BEST COMEDY SERIES
This will probably get me more
laughed at than any other argument, but this year I'm not convinced Veep deserves to be among the nominees.
Maybe it's the level of toxicity that inhabits the current political atmosphere,
or maybe its just the fact that it was
in its sixth season, but the series which has been hysterical funny for the
last few years seemed disconnected and rudderless. I realize that I'm going
against the grain, and that the series will probably dominate the nominations
like it has for the last five years, but I can't in good conscience honor this
time out. So here are my picks, sans Veep.
Admittedly, I came to this series
somewhat late, and have only seen the first two episodes, but what I've seen
continues to demonstrate the African American renaissance in TV. This is a
darker, angrier series than one is used to from FX, but its certainly no less
entertaining for those reasons. And considering its track record (a win at the
Golden Globes, the WGA and the Peabody's),
this seems like one of the surer bets to show up in this category. Bravo.
black-ish
(ABC)
Admittedly, the series wasn't as
perfect as last year (the opening episode in Disneyworld, the Chris Brown
cameo), but when it was at its peak - which was frequently - it could be
uproariously funny and even more politically relevant, even in this new
political era. And though so many of the segments were comic gold, I think the
episode that will stick with me the most was the finale when Bow's pregnancy
came under distress. The series has on
more than one occasion been satirically brilliant; this episode demonstrated
its dramatic brilliance as well.
Crazy
Ex-Girlfriend (CW)
I know, I know, this is really
going out on a limb, especially over Veep.
But even though its a fringe series on a fringe network, this is one of the
most joyous, raucous, hysterical, and original series on any platform today.
Every musical number stands as both a great satire and a great original song.
Its heroine is the perfect antidote to every poisonous antihero, even though
she's more selfish than a lot of them.
And anyone who saw the Tonys and watched Rachel Bloom knows she's even
more joyous in person. Give this woman a real shot at it.
The
Good Place (NBC)
Another sign that NBC is on the
verge of a creative revival is this brilliant satire on what it is to be a good
person. Everything about it - the writing, the acting, the scenery, the
throwaway lines - would've been enough to merit a nomination on its own. But
the final twist in the last episode is something that I don't even the most
daring writers in dramatic TV would've dared attempt. NBC showed a lot of faith
renewing it for Season 2. Emmy voters, show them some more.
Master
of None (Netflix)
Yes, there are lots of great
comedies now on Netflix, and its as likely that Kimmy Schmidt will be dominant as it has been the last two years.
But this series is a true original that was more than worth the eighteen months
we had to wait between seasons. I don't know no any other series which would
have tried to satirize The Bicycle Thief in
its opening episode. And the fact that it still has one of the more intriguing
leads at its helm, that's willing to completely reset after last season is a
work of art on its own, It got some love from the Emmys last year. It deserves
more.
This series was a bit more
inconsistent than last year, but it was far more engaging in its individual
moments than anything else. Watching Richard go to extremes to try and make his
platform work, travel to the verge of darkness and back to the light was
frankly an impressive journey for any character this season. But there was more
than enough intriguing comedy along the way, including Bighead's travel to
Stanford, Dinesh's relationship with a hacker, and Ehrlich's journey to Tibet
(which he may not return from). This one was fun.
Transparent
(Amazon)
Maybe it's wrong to keep calling
this series a comedy, as the laughs can often be awkward and filled with pain.
But it remains one of the most daring and entertaining series, as the
Pfefferman clan continues on journeys at least as awkward as Maura's trek
towards her true gender. This series alone justifies Amazon going into original
entertainment. And its cast deserves as much recognition that is being given to
Jeffrey Tambor.
No comments:
Post a Comment