That Al Pacino is one of the
greatest actors who ever lived is basically uncontested by this point. But
while he has been duly celebrated for his work in movies, not enough attention
has been paid to the impressive list of credits he has amassed on TV. From his
extraordinary Emmy winning performance as Roy Cohn in the masterwork Angels in America, he has combined a
remarkable body of work with HBO alone, earning nominations and Emmys for
playing just unique figures as Jack Kevorkian, Phil Spector and Joe Paterno.
Now, as he enters his sixth decade
as a performer, like so many actors of his age, found that the most appealing
roles are in television. And he has begun his first work in a series as Meyer
Offerman in Amazon’s astounding new series Hunters.
Anyone who says Pacino has been
over the top in so much of his work in the past twenty years has clearly been
concentrating on his work in film, and not on TV. As Meyer, a billionaire
concentration camp survivor in 1970s New York, he is exceptionable subtle and
mannered in just about every aspect of his performance, whether it is gently
comforting Jonah, a twentyish man dealing with the lost of his grandmother, or
strangling a Nazi he has been hunting for thirty years, Pacino is a model of
restraint and subtle humor in every aspect of his performance. And that’s a
good thing, because every other aspect of this series is delightfully
over-the-top.
The main story centers around Jonah
(Logan Lerman) a wunderkind who learns after his beloved safta’s murder, that
she was hunting Nazis who live in this series’ America,
and who are planning their comeback in an America filled with malaise. Meyer
has assembled a team of Hunters, from
tech wizards like the Markowitz’s (Saul Rubinek and Carol Kane) to an MI6 agent
dressed as a nun (Kate Mulvany) to a seventies film star (Josh Radnor finally
gets to out-Barney Neil Patrick Harris).
There is a level of exploitation
here that Quentin Tarentino might consider to over the top, but in a way that
makes so much of this bearable. The era of Buchenwald and Auschwitz
is very fresh in everybody’s minds, particular Meyer’s. When he reveals the
horrors the particular atrocities that these monsters have committed,
everything goes into shades of black and gray and the horror of all these
becomes very clear. And its all the more appalling when we see just how brazen
these new Aryans are in their approach. In the very first moments of the Pilot,
we met ‘Biff Simpson’ (Dylan Baker getting to chew the scenery in a way he
rarely does) an undersecretary of state willing to slaughter his entire family
to protect his cover. There’s a character known as the Colonel (Lena Olin,
refreshing the villainy she mastered so well on Alias), willing to manipulate elected officials with little
patience for the new breed, trying to bring about the ‘Fourth Reich’. And by far
the most terrifying character known only as Tobias, the most efficient and
terrifying assassin I’ve seen on the small screen since the days of Justified, a man who so calmly and
coolly threatens and kills anything that obstructs his boss’ way with no questions
asked. You can just seem handing out tiki torches.
And the series does not forget just
how blunt the death is. All throughout the Pilot everyone is saying that Jonah
should just let this go and go back to his normal life. Jonah insists over and
over he can handle, and over and over we see he can’t. He wants vengeance for
his grandmother, but its very clear he’s not equipped for it.
Hunters
is far from a perfect series. The episodes, if anything, seem a little to
overextended, and it can’t seem to decide whether it was revel in the
exploitation or live in the horror, so tonally, its very uneven. But the cast
is more than up for it, and Pacino is a steady hand for this series. Those who
(like me) are frustrated that the next installment of Fargo has been delayed will find this show a
more than fitting substitute.
My score: 3.75 stars (of David of course).
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