Spoilers For Entire Series Below
In the final minutes of All Her Fault
Lia, played masterfully by Abby Elliott talks about how our society finds
it far easier to scapegoat and punish people for perceived wrongdoings rather
than face its own flaws. While this is a
manifest truth, there is the clear irony in the fact that Lia is in fact doing
so to deflect attention from the culpability of the death of her brother rather
than acknowledge the truth – and that by that point the viewer is completely on
her side.
Ostensibly All Her Fault the
masterful Peacock adaptation of Mary Mara's best selling novel is telling the
story of the events that follow the abduction of Milo Irvine, the five year old
son of Marisa and Peter and while it is mostly about that it is also a
frightening portrayal of one of the greatest monsters I've seen on television
in a very long time in Peter Irvine. Jake Lacy has a history ever since his
breakout role in the first season of The White Lotus of playing
outwardly nice people whose façade reveals true bullies led by privilege. But
I've never seen him play a character like Peter a man who clearly has no soul or
conscience, who has lived his entire life completely oblivious to the damage he
does to the people he supposedly loves and who even when confronted with the
horrible things he's done after decades is absolutely indifferent to the trauma
he's caused.
This is made clear in the fifth
episode where Brian and Lia finally learn the worst aspects of their brother.
Brian (Daniel Monks) has spent his entire life with paralysis, living off the
goodwill and compassion of Peter ever since a childhood incident at age six. He's
lived that entire period believe his sister Lia was responsible for it in a
childhood accident. Lia, in turn, has spent her life addicted to painkillers
and has gone to rehab three separate times, the most recent one within weeks of
Milo's abduction.
At the worst possible time Brian
learns that Peter has been lying to him about not being a candidate for a
spinal surgery that could have given mobility. He told him he wasn't a
candidate when in fact he was and Peter turned it down. At the same period Peter
believes Lia has relapsed because he found an empty prescription bottle of
Brian's painkillers. Even after he is called on both of these problems Peter
becomes more superior arguing that even if the surgery worked Brian would have to
start all over again and he couldn't handle it and he's sure that Lia's relapse
will happen again. Then he gives away the fact that it was not Lia who tripped
Brian thirty years ago, it was Peter. He was jealous of not being included so
he tripped him – and in his words, he never told anybody.
What's terrifying is that Peter feels
no guilt about the trauma he caused his sister: "I gave you a gift,"
he says nonchalantly. And he clearly doesn't feel bad about what happened to
Brian. He doesn't apologize for that either.
We have no time to deal with this because Milo has just been found and
returned – though there is no sign of Carrie Finch.
In the penultimate episode we are
finally told the backstory of Carrie, whose real name is Josephine Murphy. The
entire episode tells us what has happened to Josephine and its stunning. Sophia
Lillis is magnificent playing a teenage girl who is clearly suffering from a
mental illness and has never known a moment of love from her criminal father or
neglectful mother. What's striking is that we spend much of it thinking that
Josie's obsession with Milo is based on some kind of delusion of her mental
state. Because she lost her child not long after giving birth to her (we don't
see how until the finale episode) the viewer naturally assumes that Josie has
never truly processed her trauma appropriately and that this is just a sign of
her condition.
Lillis leans in to it hard for most of
the episode, playing a young woman who never had a chance to grow up and who
might very well be acting out a fantasy of hers. As things continue to get deep
she ends up calling in first her boyfriend who just got out of prison and her
father, who is a bookie. As things continue to unravel Josie's father kills her
boyfriend to cover his track and then arranges things for what we believe is a
ransom but what we later learn is blackmail. Josie returns to the motel room
and finds her father dead and the phone still recording.
We truly think she intends to kill
herself before she ends up at the Irvine home with a gun and its only then we
get a hint of the truth: there was an accident six years ago with her baby in
the back seat. She is now convinced that the Irvines took her son from her and
we now think that's the truth.
It's in the series finale that all of
this comes together and the bloodbath begins. Josie enters the house with a gun
and Colin (Jay Ellis) tries to take it away from her and he is accidentally
killed. Josephine clearly knows how things are going to end and she tells Brian
and Lia to go upstairs. She tells Marisa that you have to protect your son and
while this is going on Peter charges Josie and shoots her.
It's only then the true evil of Peter
is revealed. On the night they were taking their son home the Irvine car and
Josie's collided. Their son was killed.
Peter, in a moment of shock, got out of the car and then he heard the baby in
the Murphy car crying. He took the child out and replaced his dead son with
hers.
This plays out the same pattern that
Peter did with his siblings as a child and for all his tears at the moment we
know all of this is being done for the same reason. This is not about taking
Milo away from Marisa and Peter; this is about Peter needed to be in control.
