Written by Bonnie Mark and Julie Martin; story by
Henry Bromell and James Yoshimura
Directed by John McNaughton
Technically
speaking ‘Law and Disorder’ isn’t part
of the three episode arc involving the detectives shooting story line. The
urgency of the previous episodes is gone and the overall tone is a lot more
humorous than the previous three episodes. Yet the story is carried forward in
a very meaningful way and some even more troubling issues are brought to the
front.
Gordon Pratt, the man accused of
shooting Bolander, Felton and Howard was found murdered at the end of the
previous episode. As you might expect, nobody is very shaken up about it.
Lewis, Munch and Pembleton all basically shrug it off. Bayliss, however, is the
primary and can not dismiss it easily. However the one person who might have
been willing to help him, Giardello, basically leaves Bayliss to fend for
himself and offers no real support whatsoever. Now a year and a half ago in
‘Black and Blue’ Gee was enraged at Frank Pembleton’s relentless pursuit of
investigating his fellow police officers for murder. This time, when
Bayliss tells him he suspects police
involvement Gee displays no emotion at all. In fact when Bayliss asks to me
left off the case the lieutenant refuses.
Even more surprising is the reaction
of Pembleton. The man who has proclaimed that every life has meaning, even the
criminal seems utterly uninterested in solving Pratt's murder. In fact, he goes
out on a call rather than work on it leaving Bayliss stranded..
In their minds
Pratt has transcended being the usual
Bad Guy. This is justice, even if it is vigilante justice.
So who did kill Gordon Pratt? We
have no idea. Was it one of the
detectives in the squad? The writers give us no clue. Years later, in the series
last episode, Bayliss will reveal that he always suspected Munch of the murder,
and he does go after him a ;little here.
But the timing never worked for me. In the last episode, he seemed to be
at Bolander’s bedside at the time of the killing Who did it? The question
matters but it will never be answered. The detectives have moved on to other
things.
Pembleton is back at work in full
force. First, we see him in a very funny teaser picking up a fugitive from a New York City detective---- Mike
Logan from ‘Law And Order’ and they
engage in a contest of the superiority of New York City over Baltimore or vice
versa. Then he goes out on a call with
someone who is nearly as disagreeable--- Meldrick Lewis. A woman is killed in the front of a supermarket from a gunshot
which seemed to come from overhead. The two detectives vehemently disagree how
to pursue the investigation. Frank wants to look on the poor section of a
street; Meldrick wants to investigate the more affluent people on the other
side of it Eventually, the find out that the shooting was an accident--- a girl
from the rich section of town fired the gun in the air and the stray bullet
killed her. The two of them never agree
even after they find the killer.
Another man back is Beau Felton. The
least seriously wounded of the three detectives, he has wheedled the superiors
into going back to work. He is eager to get back into the saddle--- until he
goes out on the street on a call. This leads to Gee giving Felton a royal
chewing out about how unfit he was for the job BEFORE he was shot. Felton is
feeling more stress than expected (but he recovers from that awfully quickly).
But having a worse day by far is
Detective Munch. Those of us who might have suspected that Munch was a member
of the counterculture are proved correct when a nude photograph of Munch is
prominent displayed in an art museum across the street from his squad. Everyone
finds this hysterical except for Munch. It turns out that the artist Brigitta
used to be one of Munch’s girlfriends and takes this opportunity to exact
vengeance on him for breaking up with her. Things get even worse for Munch when
she ‘alters’ the photograph only to have Munch’s name and face appear in the
newspaper the next day--- something which upsets his partner a great deal.
With a fine mixture of comedy and
drama (including a very funny scene in which Frank and Meldrick stumble across
a murderess while investigating a completely different case) fine acting
(including a memorable cameo by John Waters) and some very troubling moments,
‘Law and Disorder’ is a fine way to wrap up what has been a very well written
arc. Some questions we have will never be satisfactorily answered but that is
how life on the street is sometimes.My score: 4.25 stars.
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