Wednesday, March 25, 2026

Emmy Watch 2026 Phase 2 Continued: My Observations About the 2026 BAFTA and Royal Society for TV Nominations

 

 

Considering the influence so much of British TV has always had on American programming well before the era of Peak TV even began there has always been an overlap with so many of the TV series that the British make that we frequently see in the Emmys. We see it most often in so many of the nominations and winners of limited series over the last decade but occasionally that overlap is also seen in the comedies and dramas that the Brits have made over the years. For that reason, looking at the nominations that British TV gives itself can occasionally give insight into what the Emmys might do in a few months' time – providing of course, it doesn't reflect on the year just past.

With that in mind I take a look at the BAFTA TV nominations that came out this afternoon as well as a couple of other British organizations that theoretically might give some guidance to what the Emmys will do this July – or conversely what we might want them too.

It helps matters that they also give international awards.

 

Drama Series

 

I think it's safe to say despite the popularity in some circles for A Thousand Blows and This City is Ours none of the nominees has a chance.

 

Limited Drama

As you might expect Adolescence did just as will with the Brits as it did in America getting eleven nominations total. I'm not convinced Trespasses, I Fought The Law and What It Feels Like For a Girl will get anywhere in America

 

International

Here's the real meat. The White Lotus, Severance and The Studio were all nominated. The current seasons of The Bear, The Diplomat and Pluribus all were as well. I'll be curious to see who wins this much. (No I don't know if the Brits consider The Bear a comedy either.)

 

Leading Actress

Two nominees from last year are up for awards but as you might expect not for the shows we saw them in. Aimee Lou Wood is up for Film Club and Erin Doherty is nominated for A Thousand Blows. (That's where she first started working with Stephen Graham by the way. ) Sheridan Smith is up for I Fought The Law and Jodie Whitaker is up for Toxic Town which is ranked by Netflix. I don't think she or any of the other nominees have a snowball's chance

 

Leading ACTOR

Stephen Graham is here for Adolescence. There are some familiar faces here. Matt Smith is nominated for The Death of Bunny Monroe, Taron Egerton for Smoke and Colin Firth for Lockerbie which you can see on Peacock. James Nelson-Joyce is up for This City is Ours and Ellis Howard for Girl. Graham is most likely to win here as he did at the Emmys/

 

Actress in A Comedy

Ulness you’re a fan of Amandaland I don't think any of these nominees will be familiar. I'm glad to see Jennifer Saunders is still working outside of Absolutely Fabulous.

ACTOR IN A COMEDY

Same here though Steve Coogan is still getting attention for playing Alan Partridge.

 

SUPPORTING ACTRESS

Now we're getting somewhere. Three of the nominees for Best Supporting Actress in a limited series last year are nominated here: Aimee Lou Wood for The White Lotus and Christine Tremarco and Erin Doherty for Adolescence.

I've actually seen the three other performance and they are all good ones. Chyna McQueen for her work in Get Millie Black, Emilia Jones for Task and Rose Ayling-Ellis for Reunion. Jones has a chance for getting nominated this year.

 

Supporting Actor

As you'd expect Ashley Walters and Owen Cooper are here for Adolescence. We also see Paddy Considine for Paramount Plus Mobland and Fehinti Balogun for the recent Apple TV hit Down Cemetery Road. It is odd they are nominated and not their more noteworthy leads in these series but there we are.

 

The remaining nominations are irrelevant to the Emmys so I'll leave them out.

BAFTA is not the only British organization to give nominations for TV. There's also a group known as the Royal Television Society that gave nominations earlier this month and in fact gave their awards today. Much of it covers similar ground but there are minor differences that could be relevant.

For one thing they have a category called Comedy Drama which might be the British version for dramedy. (They really do everything better in England.) I've actually seen one of the nominees on Showtime Dreaming Whilst Black and I heartily recommend it. Adjani Salmon, the lead performer, is truly superb.

In Drama series we actually see a show that will contend for Emmys next year: Season 5 of Slow Horses. Which begs the question, why wasn't it good enough for BAFTA?

 

Leading Actor Female has Doherty for A Thousand Blows and Rose Ayling-Ellis for Code of Silence (not Reunion). I'm pleased to see Tamara Lawrence recognized for Get Millie Black which was one of my favorite series of 2024. It's also nominated for Best Limited series along with Adolescence, I Fought The Law and What It Feels Like for A Girl.

In Leading Actor male, Stephen Graham is present for Adolescence, no surprise.

Then we get to Supporting Actor and we see some interesting ideas.

In male we see Owen Cooper for Adolescence nominated against Christopher Chung for Slow Horses. In  female Doherty is up against Wood for Toxic Town and Saskia Reeves for Slow Horses. No the Royal Society didn't see fit to nominate Gary Oldman either.

Writing Drama does see Adolescence along with the loved in some circles Riot Women and expect Owen Cooper to have a big night: he's also among the nominees for Breakthrough Award.

 

I'll be honest the most perplexing thing about BAFTA's TV nominations is their odd relationship with Slow Horses. Considering how popular it is in America I would have expected it to dominate BAFTA's TV nominations just as frequently. Yet it was shut out by them this year and while they nominated Oldman and Chung last year they didn't nominate the show for Best Drama. Then again it's hard to know how seriously you can take them on a good day when it comes to what works overseas. Last year they nominated Baby Reindeer for four awards but gave Best Limited Drama to Mr. Bates Vs. The Post Office.

For that reason I don't think I'll cover the winners this year; the nominees are sufficiently eccentric enough.

I'll be back in a few weeks when the Peabody nominations come out. Until then, cheerio.

 

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