Written by Chris Carter & Frank Spotnitz
Directed by Chris Carter
And the answer to the question I
asked is, no, things don't get worse. But they don't really get much better
either.
At this point, the viewer is now
painfully aware that Carter had no bible for this series. But considering that
the majority of the mythology episodes were written by him, you'd think that he
would have at least tried to remember what he had done in episodes past and
hold fast to some kind of pattern or, if nothing else, to some kind of
character growth from season. But now that the series is coming to its end, its
now clear that he just wants to play with the toys as much as possible before
the lights go out, and damn consistency.
So now, to wrap up this two-parter,
Providence basically uses every
trick from the old X-Files book. A vital character is missing (and yes, we'll
get to the problem of William being considered vital) and the FBI can't be
trusted to run a coherent investigation. A character is in the hospital after
an attack; this time its Doggett, who spends the majority of this episode
comatose, emerging to give a veiled warning to Scully that he can't
explain. The person who is critical to
this attack, Agent Comer, is in the same hospital, gets mystically heal to give
a whomping big pile of exposition before being mysteriously murdered. Another
character gets up and arms, and accusing everyone of the crime, - this time
it's Monica Reyes. One of our characters goes to a mysterious meeting - Scully
meets with this bizarre UFO cult leader Josepho, who makes an unthinkable deal
- William alive for Mulder's death. The Lone Gunmen try to aid in tech support,
but by now they're so passe, they can't even do that. We see an actual
spaceship for once, treated like a mysterious relic. A character whose
allegiance is flagging seems to lean more towards our heroes - but it's
Follmer, so who cares? And when its all said and done, we learn there is
someone in the FBI whose evil. What else is new?
It would be ridiculous we've seen
all this done before and better, because frankly, it really hasn't been done
well, but at least in previous outings, it had the sheen of effort
to it. Now it just seems like Carter
doesn't even want to try anymore. It was bad enough when he 'revealed' what
happened to Samantha Mulder; at least the viewer was invested even if they had
gotten tired of the runaround. Everything that Carter seems to be doing seems
to be in rejection of everything we've seen. And the one who really has to pay
for is Gillian Anderson. She spends most of the episode sniffling or in tears,
and the few occasions she doesn't, she seems to be hearing that her baby is
some kind of messiah, or that Mulder is dead. And whatever anger she seems to
have seems so phone in under the level of sadness she has that its almost laughable by this point.
No one else seems to be doing any
better. Mitch Pileggi seems even more restricted than he did in Provenance; its
as if Carter has reduced Skinner to the level of distrust in him we had when we
still he thought he might be an enemy. Annabeth Gish looks so ridiculous when
she comes into Comer's room after the man has been murder, halting out baseless
accusations. Its as if Carter's decided that everybody has to play Mulder now
that Duchovny's gone. And all of this pale to the biggest problem - the fact
that everything surrounded the UFO cult that has been at the center of
everything seems to center on either Mulder or William. Mulder's not here, and
William can't do anything. We're supposed to believe that just because he cries that causes this mysterious ship
to react take off, and kill all of the followers, except William. Is Ed Wood
now on staff for the final season? During this same time period, Angel was
attempting something of a similar scale involving a miracle pregnancy with
similar concerns about its offspring. Its very telling that the newer series
managed to handle it better. And this was a series involving a vampire in love
with a slayer.
The mythology has never been
coherent, not remotely. But at least, last season Carter and co managed to give
some spark to it, some humanity. Now
its as if he's unlearned everything that he did last season, and is worsening
things, by trying to tie up what can be tied up. The supersoldiers seem somehow
tied to this battle in the First Gulf War, but are connected to a ship with
Scripture on it, and somehow those same supersoldiers have infiltrated the FBI?
It's as if Carter is making mad-libs with the mythology by this point. All of the guest cast- Cary Elwes, Neil
McDonough, Alan Dale- are capable of so much more depth and breadth then this.
And now that they've been swallowed by Carter's morass. I didn't think I would
miss the purple prose and talks of alien-human hybrids. Boy was I wrong.
The series (at least for now) is
approaching its conclusion. Conclusions have never been a great strength for a
series that's all about ambiguity, but they should at least be trying by now.
Providence's only real accomplishment seems to be that its making the viewer
glad that the X-Files is coming to a conclusion. Any more exposure to writing
and acting like this would make us feel grateful for an alien invasion. At
least that would be more action than a baby crying, and starting an apocalypse.
My score: 1 star.
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