a good group.
BEST SUPPORTING ACTRESS IN A SERIES, MOVIE OR LIMITED SERIES
Did anyone really doubt that Meryl
Streep would be here? I’d say she’s got a clear shot, but the competition is surprisingly
stiff. Helena Bonham Carter is exceptional as Margaret in The Crown and Patricia Arquette could go back to back for her work
in The Act. Emily Watson more than
deserves her nod for Chernobyl , and I’m always glad to see Toni
Collette up for anything? I would’ve like to see Laura Dern here to, but it’s a
good bunch.
Just kidding. Meryl’s going all the
way.
See you in the New Year for my
predictions.
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