Written by Chris Carter & Frank Spotnitz
Directed by Kim Manners
When this two-parter aired in
February of 1999, ads dominated the airwaves as how to these episodes would at
last bring "Full Disclosure!" And certainly Carter and the rest of
the writers no doubt thought this was what
we were getting. But by this point, we had seen so many mythology episodes
promising us that this would be "the episode that would change
everything!" And nothing ever did. Hell, if they weren't going to give us
all the details in Fight The Future, why the hell should we believe them now,
when all indications had been that they were going into a new direction?
And yet, this two-parter does give
a certain amount of direction and force that the mytharc has been missing for
as least the last three years. One could make the argument this is because they
were finally (and to see them admit as much in the DVD collections is enraging)
about the close the door on the storyline that had been going on ever since
Anasazi. But from a more personal, its because we finally get a look at the
mythos from the inside, as the CSM finally gets to tell his story. The Smoking
Man has been going through so many changes over the course of the series, from
the 'supposed' backstory that we learned in Musings to his inexplicable
assassination and return during last season, that its fairly shocking when we
finally realize that this is our first real look at the enemy Mulder and Scully
have been dueling with for five and a half seasons. William B. Davis clearly
relishes the opportunity to give a rich and layered performance, and Carter is
willing to (almost) give him a chance to tell his story without the usual
purple prose that we've come to expect from the mytharc. To finally realize
that this monster, who we've seen order murder after murder, and who has no
problem killing a colleague he's worked with for at least a quarter-century,
does have a human side is surprisingly
moving. Way back in One Breath, he described himself as a man who had no
family, a little power, and was in the game because he believed in it. Now, of
course, we realize he was lying about the first part, but can not disguise the
fact that despite everything that has happened he still has more admiration for
his enemy than his own flesh-and-blood son. And he is so frozen by his
inability to kill the woman that he admits he'd never loved that he seems
willing to sacrifice the human race to keep her alive.
Veronica Cartwright also gives a
fine performance as Cassandra. If in her first appearance, she seemed more than
a little eccentric hippie, her work here as she realizes what she has been a
part of for twenty-five years is outstanding dramatically. It finally seems to
close a chapter that we've been trying to find out about for awhile about just
how truly ruthless her ex-husband has business. The monologue that she gives
when she finally realizes the truth is also exceptional.
Of course, this being a mythology
episodes, there are parts that just hang there. By now, the term 'alien-human
hybrid' has been used so many times that when one finally seems to have been
made, the viewer is bound to feel "so what" rather than this being a
revelation. Then there's also the character problem - Krycek seems to have been
re-embraced by the Syndicate rather fully considering how many times he's
betrayed them. And the fact that it's finally revealed that Diana Fowley is in
league with CSM seems less like a revelation, and more of a legitimate reason for shippers to hate
her. One could add to the complaints that it isn't until the second half of the
episodes that Mulder and Scully are given much to do, but this seems more a
strength for once - a general argument as to how their absence from the X-Files
has actually had real ramifications that will not be fully realized until the
next episode.
Ultimately, the revelations that we
have been promised in Two Fathers don't seem to be as earth-shattering as the
writers have been promising us. But what makes the episode work almost in spite
of that is the fact that the story we're being told almost seems coherent and
doesn't seem to be pulling information out of the air. One would expect more
out of the mythology at this point, but for once the emotional ramifications
seem to give us more impact than any story about aliens, and make the
cliff-hanger resonate a little more than it should.
My score: 4 stars.
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