He emotionally bullies Marisa into lying for him at the crime scene and in the aftermath,
saying Josephine was clearly deluded.
By that point Marisa knows that
Peter's hands are even bloodier. While he was sent out to get upholstery cleaner
he did bring the ransom. But when it was clear there was an attempt at
blackmail, he killed Mr. Murphy in an instant. Then he took his son out of the
motel room and put him in the trunk of a car, to make sure he wouldn't get
caught. The viewer has every reason to believe Sarah will kill Peter right then
but she freezes.
Lia, who is completely shell-shocked,
plans Colin's wake. By that point it's clear that whatever devotion Peter had
for his son has been replaced by his need for control and that he has been more
than willing to move on from this with no remorse any more than what he did to Brian
and Lia. Marisa has realized she has no options.
If the viewer had any doubt that Peter
deserved to die it was completely removed by watching him at the wake. He has
no sympathy for his brother trying to move on and live on his own, saying its
all about him and makes it very clear that he thinks Colin and Lia's
relationship was not one he approved of. It's clear he intended to blame Lia
for Colin's the death the exact same way he spent thirty years forcing her to
blame herself for Brian's injury. And the fact that when they went to the wine
cellar he seemed to feel superior that he had lived and Colin was dead made me
feel no more remorse than Marisa did for what happened.
It's worth noting that while this is
going on Detective Alcarena (Michael Pena) had managed to connect the dots. He realized
that Milo was in fact Josephine Murphy's child and that Peter Irvine was
responsible for covering it up. When he learns that Peter is dead and we end up
at the start of the series its clear he's withheld quite a bit of information
from his partner that would end with all of this being resolved.
During the series we've gotten to know
Alcarena a bit. We know that he has a son with special needs that he clearly
loves without condition and that he's been trying to get him into St. Marks,
the same school that Milo and Jacob go too. He's essentially been bribed by the
headmaster of the school to make the drug charge of one of the students there
with early admittance and while he initially rejects it, he does so for the
good of his son.
Alcarena is one of the only characters
who stays sympathetic all the way through and through his scenes with Marisa
its clear the two are connected by their efforts of being working parents. I
believe that's why he comes to see Marisa at the end of the series to tell her that
while he knows the facts of the case he's not going to pursue charges. "I think
you were faced with some truly difficult choices," he tells her, not
knowing even a fraction of how monstrous Peter was and it's the absolution she
needs.
I have to say while this is a series
full of truly incredible performances Dakota Fanning is remarkable as Jenny. I
have no idea if Jenny's role was nearly as significant in the novel as here
(I'll be reading it in the weeks to come) but it's clear Jenny was put there to
show that she is in the same emotional place as Marisa during this period. It's
clear that her husband has been emotionally distant for years and has never
truly supported the fact that she was breadwinner. It's clear he thinks the
fact that their nanny has been a criminal is an opportunity for Jenny to stay
home more and take the burden off him.
By the time we reached the sixth
episode we see that her husband has no emotional maturity at all and has been
lying about his quiz team to just spend a few hours watching TikTok and YouTube.
When Jenny unloads on him with the ferocity of how horrible it is to be a both
a mother and a breadwinner it is the kind of speech that is more emotional
resonant with any woman in America if not the world.
Refreshingly with the clear exception of
Peter every major character in All Her Fault fits more clearly in the
average person mode that the morally grey area the viewer has become accustomed
to in even the best TV shows for much of this century. The first part of the teaser: "All these
nice people' is actually true and the violence that unfolded was almost
entirely done by monstrous ones and arguably all of them happened because of
Peter's actions. This is true even when
the killing takes place; Josie's actions are accidental; Peter has already
killed her father and feels no remorse killing her. And given what we already
know about Peter Sarah's actions were completely defensible.
As I've mentioned in earlier articles
Peacock has produced some genuine sensations when it entered the original
programming world in streaming and over the last two years I was fans of the
recently canceled Poker Face, the superb Day of the Jackal and small
gems such as Long Bright River and Apples Never Fall. Yet it seems that it is All Her Fault may
be the show that finally puts the streamer on the map: it has become the most
watched series of any Peacock program in its history and already being nominated
for Best Limited Series by both the Golden Globes and Critics Choice Awards
with Snook being nominated for Best Actress by both organizations. The latter
group has been more generous to the series, nominating Pena and Lillis for
Supporting Actor and Actress, in a Limited
Series/TV Movie. Whether the Emmys will consider remains to be seen – there are
six months to go before the eligibility period officially ends – but this is
clearly one of the best shows of 2025.
My score (SERIES) 5 stars.
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