In my years of writing about
television, there have been a few areas that I have not written about even
though they are among my regular viewing habits. But now that I, like so many
of us, have time on my hands, I figure now is the occasion for me to look at
those areas. And one of them happens to be late night TV, which I sporadically but
occasionally enjoy.
This is the beginning of a series
on late night television: those who I’ve enjoyed, and those I think really are
past their prime. I begin this series with one of the latter:
Earlier this year, I came to the
conclusion that it’s time for Bill Maher to retire. He’s had a good run –
bordering on thirty years – but I think even the most rigorous fan of his would
have to admit he has passed his expiration date.
To explain why, I have go back to
his early days: when he was one of the biggest voices on a fledgling network
called Comedy Central.
At the time, Comedy Central was
still little more than every other cable network that starts out; it relied on
nostalgia from the seventies and eighties. Most of its highlights were reruns
of SCTV, Saturday Night Live and Monty Python’s Flying Circus. Occasionally,
it would venture into something imaginative – Mystery Science Theater 3000 was one of the great accomplishments
in TV history – but it basically relied on reruns, stand-up comics, and clip shows.
(One of their major accomplishments Short
Attention Span Theater was best known for helping launch an unknown comic
named Marc Maron.)
I don’t know if it’s entirely
accurate to say that the arrival of Bill Maher’s changed the network’s fate,
but as someone who watched Comedy Central almost from its inception as a
network, there is definitely an argument to be made for that. When Maher
launched Politically Incorrect in the
summer of 1993, it was really something that hadn’t been seen before. It was a
panel show played for laughs in a world that hadn’t even considered it before.
Maher was very good at making a good mix – he would have Patty Hearst and
Robert Townsend appear on the same show; have G. Gordon Liddy and Harvey
Fierstein discuss the State of the Union, and put Chris Rock a comedian who had
mostly been wasted on Saturday Night Live
doing his real great material. It was something that hadn’t been seen
before, and despite many networks attempts to recreate the format, would rarely
gel the same way again.
It may just be the haziness of my
memory, but Maher seemed to have a measure of cynicism without being completely
depressing. He truly seemed to be enjoying what he had put together, and he
rarely made himself the center of the show. And that level of behavior was
maintained when the inevitable call up to network television came in the winter
of 1997.
Many comedians have changed their
basic behavior when they move from cable to network – I’m still not entirely
used to how Stephen Colbert has shifted formats. Maher stayed true to himself. Part of that no
doubt had to do with being a little later (ABC was still devoted to having Nightline at 11:30pm, so Politically Incorrect came on after
midnight), but most of it was due to Maher’s nature. His personality did change
much and his cynicism (particularly at the hypocrisy of the Clinton impeachment, which was the high point
of his series) at the political process remained undiminished. But despite
that, he always seemed to view things through a steady view. And he might well
have managed to maintain that viewpoint had outside events not intervened.
The remarks Maher made and the
fallout from them have been told and retold so many times that it is hardly
worth repeating them. So I’ll just say this: What happened to Maher in the
media and in the country was an absolute kangaroo court and an utter travesty
of the 1st Amendment. When Aaron Sorkin and David E. Kelley write
about just how badly the media has pilloried you, you’ve reached a level of
unfairness that can not be made right. The show was called Politically Incorrect, for God’s sake! Did our desire of
irreverence go out the window after 9/11? Or were we supposed to only joke
about the subway in New York?
One can’t imagine that this
would’ve had on Maher as a person after that or indeed as a comedian. But
having seen a lot of the specials he did on HBO before and after his firing,
his general irreverence can be seen as taking a far darker tone. Maybe what
happened to him left a bitterness that has never gone away; maybe he was always
this dark and being free of a network (particularly one such as HBO whose
attitude in groundbreaking comedy pre-dated its original programming by at
least a decade). Whatever it was, Maher’s comedy was never the same, and there’s
an argument to make that he’s never been anywhere near as entertaining since.
Last week in the New
York Times, a reviewer of Woody Allen’s autobiography called him ‘a 20th
Century man in a 21st Century world.” I can not think of a more
fitting epitaph for Bill Maher, albeit in a completely different context. I
realize that Maher’s show may have been title Politically Incorrect, but his entire lifestyle has been raging
against so many of the people he thinks have been destroying our safety –
families. I remember him saying in a 2002 routine: ‘Safety is more important
than fun” and ‘Children are more important than people”, something that still
makes no sense to me. It’s worth that noting that Maher has never seriously
dated or even been involved with any woman, even in his sixties, and I can’t
help think that some part of his comedy has always been trying to justify his
own lifestyle. Everyone knows how much of an atheist he’s been, even before his
documentary Religulous came out in
2008, but the longer he’s been on the air, it’s harder to find if he supports anything – aside, of course, from the
legalization of marijuana.
