Sunday, June 30, 2024

In His Run On Jeopardy Drew Basile Did Far Better Than To Survive

 

 

Great Jeopardy champions seldom follow great Jeopardy champions. This is more to the odds of playing the game than anything else.

When the limit of games won was capped at five it really couldn’t happen. There were occasions when there would be two consecutive five game winners but they can be briefly recounted It happened twice in the 1993-1994 season: first Brian Moore won five games and he was immediately followed by John Cuthbertson winning five. Less than a month later David Venderbush won five games and he was succeed by Rachael Schwartz. She only won four games but since she won the 1994 Tournament of Champions, I’d say that counts. At the end of the 1994-1995 season David Siegel won five games and he was followed by Isaac Segal, who won four games and the two would end up as finalists in the 1995 Tournament of Champions. (Both lost to Ryan Holznagel.). At the start of the 1997-1998 season Dan Melia would win five games and would immediately be followed by Catherine Ramen (then known as Fred Ramen)) who won five games. That year J.J. Todor would win five games and be followed by Chris Ward winning five. It happened three times in the 2000-2001 season but after that, it didn’t happen again as long as the five time rule existed.

After the rule was lifted at the start of Season 20, it began to happen more often but still not frequently. Chris Miller was defeated after five games by Scott ‘Renzo’ Renzoni who won four. In the middle of season 22 Tom Kavanaugh, after winning eight games, would be defeating by Kevin Marshall who won six. It would be another six years before it happened again. Jason Keller would win nine games, be defeated by Dave Leach who won six, who in turn was beaten by Dan McShane who won four.

Then in Season 29, it happened several times. Keith Whitener would win seven games before losing to Paul Nelson, who won five. At the end of the season Ben Ingram would win nine games and be defeated by Mark Japinga who won four.

In Season 30 when Arthur Chu became the first player since David Madden to reach double digits with eleven wins, he more or less paved the way for the modern super-champion. However while the number of times Jeopardy champions would succeed champions with consecutive winning streaks would begin to increase none of the players who would manage to dethrone super-champions, from Arthur all the way to Austin Rogers could muster more than a single win before being beaten themselves. Like many things, this changed with James Holzhauer.

When Emma Boettcher managed to defeat him she won three games which would be enough to get her into the 2019 Tournament of Champions where she would ultimately do battle with him again in the finals of that Tournament. Then in the aftermath of Alex Trebek’s passing and the rise of the modern super-champion, this has begun to occur far more frequently.

After winning 38 games and more than 1.5 million dollars, Matt was defeated by Jonathan Fisher, who then went on to become a super-champion in his own right. He won eleven games and just under a quarter of a million dollars before being defeated. Then after Ryan Long had won sixteen games, he was defeated by Eric Ahasic who won six games and just over $160,000 before he was dethroned by Megan Wachspress who won six games and $60,000. While it doesn’t quite count the same way Hannah Wilson’s eight game streak that netted her $229,801 was beaten by Ben Chan who won nine games and $252,600.

And now after defeating Adriana Harmeyer, the most recent member of the elite Jeopardy super-winners, Drew Basile has entered the ranks of this kind of player. He lost yesterday having managed to win seven consecutive games and $129,601.

As is know by the world Drew’s is known for having competing on the most recent season of Survivor which ended in December of 2023. (In another one of those coincidences, Jeff Probst hosted Rock and Roll Jeopardy on VHI for several years.) Drew admitted early on that there was a major difference between the two – one is tougher on the body than the mind but over the seven victories he managed, it’s clear there were bits of both that were necessary for his run. That was true in his second victory in which all three players responding incorrectly on Final Jeopardy but he had enough money at the end to repeat as champion. And it was especially true in his third.

In Double Jeopardy Drew hit a groove and seemed certain to run away with the game. Then Josh Heit, his closest opponent got four out of the last six clues correct. When Drew got the last one right, he had $20,000 – exactly half Josh’s total of $10,000.

The Final Jeopardy category was SPORTS. “50 years ago Vin Scully announced he got ‘a standing ovation in the deep south’ for breaking a long time record. Josh knew the correct response: “Who is Hank Aaron?” Josh bet everything. Drew also knew it was Hank Aaron and wagered nothing. The two men were tied and for the sixth time in a regular game, Jeopardy ended in a tiebreaker round,

The category was SCIENCE: “This phenomenon named for a 19th century man is apparent in moving light sources as well as moving sound sources.” Drew rang in first: “What is the Doppler effect?” He was right and won his third game.

Three of Drew’s next four wins were runaway victories. In one of them challenger Erin Buker made a dubious Jeopardy history when she finished at the end of Double Jeopardy at -$7200. That score is only the second lowest total in the entire forty years of Jeopardy history, though its worth noting Erin was still admired by Jeopardy viewers for her noble effort against a great player. In two of Drew’s win he was trailing at the end of the Jeopardy round and managed to come back to be ahead at the end of Double Jeopardy.

However on Friday Drew’s luck ran out. In a sense it’s kind of amazing he actually went into Final Jeopardy with a chance to win his eighth game because throughout the entire match he was playing horribly. The only reason he had that chance was none of his opponents were playing any better. In hindsight, the fact that all three players got the first clue incorrect was a foreshadowing of how the game was going to play out.

Drew found the Daily Double in the Jeopardy round on the fourth clue in ALLITERATION. The only player with money he bet $1000: “For the 2022 album Death Cab for Cutie’, it’s the song ‘Asphalt Meadows” James had no idea it was the title track (I didn’t either for the record) and dropped to -$800. Remarkably that wasn’t rock bottom at one point he was actually at -$2200 and had only managed to get up to -$1400 by the time the Jeopardy round mercifully ended. By that point Cat Pisacano had $3400 and Andrew Fox was at $200, so Drew was not out of the running.

Double Jeopardy was actually worse for everybody. Drew had what could charitably be called a horrible performance: he gave 19 correct responses but also nine incorrect responses including all three Daily Doubles. Rarely did a player to more to defeat himself than Drew did during Double Jeopardy.

Drew was at $8600 when he found the first Daily Double in ANCIENT NAMES. Cat was in second with $3800. Drew bet $3000:

“His Sayings begins: “The master said, to learn and then do, is not that a pleasure?” Drew paused before guessing: “Who is Aesop?” It was Confucius. He dropped to $5200. He immediately got the next two clues in that category correct and was at $8800 when he found the other Daily Double in STUFF ABOUT STATES: “When this state joined the Union in 1812, it was the only one with a non-English speaking majority.” He thought it was Florida; it was Louisiana. He lost another $2000.

Had he managed to get either one correct, he probably would have had another run away victory. As it was he was still in the lead at the end of Double Jeopardy with $9600 to Cat’s $5800 and Andrew’s $600.

It came down to Final Jeopardy. The category was NOTABLE AMERICAN WOMEN. “In her autobiography she tells of a rather singular coincidence, that one of her Swiss ancestors was a teacher of the deaf.” Andrew and Cat each knew the correct response: “Who is Helen Keller?” But Drew had stared at it for a long time before he wrote down: “Who is Gallaudet?” He clearly had doubts as he written a frowny-face emoji after the clue. Cat was already ahead of him with $11,500 as she became the new champion. Drew ended his run with seven wins and $129,601.

