Written
by Henry Bromell
Directed
by Peter Medak
Christmas
themed episodes are most commonly done on sitcoms. Drama’s rarely do it because
the holiday feelings of good cheer conflict with the serious stories that they
are trying to tell. Occasionally, we will see Christmas decorations around the
office (like at NYPD Blue or The Practice) but that’s all that we get. There
are some exceptions (‘ER’ and ‘The West Wing’ have done excellent holiday
themed episodes without compromising the integrity of the drama) but mostly it
doesn’t quite mesh.
‘Homicide’
didn’t get a chance to do its first Christmas-themed show until its third
season (not surprising, because both season began in January))Though the show
would run four more years, they would only do one more Christmas episode. It is
hard to figure out why because ‘All Through The House’ features some truly
brilliant and entertaining moments that
merge the holidays with the subject of the show.
The
squad has the night shift on Christmas Eve, so understandably nobody is
particularly happy. Some have more reason to be upset than others (Felton is
the most obvious example) while others are just upset for being upset. Munch is
particularly depressed about the holiday (though the obvious reason why is
never mentioned) but its hard to tell
this kind of maudlin from the other fits.
It is therefore somewhat fitting that he and Bolander get one of the nights more problematic calls.
A Salvation Army Santa is found dead and the
two detectives have the responsibility of finding his son and telling him the
news. Getting in the house is hard
enough (he demands to see a badges, driver’s license and a major credit
card) but breaking the news is for Munch unusually difficult. It doesn’t help matters that Bolander disappears
supposedly to get Family Services, leaving the detective alone.. It is rare to
see Munch unsettled and nervous, and rarer still for him to meet someone who
seems able to flummox him. Munch slowly
begins to get the picture of the boys father, a
disappointing drunk who has never been able to rise very high. Fidel,
like most boys, has a hero worship for his father even though he knows his
flaws very well. This may be part of the reason that Munch has such a great
deal of problem giving him the news even
letting Fidel take him to a bar/amusement center that his father hangs out at. This leads to a very
funny scene in which we see Munch’s pathetic attempts to hit a baseball. But it
also leads to a moment when we see that
the detectives has very serious issues with his self-esteem when he lets
Fidel’s comments on this get to him.
The
sequence with the equivalent of a Christmas miracle when we learn that the boys
father is still alive. He got drunk, fell asleep and a local bully took the
Santa suit in order to make money, which resulted in the bully getting killed.
Not a happy story, but as close to a good thing that you will find on the job.
This is pretty funny stuff, but not every
Christmas can be as bright. Meldrick Lewis (assisted by Lieutenant Russert, who
tags a long because the case is related to a murder on her shift) catches
the burning death of a young woman who
was involved in drugs and was witness in the murder case of a drug dealer. It
therefore comes as something of a shock when we find out that she came from
money and a higher social caste. When we see the lodgings and servants that her
mother has, we wonder how could things have gone so wrong. Part of this is
because MRs. Freeman is a very restrained person; when she learns of her
daughters death, she hides it by
discussing the Christmas decorations.
She can not seem to muster up the reserves to mourn. It is not until she
breaks some of the Christmas decorations that she manages a release, though we do not see her break
down. In two scenes, Nancy Marchand does
a brilliant job making this woman come alive.
There
are even more ironies to come. It turns out that it was not any associate of
the drug dealer who murdered Whitney Freeman, it was his girlfriend . She did
it because she needed the father of her children to be home. When we visit the
poorer family’s house we get a nice contrast with Freeman’s. One is rich and
grand; the other is poor and crowded. One is highbrow and emotionally sterile;
the other is poor but cheerful. But
despite the homes differences, both homes have their holidays ruined.
We
get some insight into Lewis and Russert and their lives. We see that Lewis is
still reeling from Crosetti’s suicide, noticing problems that were present in
their friendship that he didn’t see. But we also get some rare insight into
Russert. Her husband, a very boring accountant, died around this time of year,
and the presence of his well-meaning parents means she can not escape her
memories. This insight into her character makes up for the fact that this is
not the kind of thing that a shift commander who would do and seems more of a
plot device.
In
a world where these grim things happen,
you need to seize on to whatever light that you can. Felton wraps presents for
his kids even though he has no idea where they are. Pembleton holds a lecture
on the history of the Christmas tree.
Gee’s cleans out his desk and tries to figre out whose watch he has
found in IT Bayliss tries to liven up
the squad by engaging someone in a game of Hearts. Eventually, he chooses Gee
to try and separate him from his money. What he doesn’t know (and finds out too
late) is that Gee is a card shark of the highest order and manages to scheme
the squad out of their money. That’s one
way to spend the time.
This
is a fairly audacious show. There are some elements of ‘All Through The House’
that is Christmas-themed but almost all of the
themes are downbeat and blood tinged.
We do not generally spend holidays in the project homes or crackhouses.
Even the morally upright seem not to be having a good time (as is evidence by
Ed Danvers’ rather pathetic Christmas)
This is quirky, unsettling and more than a
little depressing. It is also ‘Homicide in its glory.
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