Maher claims to be
a libertarian and a Democrat, but I think he only supports Democrats when
Republicans were in power. He may have hated George W. Bush from the beginning
(that’s understandable given what happened to his career) but it’s worth noting
that he advocated for Ralph Nader in 2000, and was lukewarm towards John Kerry
throughout the 2004 campaign. (I’m relatively sure at one point he advocated
for W’s reelection so ‘he could clean up his mess.’ The fact that he argued the
week before that W’s reelection was based on running ‘on a mistake’ apparently
didn’t seem to bother him.) And sure, he was in favor of Obama in principle during
his Presidency, but throughout the entire Obama administration, he continuously
railed against the Democrats in power, at one point actually saying: ‘Democrats
are the new Republicans’.
Some people have
occasionally referred to Maher as a misogynist. I really think he’s more of a
misanthrope as much as a reactionary as so many of the Fox News broadcasters he
will constantly rail against. The fact that he’s nothing more than an old white
man who doesn’t like the way the country’s going doesn’t help his cause that
much. In that sense, I think the humorist he resembles the most is H.L.
Mencken, who believed the people in general were reactionary, but had huge
problems with the Progressives who dominated much of the political era he wrote
in. This was, after all, a man who believed in Harding and Landon, and whose
last political campaign was spent advocated for Dixiecrat Strom Thurmond.
All of this I could
forgive Maher’s political views if he were at least funny. And that is perhaps
the biggest problem I’ve had with Maher ever since he went to HBO and Real Time. He hasn’t been. All that
allowing him to be unchained and uncensored has just made him meaner and more
unpleasant. And his railing against all
of the problems that plague America
hasn’t been the least been entertaining. Some have admired his openness in an
age of everybody being in the bubble in continuing invite political figures who
disagree with him virulently. Ann Coulter has been a frequent guest, as have
Geraldo Rivera and many Republican leaders. And while I admire his willingness
to at least hear out the opposition, in a sense his continuing to pillory them
and smear them in his nightly monologue and ‘New Rules’, just basically tells
you more about his guests than it does about him.
I do give him
credit for recognizing Donald Trump’s rise before everyone else, but you know
what they say about a broken clock. And if anything, he’s become more
unpleasant to anybody who dares contradict him since Trump took office. In that
sense, he’s a little like so many of the newsletters who’ve rail against
everything Trump does (except ironically, they’re often so woke they don’t
appreciate him either).
And what bothers me
the most about Maher is how negative he is. Now that’s nothing new in the age
where its getting harder to find optimism, but at least Seth Meyers and John
Oliver offer some hope occasionally. Maher just keeps saying things are going
to get worse, and no institution will ever work any more, and worst of all he’s
not even trying to be funny or entertaining while he does it. He sounds so much
like a tired, bitter old man that in an age where there are so many of them
dominating the air waves, one wonders why we need another one on HBO.
He doesn’t seem to
care about his own contradictions. For years, he’s been railing against the
superhero films and TV that dominate every aspect of entertainment, at one
point, even saying that they helped lead to the rise of Trump. But he never had
much use for entertainment when it wasn’t all blockbuster base. He denounced the
Oscars more than once as ‘the awards show for movies nobody watches.’ I don’t
think he watches much television outside of the political world he lives, or
perhaps even the comedians he performs wits, and he doesn’t seem to have much
use for the people in the world, outside his own studio or audiences. In a
monologue fairly recently, he argued that ‘fatshaming’ should come back to get
rid of the obesity epidemic – something that was so harsh, the normally placid
James Corden had a monologue on his own Late Night show to call him on it. My
guess is, if the Democrats win the 2020 election even by landslide margins, he’ll
still be railed against whatever Republicans are left. He needs someone to rage
against as much as any pundit does.
I don’t deny Maher
was a great talent once. Unfortunately, that period was the Clinton era, and he doesn’t seem to care that
it’s never coming back. We’ve got enough good comic performers in late night
these days; I think the last thing we need these days is another white man;
especially one who doesn’t even try to care for his own audience. Maher needs
to hang it up. Sooner rather than later. Maybe give a regular show to Two Dope Queens or Black Lady SKETCH Show. There would be an irony that I could really
get behind.
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