It intrigues me that after the endless postseason and only 57 regular season games we nevertheless have five players who have definitely qualified for the next tournament of Champions and two more who have a very strong chance.

Lisa Ann Walter – Celebrity Jeopardy Winner

Alison Betts – 5 wins, $121,500

Amy Hummel – 5 wins, $100,594

Grant DeYoung – 4 Wins, $81,203

Amar Kakirde – 4 wins, $55,899

Ariana Havemeyer -  15 wins, $349,600

Drew Basile – 7 wins, $129,601

By comparison, if we leave out both the Second Chance winners and the three game winners, it took 82 regular season games to get the same number of eligible players the Season 40 Tournament of Champions. In fairness two of those players Cris Panullo and Ray Lalonde won 34 games between them during this period but it is striking that whenever the next tournament of Champions takes place  (something the producers will soon have to be considering as Season 40 draws to a close) we’re not in that bad shape, and that’s without considering that we have quite a few three game winners to add into the mix if necessary as well.

The last month has demonstrated that for all the controversy and messes that the show has had to deal with in Season 40 – the lion’s share of them self-inflicted wounds – that just as with every other time in the last few years Jeopardy has faced a crisis, we are reminded of what really matters – good players and good competition. Jeopardy demonstrated on a few occasions the last year that it has learned from its mistakes – it has stopped making players read the full names of the clues, it has not been highlighting the clue on the board in every game (as they were in prime time games) and clearly the reaction about revealing the Daily Doubles location in last year’s Masters created enough backlash for them to not include in this year’s. Jeopardy has been demonstrating that the fans will forgive its failing if the play on the Alex Trebek stage is good enough. To use a clue that Drew ironically enough answered in his final appearance, when it comes to what works and what doesn’t the producers will sometimes listen when the tribe has spoken. Hopefully they’ll remember that as we move into Season 41.

Saturday, June 29, 2024

Emmy Watch Phase 3 Continued: The 2024 Dorian TV Nominations

 

 

If you followed my column last year, you know that only recently I became aware of the existence of the Dorian TV nominations. They are a group associated with GALECA, the society of LGBTQ Entertainment Critics and have existed since 2009. I realize I only became aware of the existence in the past two years but in my defense I only recently realize what a good job the Image awards were doing in regard to TV and they’ve been around much longer.

The GALECA awards when it comes to TV are just as willing to recognize series that have no prominent LGBTQ+ actors or storylines as I found out when they gave significant recognition to Succession and The Bear same as every other show. But they also were willing recognize shows the Emmys should recognize such as The Other Two and Somebody Somewhere. I was impressed both with the nominations and eventually the awards.

Now given how many of the most significant dramas and comedies of the 2023-2024 season involved LGBTQ+ stories and actors, I figured there might be a better chance they could presage the Emmy nominations in a few weeks and on some fronts surpass it. When the nominations came out yesterday the Dorian Awards more than lived up to my expectations. I would support this organization regardless and at this point the Emmys should more than follow the Dorians examples.

Here are the nominations broken down by category

 

BEST TV DRAMA

Shogun and The Gilded Age more than deserve to me here and The Curse and Fallout have a very good chance of being nominated. AMC’s Interview With The Vampire has been taken very seriously by critics organizations even without the prominent LGBTQ storylines. Given the enormous popularity of Heartstopper I don’t question it belonging.

 

BEST TV COMEDY

Abbott Elementary, The Bear and Hacks will be the most nominated shows by the Emmys in this category. What We Do In The Shadows has been in the past and I hope Reservation Dogs is included.

 

BEST LGBTQ+ SHOW

Hacks more than deserves to be here, Baby Reindeer is already the frontrunner for Best Limited Series and the Emmys seriously need to nominate Fellow Travelers. One can’t question either Interview with the Vampire or Heartstopper being here.

BEST TV MOVIE OR MINISERIES

With the exception of Fargo being here in the place of True Detective I honestly want all of the nominated series here up for Emmys. Considering I’ve advocated for Baby Reindeer, Capote Vs The Swans, Fellow Travelers and Ripley the Emmys would be doing a disservice to the category if it didn’t nominate all of these series.

BEST UNSUNG TV SHOW

Really the Emmys should have had this category years ago. It would have solved so many problems.

One can hardly argue with Reservation Dogs, Interview with the Vampire, We are Lady Parts and Our Flag Means Death. I might not have gone with Chucky, but maybe they just ran out of room. There are a lot of unsung shows after all.

 

BEST WRITTEN TV SHOW

I can’t argue that Abbott Elementary, The Bear and Hacks aren’t among the best written comedies and Baby Reindeer and Fellow Travelers the best written Limited Series. Perhaps they good have broken it down but maybe next year.

 

BEST NON-ENGLISH LANGUAGE TV SHOW

This one puzzles me a little because I’m pretty sure Fellow Travelers, Hacks and The Bear are written in English. Elite and Lupin I don’t question. I’ll let it go for Best LGBTQ+ English Language TV because I don’t recognize the nominees.

 

BEST TV PERFORMANCE DRAMA

As I mentioned last year, the Dorians don’t discriminate between genders in their acting categories and while I don’t normally approve of it elsewhere, given the nature of the organization I can understand why.

The lion’s share of nominees are near certain to get acting nominations but with the exception of Emma Stone for The Curse and Anna Sawai for Shogun, the likely nominees are all in Limited Series. But few could fault the decisions: Matt Bomer, Jodie Foster, Richard Gadd, Andrew Scott and Tom Hollander. Less likely is Lily Gladstone for Under the Bridge and Jacob Anderson for Interview With the Vampire and Ncuti Gatwa for Dr. Who have no chance at all. Sill props for nominating them.

 

BEST SUPPORTING TV PERFORMANCE – DRAMA

There are more likely nominees in the drama category here: Christine Baranski for The Gilded Age, Elizabeth Debicki for The Crown and Moeka Hoshi for Shogun. I’ve overjoyed to see Jennifer Jason Leigh here for Fargo, Jonathan Bailey is a frontrunner for Fellow Travelers and both Jessica Gunning and Nama Mau are likely contenders for Baby Reindeer. Kali Reis is currently the front runner for Supporting Actress in a Limited Series. Benny Sadfie is at best a dark horse for his work in The Curse and Jinkx Monsoon has no chance for Doctor Who.

 

BEST TV PERFORMANCE – COMEDY

Three of the nominated performers – Quinta Brunson, Ayo Edebiri and Jean Smart – are the front runners for Best Actress in a Comedy. I mentioned the likelihood of Kristen Wiig or Maya Rudolph’s inclusion and I’m thrilled to see Devery Jacobs here for Reservation Dogs. (Emmy voters pat attention.) Renee Elise Goldberry was nominated for her work in Girls5Eva by the TCA so they’ve covered the spread. Jeremy Allan White is here as in Martin Short. Only Matt Berry for What We Do In the Shadows seems unlikely to get a corresponding Emmy nomination. No notes.

