Given the current attitude towards
our economic climate combined with the result of last year's election, and
there are suddenly more intriguing
reasons for watching the sophomore season of Showtime's Billions. It doesn't hurt matter that the series has decided to
turn many of last year's ideas on their head, and added several intriguing new
characters.
Last year's clash of titans between
hedge fund billionaire Bobby 'Axe' Axelrod (Damian Lewis) and Wall Street
attorney Chuck Rhoades (Paul Giamatti) ended
badly for everybody concerned. Bobby managed to escape prosecution, but
only at an immense cost to his reputation, when it came out that he had made
his fortune on events directly related to 9/11. Chuck's failed prosecution has
damaged his standing public, and has now brought him under scrutiny from the
attorney general who wants to fire him. The biggest loss came to both men to
the woman they had in common, Wendy (the always fascinating Maggie Siff),.
Chuck's wife, who left them both, walking out of the marriage and her job at
Axe Capital.
Now, as Season 2 begins, rather
than resume business as usual, the series reversed direction. Now Chuck is in
severe trouble and Bobby is trying to finish him off. Though Chuck managed to
barely escape being fired by the AG in last week's episode, he is still
struggling to survive a massive class action lawsuit against him arranged
mostly by Bobby, and which the Justice Department has taken the unprecedented
step of not defending him. In addition,
a DC investigator Oliver Sach (Christopher Denham, who plays as if he
were auditioning for a series created by the other Sorkin in TV) is
looking into his methods and conduct. Ironically, while Rhoades did a lot of
things last season that were borderline unethical, he may now be nailed on a bonus
payment to his wife that has only the appearance
of being illegal, but is one of the few things last season that wasn't.
Throw in the fact that his marriage to Wendy is in a non-existent phase, and
Chuck is looking in bad shape.
Not that Axe is willing to just let
this go. Driven to his limits, he literally tore the place apart in the final
episode, and now is trying to desperately rebuild his company and his
reputation. He's walking an equally fine
line; when Sach comes to him, and offers him immunity for a bribery charge, he
turns down the sure chance to see Chuck indicted because it means Wendy will be
as well. He seems to be taking the loss
of Wendy almost as hard as Chuck is, and it's making him even more reckless,
getting angry when he can't purchase an NFL team, and demonstrating very petty
behavior at a poker tournament mainly for Wendy's benefit.
As is often the case in a Showtime
drama, the more intriguing characters are the supporting cast. As Wendy tries
to find a new job and accept her new reality, there is a firmness to her
behavior as she finds herself unable to emerge from the muck that much of the
two dove into last season. Axe's second in command, Wags (David Costabile),
continues to show unwavering loyalty,
despite signs that he may be overindulging in alcohol and prescription drugs.
Such loyalty may not be present in Connally, Rhoades loyal second, who in the
series most shocking moment so far was revealed that he called the feds in
about Rhoades unethical behavior last year. And in one of the more astounding
turns, the most fascinating new character is the first gender neutral character
on TV. (Asia Dillon): Taylor, an intern at Axe Capital, who seems like a real
genius at almost everything, who operates solely under the pronouns 'they' and
theirs', and who seems to have a clear read on everybody, especially Axe. If
this continues to play as well as it did last night episode, we may have new
Emmy discussions down the line.
Billions
is rapidly becoming one of the most entertaining series on TV, with one of
the more well-used guest cast (in addition to everybody previously mentioned,
Eric Bogosian, Terry Kinney and Danny Strong have all got intriguing new parts)
If anything, the series is now guilty of trying with too many new things, its
letting some of the older ones slip under the radar. (Malin Ackerman has yet to
be used to her best benefit so far.) But
with the departure of Masters of Sex, this
may be Showtime's best drama on the air, and considering the company its
keeping, that's impressive.
My score: 4 stars.
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