Sunday, June 18, 2017

Orphan Black Final Season Review

It's been a wild strange ride for those of us who have stuck with Orphan Black up until now. Perhaps it has done more to demonstrate than anything else that a mythology series just can't work unless the writers have a plan. The plots involving a series of clones who have been trying to find out about the secret organizations that have been built up around them have become nearly as incomprehensible as the X-Files endless alien conspiracy machinations or the many unanswered questions that left so many baffled by Lost.
Now, as the series enters its final season, the writers of Orphan Black seemed determined to simultaneously simplify and double down on all of their machinations.  Now, everything seems to be centered on an island (don't worry Losties, its in the North Sea, not the Pacific), a conspiracy that involves a group known as Neolution which seems to have its origin based in some kind of 19th Century eugenics that comes down to a 170 year-old man named P.K. Westmoreland (Stephen McHattie). For some bizarre reason, he seems to have put the trust of his entire project into power-hungry Rachel. She seems to be at peace for the first time all series, which makes no one trust her, not even the people who work for her. Considering that her job seems to be to finally bring all of her 'sisters' in under her watch, Sarah Manning understandably doesn't trust her either. Neither do Cosima, who finally seems to have the cure which has been escaping her all series, suburbanite Allison, who is still trying to deal with all this, or ass-kicking Helena, the only clone still on the loose. But for once, the efforts to protect daughter Kira,  the girl who has been, after a fashion, at the heart of the series, may finally come to naught. After four seasons of running, she is tired, and wants more than anything to know what it is that is special about her.
I am, for better or worse, a nut for mythology series, but honestly, trying to follow the breadcrumbs the creators have left us have left me exhausted. For all this, there are still many reasons to watch this series, and they're all named Tatiana Maslany. Last year's deserved winner of the Emmy for Best Actress (get her name right next time), she still continues to amaze in giving all of the clones a different personality, and the marvelous scenes where she plays the clones imitating other clones. Even now, the series can find ways to make this remarkable - last night, they did a tracking shot where Sarah and rogue hacker MK changed clothes and had a long conversation before parting - both of them knowing it will lead MK to her death. I know by now there had to be some kind of amazing trick camerawork, but I frankly didn't care; it was still astonishing.
This is the final season, so its not likely that all of the sisters are going to survive - that's how TV in the new Golden age rolls. I may not really give a damn as to whether it all makes sense in the end, but I sure as hell care whether Cosima will get a happy reunion with her lover Delphine, or whether Helena will be able to deliver her babies in peace, or whether Sarah Manning will finally be able to stop running. Because that's how incredible an actress Maslany is. She makes us care even when all around in chaos. She's not going to be eligible for an Emmy this year. Let's hope the Emmy voters can keep their memory straight for 2018.
Orphan Black score: 2.5 stars.
Maslany: 5 stars.

Final Score: 3.75 stars.

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