 

BEST SUPPORTING TV PERFORMANCE COMEDY

Hannah Einbinder, Meryl Streep, Janelle James and Sheryl Lee Ralph will be battling it out for Best Supporting Actress in a Comedy. I take a note of pride (pardon me) to see that Dorian agrees with me on Meg Stalter’s wok in Hacks. I have no problem if Carol Burnett is among the nominees (and trust me, I’ll be getting to Palm Royale soon.)

Ebon Moss-Bachrach is the front runner for Supporting Actor and Harvey Guillen has been nominated for his wonderful work on What We Do In The Shadows. Jamie Lee Curtis seems certain to win for guest work in The Bear. Only Joel Kim Booster for Loot has no realistic chance.

I don’t normally acknowledge TV Musical Performance but having seen the incredible work by Ryan Gosling on this year’s Oscars and Maya Rudolph’s opening number on her SNL stint, I will tip my hat to the Dorians for that category.

I will skip documentary series but as to LGBTQ TV Documentary series, I actually saw some of them and I give credit to Dorian for recognizing Jerrod Carmichael’s reality show, Rock Hudson: All That Heaven Allowed and The Stroll.

Best Current Affairs has the usual suspects (basically cut and paste most of the late night comedy shows) and I’m not qualified to discuss reality TV, However:

 

BEST GENRE TV SHOW

Another category that would have solved a lot of problems for the Emmys over the years. Fallout and What We Do In The Shadows are like Emmy nominees in their respective categories. More love for Interview and Chucky and props to Mike Flanagan’s The Fall of the House of Usher.

 

MOST VISUALLY STRIKING TV SHOW

I can’t argue with Ripley, Shogun or Night Country and considering what I’ve seen of Interview with a Vampire and heard about Fallout no one should question their presence. I’ll get to Palm Royale.

 

CAMPIEST TV SHOW

I am hardly the best arbiter of camp but given what I already know about Palm Royale, Chucky and The Traitors it’s hard not to blame them for being here. Bridgerton really deserves the title camp as I’m pretty sure all things Shondaland don’t deserve to be taken seriously. I’m assuming Capote Vs. The Swans is an example of high quality camp, like some of the best of Ryan Murphy.

They also give awards for individual performers. There is the Wilde Wit Award, and few could question that Quinta Brunson, Ayo Edebiri and Hannah Einbinder are not, according to the site: ‘performers, writers or commentators whose observations both challenge and amuse.” I don’t know enough about Joel Kim Booster but given what I’ve seen of his Fantasmas Julio Torres certainly qualifies.

 

As For Their TV Icon Award anyone whose watched TV for as long as I can knows that Gillian Anderson, Angela Bassett, Carol Burnett, Levar Burton and Julia Louis-Dreyfus don’t need an award to prove that to us. I’ll leave the Trailblazer Part out of the equation but I can’t exactly argue that RuPaul, Margaret Cho and Alan Cumming haven’t spent their careers doing that and that Emma D’Arcy and Ncuti Gatwa are doing so now.

Honestly if the Emmys nominates three-quarters of the shows and performers that GALECA has here, they should still be ashamed of themselves at how truly bad the Dorians make them look – and I don’t just mean when it comes to such things as LGBTQ+ I am, if anything, more impressed by what GALECA did this year then before. For any of this group, it is an honor just to be nominated.

Next week, I wrap this part of it up with the 2024 Astra (former Hollywood Critics Association) TV nominations.

 

Friday, June 28, 2024

Lost Rewatch on VHS: Recon

 

VHS NOTES: Not much to report of interest as this was recording off syndicated TV. There was an ad for the DVD release of the remake of Clash of the Titans as well as previews for House in syndication.

I remember looking at the episode titles when they were coming out in February of 2010 and thinking when I saw this one that it had to refer to Sayid, the former soldier. Even the fact that ‘con’ was part of the title didn’t clue me in. (And it’s far from the only con we see when we get to the flash-sideways.)

Of all the characters on Lost  Josh Holloway’s Sawyer has by far shown the greatest emotional range: he is the closest to having the most redemptive arc that we’ve seen any of the characters on the series see during the run. But it has been a long and in many ways harder road for James Ford then any character on these series.

When we first met him, it really looked like Sawyer was going to be the heavy on the series. The first time he actually made himself known is was getting in a fight with Sayid in the Pilot and his position as the redneck with cliched views and frequently unenlightened nicknames made it hard to like him. The fact that he was always clashing with Jack, who seemed to be the heroic lead of the series, made some think early on one of the major conflicts would be between the two of them; the fact that they quickly became either side of a love triangle with Kate would have been the major plot in a more traditional series.

But Lost was never that kind of show and like every other character on the plane, Sawyer was just as broken as everyone else. The difference was, he would hide with a mask of angry sarcasm mixed with self-loathing that spend so much time driving everyone else away.

Everyone on Lost was clinging to their past when they came to the island: only Sawyer had a literal reminder of it. When he was eight years old his mother had an affair with a confidence man named Sawyer who stole their life savings. His father killed his mother and then himself while the eight year old James hid under the bed. As we saw in his flashback in The Incident, James started writing the letter after his parent’s funeral when his pen ran out of ink. Jacob walked by and gave him a new one. His uncle found him and saw the letter. He offered him the chance to tell him to let it go because: “What’s done is done.” James must have realized the purpose of that message years later, but he lied to his uncle about finishing the letter and it shaped the course of his life for the next thirty years.

Eventually James Ford became the man he was chasing and spend his adult life pulling the same kind of cons the real Sawyer had. But every time he did so, we would quickly learn that James himself was the easiest man to con. He had to be, he spent so much time fooling himself, either that he could be something different (as he did with Cassidy) or that he couldn’t be. Throughout his past Sawyer was always being conned and a con by man named Hibbs got him to Sydney where he thought he was killing the real Sawyer until it was too late to take it back.

On the island Sawyer essentially became the hoarder and general store, loathed by everyone because he made them pay for all the goods he salvaged. Jack hated Sawyer when he found him going through the dead bodies for goods even though Jack was doing the exact same thing. Jack claimed to being doing it for an altruistic purpose but we quickly learned that Jack was trying to maintain the law of the land, even though they were in the jungle.

Sawyer’s attitude throughout Season 1 was contrary to Jack’s speech of ‘Every man for himself is not going to cut it.” Everyone had to come for him for good and frequently debase themselves for it (particularly if you were Jack). Kate was the only one who was capable of penetrating his exterior because they were kindred spirits and she very quickly learned how to manipulate him. Sawyer didn’t mind; they were outlaws.

Sawyer has, as he mentioned to UnLocke, been trying to get off the island more than anyone else. He helped build the raft that was for their first rescue attempt, but when the Others went after Walt he was shot trying to protect him – something that Michael didn’t appreciate. When he dug the bullet out of his shoulder, he spent much of the first half of the season worsening from an infection as the Tailies rescued them. He collapsed and nearly died and by the time they rejointed the other survivors, he was something of a hero. Sawyer couldn’t handle that, so he used Charlie to execute a con of Locke and Jack so that he could take all the guns. This appeared to be a game changer in Season 2, but in fact nothing really changed, and many wondered if it was sloppy writing. I’ve always thought that Sawyer was never comfortable being liked and did what he did because he needed to be hated.

