13. Per Manum
Written by Chris Carter & Frank
Spotnitz
Directed by Kim Manners
If making Scully
pregnancy part of Season 8 was a shaky idea, the idea of making the possibility
of her baby somehow being extraterrestrial was probably the worst possible path
Carter and company could've chosen, both in theory and in realization.
Especially considering what happened when Scully actually had a child back in Season 5 - but then again, the series seems to
have completely forgotten that storyline. However, given the nature of Season 8
so far, and that the series has all but ignored, with a few subtle references
what has been going on with Scully, one can't hope but feel that Per Manum
gives the X-Files a boost it hasn't had in quite some time.
In typical
fashion, what we've been getting as far as the mythos going around is something
around. We meet this never before seen characters who's apparently been writing
Mulder about alien abductions, and who tells a story so implausible not even
the newly open-minded Scully is willing to believe it. The fact that what we
see in the opening sequence is truly terrifying doesn't seem to give us much
encouragement as for what's actually happening. And quick as a wink, we find
out that the woman Haskell mentions
seems to have a link to her new doctor, and that he actually is part of
conspiracy. And after nearly three years of going without one, we get a new
informant, this one linked to Doggett. (I wonder how many fan conventions Adam
Baldwin goes to where he gets ragged on for this) And all of this has to with a
link to Scully's baby, which has a level of incredulity that we really could've
done without at this stage of this series.
All of this is
enough to make you wonder why the series wants to go down this particular
rabbit hole. What makes the episode work - and for that matter, work extremely
well - are the flashbacks. For the first time all year, David Duchovny is
actually made proper use of, as we finally find ourselves deal with the core of
how Scully could become pregnant, and the story of Scully's ova, in what seemed
like a throwaway story all the way back in Memento Mori. By far the most
effective view of Scully's problem is seen, not through the eyes of her doctors
or her boss, but from her best friend. The scene where Mulder comes into
Scully's apartment to awkwardly discuss what she wants him to do, is one of the
best scenes in all of Season 8. Both of them are fairly coy around each other,
Scully somehow sure that Mulder will deny her, and Mulder's fumbling around as
he finally manages to say yes. Its discomfiting, its leaves our heroes
unusually tongue tied, and its surprising moving, as well as the humorous
moments, in which Mulder finally acknowledges one of the benefits of his rarely
mentioned porn problem. A lot of fans were irritated that, after all of the
shippers that the series was still dealing with ambiguity when it came to
Mulder's role in Scully's pregnancy. Myself, I would've been much more
satisfied if this had been the real truth behind what had happened. And the
final scene where Scully comes back from the doctor absolutely shocked that the
insemination process hasn't taken is quietly moving in a way that so many of
the mawkish scene we got between our heroes during so many similar medical
crises just weren't.
The episode also works in a way that it
finally links Mulder and Doggett in a
way that none of the scenes in The Gift did. Here Mulder is shown as someone
who will share the deepest secrets he has with her, willing to do anything for
the person he cares about the most, and is willing to comfort her in ways that
finally are starting to seem appropriate for a woman that he's known for nearly
seven years. Doggett, despite his steadfast soldier persona, still seems to be
struggling to earn Scully's trust, and for the first time, he finally balks at
being given the runaround. The genuine outrage and anger he shows throughout
the second half of the episode features some of the best work yet by Robert
Patrick. Ultimately, this comes to a perfect balance in the scene in Scully's
hospital room, where he finally learns about his partner's pregnancy, and how
much it has cost her. His quiet compassion mirrors Mulder's in a way his
investigatory process didn't in The Gift, and it reveals that he Scully has
finally found a level of trust in him, as well as a renewal to try and find a
way to find Mulder.
Per Manum isn't a
perfect episode - there's a bit too much of the running around in hospitals
that made the latter half of Season 4 such a downer. And frankly, given that we
seemed to finally be dealing with a new approach to the mythology in the season
opener, it probably was a bad decision to start trying to do an entirely new
mythos now. But we're finally getting a reason as to why all of the subterfuge
and sneaking around has been for, and
giving the storylines, which have been flat for most of the season, a real
sense of purpose that the show has been lacking. It may lead to dangerous
places, but for the first time in a long time, we seem to be heading in the
right direction.
My score: 4.5 stars.
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