Monday, February 23, 2026

Dark Winds Returns For Season 4 (Great Show of the 2020s)

 

In my rave of the fourth season of Will Trent I said:

I can see a world where Karen Slaughter's Will Trent novels got a more faithful adaptation, much in the way the works of Michael Connelly and Tony Hillerman have during the past decade… There could have been more faithful adaptations of Karin Slaughter's novels but I'm thrilled that this Will Trent is the one we go.

I was fully aware that in a matter of weeks I would be rewarded with the return of Dark Winds AMC's towering adaptation of Tony Hillerman's landmark Leaphorn and Chee novels. Now the fourth season had debuted and just as I am grateful for the version of Slaughter's work that I've been watching for four seasons I'm equally grateful for the far more faithful version of Hillerman's work that AMC has produced. And just as grateful it took just one year to get a new season as opposed to the nearly two we had to wait for Season 3. (Yes, I'm aware of the outside factors. Still.)

Season 3 ended with Joe (Zahn McLarnon) at a personal crossroads. While he manage to escape prosecution for his role in the death of BJ Vines at the end of Season 2, it came at the expense of his marriage. Emma made it very clear how angry she was at Joe ever since their son died and how she had left this burden on her all this time. She was willing to commit perjury to save her husband from jail but in the season finale she drove away from her job and her home to parts unknown. In one of the most heart-wrenching scenes in the series so far we saw Joe playing and replaying the taped statement she made where she told Joe "I hope someday I can forgive him.

When Season 4 begins it has been six months since then. Joe seems to have spent that period in a time of renewal. He has given Emma the space she needed, has been spending time getting back and touch with his spiritual side and has been trying to make what amends he can with his family, including his mother.  Joe is planning to leave New Mexico and move to Los Angeles to be with his wife and that means retiring. In what comes as a shock he makes it clear his first choice to replace him as sheriff is Bernadette.

The happier part of Season 3's ending was that after dancing around each other for three seasons Joe Chee (Kiowa Gordon) and Bernadette Manuelito (Jessica Matten) have finally decided to get together. Bernadette returned to New Mexico after the horrifying events as part of Border Patrol left her incapable of trusting anyone there. Joe and Jim have both gently been nudging her to return to work but only Joe has made it clear he wants her to replace him. Jim as of yet has no idea of that fact and Bernadette is not happy that Joe has not chosen to take Jim, who on paper is more qualified, into his confidence. Bernadette was uneasy about what it would be like to work together with someone she's sleeping with but Joe seems understanding. How understanding he'll be remains to be seen because the moment Bernadette gets back to work, a new case begins.

A 16-year girl has run away from one of the missionary run schools for indigenous people in New Mexico.  Both Joe and Jim are well-aware of the contempt that these sisters feel for them and they feel it right back but its only when Bernadette shows up that she gets answers. When the sister tells Bernadette "Glad to see you made something of yourself," you can see just how much effort its taking Bernadette to be civil and there's a brutal honesty in what she says when she helps sort food in the pantry that she knows none of the teenage girls are allowed to eat. That trust helps her locate where the girl would go.

Like every season Dark Winds starts with a flashforward, but unlike the previous two Season 4 makes the time difference far less than usual. We see the runaway with her cousin Albert, who we know is up to something shady. We then see a woman show up at the diner and within seconds it erupts into a gunfight, where the two indigenous people run off in a car that has been damaged. This actually plays out by the end of the season premiere and we see it from a different perspective in the teaser of the second episode.

Joe, Jim and Bernadette know they have two problems. There is a sixteen year old girl who's run off with her cousin and there's an armed killer who seems determined to track them down by any means necessary. We've seen the killer quite a few times by now and she's honestly more frightening then most of the ones we've seen so far this series.  Played by Franka Potente, the German actress who shot to stardom  independent film Run Lola Run and who's had a presence in American television (most recently in the AMC series Mayfair Witches) Potente has a history of playing ominous characters. This time she's more frightening because she's barely said two lines of dialogue in two episodes. Having dyed her black hair brown her character moves with a silent efficiency that makes her seem superhuman even though unlikely so many other menaces she hasn't done anything that appears that way. More than once she's had her gunsight trained on Joe and Jim and both times she's let them live, even though she has no problem killing and though it would make her job easier. One of the most suspenseful scenes in the season was her merely working on retooling an automobile to the sound of German music before finally driving off into the darkness.  We know what a threat she can be if you can get in her way; at this point the viewer is more terrified if she chooses to let you live.

Zahn McLarnon continues to demonstrate why his work as Joe Leaphorn is one of the best performances in TV today.  Joe is a soldier who has seen horrible things happen to his people and on the battlefield. Yet he is not hardened enough that the individual deaths don't add to him. In a brilliant monologue in last night's episode he tells Bernadette about his first encounter with the owner of the diner years ago, who has just been murdered. He tells her how the horrors that were once rare are now everyday occurrences and that he's sorry that she has to carry these kinds of things. Part of it is very much preparation for the job he wants her to take on but it's also a genuine expression of his feelings which for three seasons he's mostly kept to himself. With so many major Emmy contenders from last year on hiatus there will be some gaps for Best Actor in a Drama. McLarnon (who made his directorial debut for Dark Winds last night) once again makes his silent case for one of those spots.

Part of the case was resolved last night as the missing teenager was found despite her best efforts. But the killer is still on the loose and we already know it will lead on a trail to Los Angeles very soon. Those who have read the books will know why this is the case (as always I have not) but it demonstrates yet again the writers willingness to take the characters out of their comfort zone. We saw it play out to great dividends with Bernadette's story as part of Border Patrol; one expects it to play out even greater when they are forced into interaction with a white America that has never stopped showing they barely rank as second class citizens.  And as an added bonus we will see even more brilliant character actors such as Titus Welliver, who will get a chance to do the villainy that he hasn't been able to do since he took on the role of Harry Bosch.

Dark Winds has become appointment television for me and represents the greatest installation of Peak TV that AMC once used to turn out on a yearly basis. They are still operating mainly in the supernatural on that front, most notably in The Vampire Lestat but there are promising signs that they might be willing to turn to something that is less niche than before. (I'll let you know this spring if they pull it off.) Every time I watch an episode of Dark Winds  I'm reminded this is the network of Mad Men and Breaking Bad and Better Call Saul; the network of the slow burn cable drama before streaming managed to erode much of the concept. There have been promising signs of cable's slow embrace of what made it great in the last few years, mostly on pay TV but occasionally on basic cable and Dark Winds is part of that return to form. They don't come around as often as they used too but you savor them all the more when they do.

My score: 5 stars.

 

 

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