At the end of Season 2 he, Jack, Kate and Hurley were conned by Michael about who the Others were and went on a rescue mission that turned out to be a trap. He spent the first half of Season 3 locked in a polar bear cage while Ben used him to manipulate Kate, who in turn was there to manipulate Jack. When Jack managed to save them by sacrificing his freedom, Kate turned around and went on a rescue mission while Sawyer tried to be his old nasty self. It was becoming harder, particularly when Hurley conned him into being a temporary leader but then Locke reappeared and conned him into saying he’d captured Ben and he wanted Sawyer to kill him. That was also a con – Locke needed to kill his father to join the Others, and he knew that Anthony Cooper was the man who had been the original Sawyer.

When James learned that in The Brig, he finally got a chance to play out the scene he’d been imagining in his head for nearly thirty years. Like so many people on the island, the reality was nothing close to the fantasy. When Cooper behaved – well, like Cooper – Sawyer snapped and strangled him with chains. But having realized his lifelong ambition, he was just as empty as before.

He spent the rest of Season 3 in a dark place and it took awhile for him to find a purpose. But when the mercenaries came to kill everybody at the Barracks, he found it, risking his life to save Claire, threatening Locke if ‘he touched one hair’ on Hurley’s head and leading the survivors through the jungle, through mercenaries and smoke monsters. When Claire disappeared he spent a day searching for her before returning to the beach. In his final sacrifice of Season 4, when the helicopter he was flying was in danger of not getting back to the freighter, he jumped off. It was a great sacrificial act – so it must have been devastating when he got back to the beach and saw the smoke rising from their boat.

With all of the former leaders gone and the island blooping through time, Sawyer found himself in a position no one would have found him capable of taking in Season 1: a leader. He deferred to Dan about the time jumping and to Locke about getting back to the Orchid but he was also being more open then before, confiding about how much it hurt to have lost Kate. When the bloops stopped, and the survivors were left in 1974, Sawyer decided to pull the greatest con of his life.

As we saw in Season 5, he convinced the Dharma Initiative that he was Lafleur and he and his group had gotten shipwrecked. He managed to take the two weeks they were given to find their people into three years, and in that time he rose to the point where he was the new head of security in Dharma. But just as always James was conning himself as much as everyone around him. He seemed to forget the fate of Dharma and had built a life for himself. When the people he’d ostensibly spent the last three years waiting for finally showed up, he was more concerned about preserving the con then figuring out what to do next. Even when Hurley reminded him of the Purge, he shrugged it off, saying it wasn’t his job to save these people.

Over the last few days James lost everything he’d built for the last three years: his reputation at Dharma, the relationship he’d spent three years building with Juliet and his leadership. He didn’t believe for a moment that Jack’s plan for dropping the bomb at the Swan was a good idea, but he went along with the rescue attempt. As a result Juliet paid the ultimate price.

We don’t know the Sawyer in the first half of Season 6. There’s no fight in him anymore; his anger is muted; he doesn’t even seem to care that he’s taking orders from a dead man. We don’t know where’s he been while everything with Claire and UnLocke was going down, but in the opening of this episode, he doesn’t seem to care that much anymore. There’s nothing left for him on this island, and the only thing he can find any motivation for is to leave. The fact that there’s nothing more waiting for him in civilization then there is here doesn’t matter anymore. He now seems to agree with UnLocke: he lived here for a while, but this was never his home.

It says a lot about Sawyer – who we’ve seen be conned in his past over and over and has been conned by such polar opposites as Ben and Hurley, and who was conned by Locke into killing Cooper –  knows within five minutes that he is not in the presence of John Locke even though UnLocke spent the first few days on the island convincing people who’d known him for longer that he was who he said he was. He has not fallen for the greatest trick the Devil ever pulled, but he seems just as willing to take the deal he’s been offered. Then again, back in Season 4, Sawyer went with the real John Locke and Ben, who at the time he thought was the villain of the piece, in order to stay alive. Sawyer doesn’t trust this devil any more than he did Ben back then – he’s just as quick to pull on a gun on him – but Locke talked him out of it then and UnLocke talked him out of a couple of days ago. In neither case does he trust the tale he’s been told, but improvisation on short notice is the gift of the con man, and as we have seen Sawyer has been gifted at it when he needs to me. He clearly senses a similar need now. When UnLocke tells James that ‘he’s the best liar he’s ever met” he clearly means it as a compliment, and considering what we already know about him, this is game recognizing game.

In the sideways world when James Ford tells Charlotte that there came a point when he had to make a choice between being a cop and a criminal, anyone who was a fan of television even before the era of Peak TV would know how narrow the distinction was. Hill Street Blues and NYPD Blue both gave countless examples of cops who were criminals and in the early days of Homicide Frank Pembleton told the rookie Tim Bayliss that he’d never been a good murder police because he didn’t think have a killer’s mind. (Frank would be proven wrong.) By the time Lost premiered, it was so much part of the dialogue that many of the cops on The Wire were considered dirty when in fact they were all part of a broken system and on The Shield Vic Mackey led a Strike Team that was as so much more about causing crime than it was stopping it.

And one of the worst-kept secrets about Sawyer on the island is, for all his belief in being a lone wolf, he was always willing to protect, if not necessarily serve. For all the contempt so many had in him, Jack was willing to trust him when things got rough: he gave him a gun over Kate when the time came to track down Ethan – and Sawyer in turn gave his original gun to her.  I’ve mentioned the previous occasions he’s gone on treks to help other people and the fact is he was in charge of security for Dharma by the time the Ajira flight returned. Like Sayid, Sawyer’s had a divided nature, and there’s an argument that James (who people have called him more and more as the series continued) was the good person and Sawyer the monster.

That’s no doubt the reason then when Charlotte opens a drawer in his apartment and finds the Sawyer file, he reacts so vehemently. In the sideways world, James Ford has separated himself from Sawyer and he wants to keep that part of him hidden.

Josh Holloway has always been remarkable in every season of Lost but he takes his game to a different level in the flash-sideways. James is clearly broken and is doing a better job of hiding it than he did in the real world. Even the casual observer has been noticing during each of the flash-sideways there have been pauses when the characters are looking at their reflection, sometimes in a mirror, sometimes in the glare of a window or as in Ben’s case, that of a microwave. In this episode, after his confrontation with Miles, James looks at himself in a changing mirror – but unlike all the other observers, he clearly doesn’t like what he sees and shatters it with his fist.

The metaphor would be blatant if it were not for the fact that after he sees himself, he goes home, microwaves a TV dinner and starts watching Little House on the Prairie. (There’s a larger significance to this but as we know young James was a fan of the show growing up.) James makes an effort to reach out to Charlotte, who slams the door in his face. But after that James Ford goes to his partner Miles and basically tells him everything he never really told anybody on the island, except under duress. And he also admits something he may never have been able to admit to himself, certainly not when he was on the island: that he planned to kill ‘Sawyer’ when he found him.

In a way, it’s fitting that in this world his partner is Miles, and not just because Miles was his deputy in Dharmaville and clearly his friend after all that. As we all know during the real timeline Miles was as much a grifter and a criminal as Sawyer was, just as prone to insults and contemptible to everyone.

This Miles is, if anything, more balanced that James Ford is. He’s clearly friendly with James Ford beyond just being a partner – he is setting him up on a blind date after all – he clearly has a relationship with his father, who was notably absent from his life and the reason he doesn’t want to date Charlotte is because he already has a girlfriend. (I almost wish we learned more about this to see if it’s someone we know; is it possible one of the women he was dating was also on the island at some point?) And Miles is clearly hurt by James’s deception and genuinely interested in his well-being. When James tells Miles he never told him because he knew he’d try to talk him out of it, Miles immediately says he was right. James, it’s worth noting, doesn’t hold that against him and while it’s not clear it would have been that easy to let go of his revenge, there’s a possibility that Miles might have talked him down into simply arrested the real Anthony Cooper. (It’s worth noting the sideways world actually has a more fitting punishment for the real Cooper.)

Recon is another episode that demonstrates that everyone else in this world is a little better off. Charlotte clearly seems less obsessed with finding where she was born then in this world; while she does do a lot of traveling, the fact that she’s in a museum does speak volumes that she’s not as globe-trotting as the original one. (Also this world demonstrates that no matter whether it’s on the island or off, past or in an alternate world, James Ford will always be able to get laid.) We also lay eyes on Liam Pace, Charlie’s older brother, who’s come to LA in order to bail his brother out of jail. We’ll never know if he got clean in this world, or was never on drugs in the first place,  but it’s nice to know he’s there for his brother in this world when he wasn’t in the real one.

The biggest question of course is now that we know that James Ford was a cop why did he help the fugitive Kate Austen avoid capture at the airport? There’s the fact that he didn’t want anyone to know he was in Sydney and there would have been paperwork that revealed it. (Miles was able to find it.) But that’s a big difference from actually aiding and abetting, which is kind of what he did. (Kate will call him on this in a later episode.) Maybe even in this world the line between cop and criminal isn’t as different for James Ford as he lets on.

On the island James now learns that UnLocke is the smoke monster, something that it’s not clear how many other members of the group have figured out. (A lot of them know that they’re talking to a dead man, but only everyone who served Jacob seems to know for sure right now.) James is still acting like he only wants to ‘get off this rock’, but there’s a part of him that’s still there: he promises Jin he’ll help him find his wife and we know James will keep his word. So that means following orders and going to Hydra Island.

In a sense this journey is as painful for Sawyer as Jack’s march to the lighthouse was. He passes the polar bear cages, and its clear that even though he’s done with Kate, it’s still immensely painful to see her dress among the ruins. Then he sees the Ajira plane and his expression changes. It’s first time this season we’ve seen him with something resembling hope. And then he finds a pile of bodies and sees what’s left of the Ajira crew.

It's a mystery to Lost fans to this day who killed everyone else, but not to me. I’ve always believed Widmore was responsible for their deaths. I need to make it clear that the series ultimately bungled by bringing Widmore back to the island in many ways and much of his motivations for returning never made any sense in the nature of the story. For all that we will hear in the final episodes, nothing will ever convince me Widmore has changed one bit during the course of the series.

This is clear in the conversation he has with Sawyer. When Locke said he didn’t trust Widmore because he’d sent a freighter full of soldiers to kill everybody on the island, Widmore told him that it was to get rid of Ben so that Locke could lead. That wasn’t remotely buyable given what we’d seen during Season 4. Now when Sawyer tells Widmore exactly the same thing, not only does Widmore bother to deny, he tries to turn it back on Sawyer. “How little you must think of me,” he says scornfully. Considering Sawyer got a far more close-up vision of this, he has every reason to think little of Widmore.

Widmore doesn’t strike me as the kind of person who either learns from his mistakes or hires the best people. As I mentioned during Season 4, everyone on the freighter had conflicted information, no one trusted each other and the only thing we knew for sure was that they all met the people on the island harm. (it’s never been clear how much the team knew going in.) Now he seems to have hired a team of scientists but they are just as angry, just as heavily armed and clearly just as untrustworthy. The only thing that’s different between the people on the sub and those on the freighter is that they are completely loyal to Widmore and never hesitate in a moment when it comes to obeying his orders.

This is why I don’t believe any more than Sawyer  Widmore’s denial that he killed everyone left on the Ajira flight. For more than half a century Widmore has never cared about innocent casualties and I don’t think he’s going to suddenly start now. It’s not clear how much he knows about who John Locke is right now or the real reason he’s come to the island. I think at the end of the day Widmore is still thinking this mission will end with his reward being the island. He is an Other after all, and that’s the job description.

Sawyer is clearly more canny than the original Locke was; he never trusted Ben and he never trusts Widmore. And while Locke went to his grave never able to decide whether to believe Ben or Widmore, Sawyer is very clear as to Widmore or UnLocke: he doesn’t believe a word either is saying. So he has no problem saying one thing to Widmore, another thing to UnLocke – and yet another thing to Kate.

Kate has spent the time dealing with her own guilt. She came back to the island to find Claire, and now she sees who Claire is and she’s devastated. But that’s nothing compared to what happens when Claire – sweet innocent Claire – tries to cut Kate’s throat and nearly succeeds until UnLocke pulls her off.

It’s nearly, if not more terrifying, to watch Sayid during this period. When Claire tries to kill Kate, not only does Sayid do nothing to separate them, he doesn’t get up or even react. There’s a blank expression on his face that’s even more terrifying than the violence we saw him commit at the end of Sundown. Before he was killed Dogen said that Sayid and Claire were both ‘infected’ but its clear that infection works in different ways. Claire went from being sweet and docile to feral and violent and Sayid when from being conflicted to…empty.

We do a get a bit of information from UnLocke during his conversation with Kate. He tells her that after Claire was abandoned she was devastated and he came to her and gave her a new purpose. That purpose was to turn her feral and against the Others. This is far from noble: it’s exactly what Ben did to turn Sayid into his own personal hitman. He used her grief to inflict violence.

That said, it’s worth noting that when he tells Kate that long ago, he had a mother and that she was crazy we’re more inclined to believe him. Everybody on this island ended up here in part because of parental dysfunction; why shouldn’t it be true for the smoke monster? (Yes I know the issue; I’ll get there.) It does make you wonder why he chose to go after Claire. Is there a part of the Man In Black who, in addition to just wanting to leave the island, wanted the things everyone else wants? We see him throughout the final season trying to be friendly and parental, not just to Claire (and Zach and Emms in one scene) but almost every one of the  other passengers. In truth, this would be a hard case even if he wasn’t the smoke monster: Locke was never good at making friends and being loving on the island, and that may be something even harder for everyone else to get over.

Perhaps that’s another reason that while many people will follow UnLocke throughout Season 6, they never trust a word he says. They dismiss his friendly remarks with scorn, they decline his hand in friendship, and many of them don’t believe a word out of his mouth. Neither the man he was nor the entity that inhabits him are trustworthy: the latter is clearly trying to be a bigger con artist than Sawyer ever was.

So that’s why at the end of the episode we see that Sawyer is at least partially back to his old self. He clearly doesn’t trust UnLocke, but he is willing to agree with what thing: they have to leave the island together. The fact that he turns to Kate makes it clear that he’s hoping that for all his belief in every man for himself that living together is the only way off the island. To do so, he knows that they’re going to have the pull off a bigger con then he ever did on his own.

And we want to believe Sawyer can do it – but we can’t forget how easily it’s been to con him in the past.

 

IF YOU BELIEVE THE ENDING: Actually almost all of this tracks as well. I do have issues with Miles and Charlotte in a larger context of the series finale but as that has more to do with the ending then the episode, I’m going to let it slide. Trust me, we have bigger issues to come.

 

My Predictions (And Hopes) For the 2024 Emmy Nominations, Conclusion: Outstanding Supporting Actress in A Limited Series

 

As I wrap this up I would like to give a shout out to the many more than qualified eligible candidates that will likely be ignored. These include both Calista Flockhart and Demi Moore for Capote Vs. The Swans, Sandra Oh for The Sympathizer and Amanda Peet for his balanced work in Fellow Travelers. I hope that the Astras has room for some of you next week and part of me would be fine if any of you were listed by chance.

As with before I’m going to go to seven nominations in this category. They include some of the most undervalued character actresses in recent years as well as some of the better performances in all of the last year. Here are my choices.

Dakota Fanning, Ripley

Having seen Talented Mr. Ripley I think one of the biggest improvements is how Marge has grown out in the Netflix adaptations. For all of Gwynneth Paltrow’s talent, the film didn’t utilize her to her best ability. Steven Zaillian has found a better way to use Marge.

Fanning takes on an intriguing portrayal: she cares for Dickie’s wellbeing probably more than he does and is the warning sign for Tom’s problems before he gets there. Marge is clearly more suspicious almost from the start to Tom’s actions and it’s clear over the next few episodes that she’s spending as much time fawning over him as she is lying to herself in the letters she writes that show a far different reality.  Paltrow’s Marge seemed horrified by both men; in Fanning’s portrayal you get a sense of devotion to Dickie that was clearly never returned. In this sense we see the tragedy of Tom’s actions far more visibly in Marge than any previous version.

I had little use for Elle Fanning’s nominations for The Great the past few years even though I admired her work in other films. Her sister clearly has a much darker role to play in her first major TV role and it’s more than worthy of a nomination.

 

Jessica Gunning, Baby Reindeer

Gunning had one of the most difficult roles to play of all the nominees in this category. As Martha, the overweight, emotionally disturbed and psychotic woman who makes Donny’s life an intractable hell she had to not only play every aspect of this character but also play someone who could appear harmless when necessary, appear psychotically disturbed on a moments moment, be by far a dangerous threat and ultimately turn out to be as broken as Donny was. And had she made a single misstep in her work, there’s a very good chance the entire series could have failed. Gunning handled all of this with remarkable aplomb and continued to show an incredible pathos in so much of the time she was onscreen. And considering that whenever she was off, Martha might very well be more danger when she wasn’t, her presence was always looming over it. Much of Gunning’s best work was done in recordings and voiceovers, particularly in the critical final episode.

It's the sad nature of how social media worked that despite all of Gadd’s best intentions, not only did the world that Donny’s side but track down the real Martha and publicly vilify her the way that they have always taken the most complex stories across the world and turned them into purely binary. This is unfair both to the fiction and the real Martha, who Gadd makes very clear in the final episodes was just as much a tragic figure as she was a monster and a victim of the same system the way he was. It may not be viewed as a tragic performance but no one will deny it was a master class.

Aja Naomi King, Lessons in Chemistry

Aja Naomi King was a very known quantity to me for her work in How to Get Away With Murder and I was inclined to hold that against her before watching Lessons in Chemistry. Needless to say she was the biggest revelation of the entire series.

Harriet Sloane is initially more important to the story because of what she means to Calvin then the main action. Then in the aftermath of his tragic death she slowly becomes essential to Elizabeth’s life and two women who would otherwise never become a friend or even relate form a bond that takes them both through an incredible tragedy. Harriet is even more of an outsider than Elizabeth is and as we see, just as much determined to disrupt though even louder. This is particularly significant in the era she lives: if white women were invisible, African-American women weren’t – but they no doubt longed for it at times. Harriet never considers being invisible and her boldness is an inspiration.

King is one of the only names in this category who has any success in the end of year awards: she was nominated for Best Supporting Actress by both the Critics’ Choice Awards and the Image Awards. She will be a formidable contender.

Diane Lane, Capote Vs. The Swans

Like almost all the actresses in the series, Diane Lane has been one of the more undervalued actresses for more than four decades. In addition to a peerless film career, she has been involved in some of the most remarkable television, from Lonesome Dove to a constant career in TV movies to the controversial final season of House of Cards to Y:The Last Man. Her work as Slim Keith wasn’t even the only Limited Series she was a part of this year: she also played Martha in the Netflix Adaptation of A Man In Full.

But her work as Slim Keith featured by far some of the best work she has done in any medium since her role in Trumbo nearly a decade ago. As the wife who takes the offensive to ‘starve’ Truman after the excerpt of Answered Prayers appears in Esquire she remains the most determined to destroy him over the years. Her righteousness, like all the other characters, is revealed to be hypocrisy, both in her affair with Babe’s husband even as he dies from cancer and after we learn of her own horrid behavior towards so many of the women she was defending. It’s a riveting performance.

Lane has been nominated twice for Emmys before, for both Lonesome Dove and her work in the HBO film Cinema Verite but just as with the Oscars, she has never one. There are countless great performances by her co-stars in this category but hers is one of the most deserving. It’s unclear where she’ll finish in the Emmys this year, but she would be a more than deserving winner.

Jennifer Jason Leigh, Fargo

The mother of critical darlings. Leigh has been winning critics awards for her entire career from the moment she walked on to the national consciousness in Miami Blues. She is the queen of character actresses and independent films. But for now let’s focus on her career in television, which is if anything, nearly as impressive. She’s been involved in Weeds, Revenge and Twin Peaks. Her work as Patrick Melrose’s mother deserved an Emmy nomination. She had one of the lead roles in atypical, played Julianne Moore’s sister in Lisey’s Story and starred in the second season of Hunters. And now the mother of all character actresses plays the mother of all mothers in Fargo.

Leigh, when the occasion calls for it can chew the scenery as well as anybody – it’s sometimes been a thing that works against her. As Lorraine, the gun-toting billionaire whose made a fortune on the debts of other people she clearly is having the time of her life in a way that none of the other characters are. She is hysterical every moment she’s on screen, whether she’s ordering her family to pose with AK’s in a Christmas Card picture (taken in October) telling her attorney to slap her son, proud of not only her white privilege but disdainful of those who say she should be softer. Season 5 of Fargo would be brilliant just for Leigh’s character alone.

There are a lot of great performers but I’m not going to lie. I want to Leigh win. Despite all of the incredible performances in her long career with have won her so many critics groups awards she has one Oscar nomination to her credit. It might seem ridiculous to consider her the sentimental favorite in this category (considering the character she plays would consider sentiment something for the weak!) but I want to see her up there. I really would.

Kali Reis, True Detective: Night Country

Kali Reis was unique to any of the partners investigating a crime in True Detective: it wasn’t just that Danvers’s was Navarro’s superior officer, a power imbalance we’ve yet to see on the show; it was that she had to spend all of her time performing along side one of the greatest actresses in history and not only be as good as her onscreen but be more dominant at times. It is a credit to the skill of Reis that she was able to do all of that in Night Country.

I’ll be honest: there were aspects of both female characters that I found lacking; both Navarro and Danvers’s were, for all intents and purposes, just the female equivalent of so many of the male detectives we’ve seen over the last three years; sleeping with whoever they want, having a very different philosophical difference. And the fact is, much of Reis’s work involved the woo-woo aspect of the show that I have always found the most lacking for the entire anthology series. But taken purely as a standard of acting, it was as powerful as some of the best and bigger names that have been a part of the series over the years and at least as worthy of Emmy nominations as any of the previous ones. I’ll debate whether either she or Foster deserve to win when the nominations come out, but I’m not going to pretend neither deserves to be there.

Chloe Sevigny, Capote Vs. The Swans

Chloe Sevigny has spent nearly as much of her career in TV as she has in movies. Her work in Big Love was one of the best performances in an underrated show, and while she didn’t receive even an Emmy nomination, she did receive a Golden Globe. She has been working more in TV than movies ever since in a wide range, from a recurring role on Portlandia and The Mindy Project a lead role in the thriller Those Who Kill, constantly working in American Horror Story, such prestige series as Bloodline, Russian Doll and The Act. And yet despite that, she has yet to earn a single Emmy nomination. It will be very hard to justify excluding her for her work as Slim Keith on Capote Vs. the Swans though it would hardly stun be if the Emmys found a way.

Watching Sevigny play the restrained society wife I was reminded – as if I ever needed reminding – how versatile a performer Sevigny is. This is the same actress who in recent years played the drugged out mother of Nadia in a flashback in Season 2 of Russian Doll and played the head of a one-hit wonder rock band in Poker Face with the same aplomb. Here a slightly older Slim has the same frailties as all the other characters but is also aware of her beauty and trying to recapture both her youth as well as the dying fall of New York society around her. She remains the closest to Truman after his exile, the only one to stay in contact with him, the one who tells him that Babe is dead, who hears the eulogy to her he’ll never deliver. It’s perhaps the most supporting performance in the show and its brilliant. I don’t know if Sevigny can get a nomination but as with all her work she has earned it.

 

FOR YOUR CONSIDERATION

Allison Brie, Apples Never Fall

If it were up to be I would have listed Brie above some of the more likely candidates: I honestly believe her work deserves recognition more than Fanning or even Reis. But the sad truth is, it has been the fate of this brilliant performer to have worked in some of the best television of the last fifteen years, from Community to GLOW, and see her show or her colleagues be nominated and herself ignored. Considering how much GLOW was loved and the Emmys shutout of her personally, I see little chance of her getting recognized for a limited series that is almost certain to be ignored by the Emmys.

But it’s one of the highlights of the show all the same. Brie has managed to play much of her career portraying characters who are professionally put together if personally flawed. Amy is the Delaney child who has been the biggest mess her entire life, pitied by her siblings, unable to find a path. In that sense Brie was the biggest revelation of Apples not just in showing someone completely broken but as someone who has a hidden strength that none of her family expected and a belief in herself that she didn’t know she had until the series was nearly over. It was a funny and moving performance, both of which are Brie’s sweet spots.

Paradoxically while I’ve listed other performers from Apples as my favorites among nominees then some of the more likely candidates, I think Brie’s work is the most worthy of a trophy of the cast. But I’m realistic enough to know it is likely the Emmys will never recognize her for anything she does, though like Amy herself, I keep hoping for the best.

 

Well, that’s it. Next week, I will be dealing with the final parts of Phase 3 of the Emmy watching, including the Astra 2024 nominations which will be coming out Tuesday. Those of you who follow my blog know that this is by far my favorite awards show of the year when it comes to both nominations and awards. I look forward to that even more than the Emmy nominations themselves.

Thursday, June 27, 2024

My Predictions (And Hopes) For This Year's Emmys, Week 3, Part 4: Outstanding Supporting Actor in a Limited Series

 

As I said, much as I admire some of the actors in it, I refuse to acknowledge any performers from The Regime in this category. It is very likely that there will be at least one nominee from Fargo and True Detective in this category but there is no guarantee my choice will be the one that the Emmys choose. Considering the level of talent in the Supporting cast of each, I won’t be irritated if they are ignored for another choice. The remainder of my selections with one exception will stick close the heavy favorites in this category. I’m going to go for seven nominees because that’s how many there were in this category the last two years.

 

Jonathan Bailey, Fellow Travelers

Of all the potential nominees Bailey is the only one who already has an award to his credit, having taken the Supporting Actor prize from the Critics Choice Awards earlier this year. Aside from the fact that technically speaking Bailey is a co-lead rather than supporting performer there is absolutely no reason why he should not be the frontrunner in this category

Bailey’s work as Tim had by far the biggest arc in the entire series. Starting out as a Catholic and true believer in McCarthyism as well as a complete innocent, we see his character fall under the influence of Hawk’s cynicism early on but somehow manage to remain true to himself in a way Hawk can’t. As he moves away from McCarthy’s spell, he remains an increased activist, first as the counterculture and then becoming fully devoted to gay rights. When the series begins Tim is suffering from the final stages of AIDS but he is more alive than Hawk ever was throughout his career. The most moving moment for Bailey occurs at the end of the series when he acknowledges to Hawk: “I have loved you my whole life” and is a bolder declaration than any of the many erotic scenes we’ve seen between them during the series. I really would love if Bailey were the winner in this category, despite the bigger names.

Robert Downey, Jr. The Sympathizer

There’s an excellent chance that Robert Downey will become the first actor to win an Oscar and an Emmy in the same year and there are few combinations of work that show his versatility then the subtle nuances of Levi Strauss in Oppenheimer and the four different performances he gives throughout The Sympathizer. Not since the work of Alec Guiness and Peter Sellers has anyone tried something akin to Downey’s work in this film, playing a CIA agent, a leftist professor, a hard-right congressman and a Hollywood auteur, all of whom the Captain encounters at various times (and in one brilliant scene, all at once) and all of whom represent different phases of what Vietnam meant to Americans as opposed to the Vietnamese.

Of course as we see all four portrayals regard the Captain with variations of the same kind of bigotry, all trying to use him for his own end, all unaware (and in most cases, uncaring) of the lies he is telling the world and himself. But it isn’t until the final episode that Downey takes on a fifth role and in it we understand that everything Downey has done is not just an excuse to show off his acting chops but has a far darker meaning.

Nearly a quarter of a century ago Downey was a heavy favorite for an Emmy for his one-season stint in Ally McBeal before he was upset by his co-star. I have a strong feeling Hollywood will rectify this mistake this year and it is both the right time and for absolutely the right kind of work.

John Hawkes, True Detective: Night Country

Even if John Hawkes had never appeared on Peak TV, he’d definitely be one of the greatest character actors who ever lived. As part of Peak TV, he’s been one of the greatest forces and that was true even before he launched to the front of our perception as Sol Star in Deadwood in 2003, one of the few characters in the entire series with a pure moral compass. So great a performer is he that in the aftermath of Season 6 co-creator Damon Lindelof mourned that the Temple story line had ‘wasted John Hawkes.” Hawkes has continued to show his range in the brilliant comedy Eastbound & Down and  a stint on one of the best episodes of Inside Amy Schumer. But not since recreating his role in Deadwood: The Movie has he been back on television. And as Hank Prior, it was worth the wait.

There were many problems I had with Night Country but the bullying former husband of Sheriff Danvers, trying to put his foot on everything that happened including the behavior of his son, was far from one of them. Hawkes is well known for playing malevolence in so many of his best films but he’s never gotten a chance to do so on TV before and he did so the same way he does everything: perfectly and understated.

I don’t know what I find more appalling that in Hawkes’s career he has only one Oscar nomination to his credit or that he’s never been nominated for an Emmy. At the very least the Emmys owes him a nomination for this show.

 

Jake Lacy, The Caine Mutiny Court Martial/Apples Never Fall

Of the nominees I’ve listed here, Lacy is by far one of the longest shots of the entire group. That strikes me as very odd, not only because he was nominated two years ago for his work in The White Lotus but he gave two very different performances that showed how far he was from the spoiled millionaire who dueled with Armand for supremacy in the first season.

In The Caine Mutiny, he took on the role of Lt. Maryk on trial for his actions and the impetus for what happens. Spending much of the first half essentially in the background and silent, Lacy moment comes in the second act when he describes in detail every action Queeg took that made him believe he was crazy. Far more telling his work in the cross-examination where the viewer sees just how over his head he was intellectually and is cut down to size, doggedly sticking to his principles but looking like he’s been wrecked when he leaves the stand.

His work as Troy seemed closer to his work in The White Lotus, an arrogant elder son who looks down at so many people. But like everyone else in the series, we quickly see how much trauma is buried beneath it and how that has led him to be self-destructive throughout his life and how it plays out in the series. There is a clear redemptive arc to him we haven’t seen before and honestly his previous work hadn’t let us see.

Either of these performances would have been enough to win him a nomination and perhaps he will get recognition for both from the Astras next week. He is an extreme dark horse for a nomination but both performances showcase why he is a superb actor.

 

Lewis Pullman, Lessons in Chemistry

For all of the subtle brilliance of Lewis Pullman as Calvin, I only recently learned that he is the son of one of my favorite character actors of all time, Bill Pullman. Given everything we saw in his stint this past year, it’s clear that he’s already got the abilities his father did.

Calvin is a basically a savant who has great mental genius and horrible personal behavior. He is tolerated at Hastings because of the former but not much more than Elizabeth because of her gender. The relationship they form is one first of necessity, then minds, and finally hearts. When he kisses her it comes as first a shock, then a delight. Calvin is willing to put himself before the woman he loves at all time and clearly sees her as his superior – and when he dies tragically in the second episode, it is a blow to the audience who hadn’t read the book. I had a sense it was coming but I hoped against hope.

Pullman has been nominated for a Critics Choice Award in this category, though he lost to Bailey in January. He’s almost certain to be nominated but will likely lose to Robert Downey, Jr. This is, sadly, the fate his father has endured in his longer career when it comes to awards and I hope that Lewis will have as long and productive career as Bill already has. This performance demonstrates the strong likelihood of that.

 

Sam Spruell, Fargo

It is the nature of Fargo that it always has an extraordinary supporting cast of background players in every incarnation. In the first three seasons, it managed at least one nominee in this category and in its fourth, it should have had at least one as well. And we have a multitude of brilliant supporting performances to recognize, from Joe Keery’s incompetent son of Roy Tillman to Lamone Morris’s noble deputy to Dave Foley’s dryly hysterical attorney. All are worthy of nominations and I would be more than fine if one or more were.

But I’m going to advocate for one of the less well-known actors who played arguably the most critical supporting role in the entire series. We’ve frequently had mystical elements in Fargo but we’ve never had a character who embodied all the strange elements the same way that Sam Spruell’s Mr. Wrench did. Starting out as just the kind of thug sent to get Dot, he became as much of an adversary to both sides as anyone else – and then we learned that he was a conceivably immortal soul-eater who seems to have spent centuries searching out recompense. It says a lot about Hawley’s work that not only does the viewer not question this, but it never comes up in any interaction of the characters.

Spruell didn’t have as much emotional range as many of his co-stars on this series, which makes the power of his work all the more remarkable. And there’s something profound about this show that the final moments showed his fate and ended not in darkness – as almost every season has – but something resembling happiness. It’s the kind of thing deserving of a nomination.

 

Treat Williams, Capote Vs. The Swans

One of the great tragedies unfolded when Treat Williams passed away in a tragic motorcycle accident earlier this year. There is a strong possibility that he would have earned an Emmy nomination for what will be his final television performance as Bill Paley the head of CBS and the cheating husband of Babe in Capote. But now, just as Ray Liotta’s work in Black Bird last year was ensure of a nomination in this category because of his untimely death, Williams’ work is a lock.

And indeed his work reminded us what a great performer we lost as he plays Bill, the husband who feels the most betrayed by Truman’s actions in Feud, who goes out of his way to tend to his wife when she is diagnosed with cancer – but still has an affair with one of her closest friends – and who in her final days engages in a knockdown argument with his wife about all the failures in their marriage and as parents. He stands firm in making sure Truman can’t attend the funeral, but at the wake women are circling him.

Just as Liotta was, Williams was by far one of our most underappreciated character actors almost never getting recognition for the incredible work he did in film and television in his more than four decade career. His role is somewhat larger than the one Liotta had, but it is no less as dominating and a fitting tribute to one of our great performers.

 

FOR YOUR CONSIDERATION

Eliot Sumner, Ripley

I suppose I should be advocating for Johnny Flynn here but I’m not going to lie. Of the incredible cast in this show, Sumner stole every scene he was in during his brief stint on Ripley.

Sumner, I should probably mention, has recently transitioned from female to male, according to his imdb.com page. That is fairly clear in his work as Freddie Miles, where for much of his performance I honestly wondered if the writers had swapped genders for this character. In all honesty, this ambiguity perfectly fits the nature of Ripley where so much of the sexuality of many of the characters is in flux. Sumner had relatively few scenes (if you’ve read the original book or seen the film, you know why) but every moment he was onscreen I couldn’t take my eyes of him. And considering almost all of those scenes were with Andrew Scott, that should tell you of how good a performer he is.

Sumner is taking on big shoes of his own: on the silver screen,  this character was played by the late, great Philip Seymour Hoffman. In a different film review, a critic said that it was from that film on Hoffman had demonstrated his ability to steal a film from any actor or actress, no matter how great a performer onscreen. Sumner is known more for music than performing – this is one of the first significant roles he’s had in movies or TV – but he demonstrates the gift that Hoffman had in the movies and I think it deserves recognition here.

 

Tomorrow I will wrap everything up with Outstanding Supporting Actress in a Limited Series/TV Movie.