Comedy series often have greater
difficulty coming to a successful conclusion than dramas. This was a constant issue particularly on
network TV, where hit series are almost inevitably kept on past their
expiration date. The argument can definitely be made that Big Bang Theory and Modern
Family have been kept on the air far too long, Seinfeld and Friends were
running on fumes when they got to their end, and even lesser gems like Scrubs and How I Met Your Mother were wheezing by the end. One would think
that one could avoid the issue on basic cable when there's more control, but
such is rarely the case with Showtime, which kept its big hits Nurse Jackie and Weeds on the air way too long, and canceled gems like United States of Tara before they could
come to a satisfactory end.
Which brings us to Episodes. A brilliant metacomedy built
on the ephemeral idea of just how nasty the people who run TV can be, the
argument could just as easily have been made that Showtime kept in on a little too long. Certainly when the
disastrous Pucks finally was
cancelled midway through Season 4, you could have made the argument that there
was simply nothing more than Matt could do disgrace himself.
You'd have been wrong. After going
from the hilariously awful moment when he was giving on contestant on his
series 'preferential treatment', Matt's career actually began to take off,
demonstrating that Matt was an even bigger prick when he's successful. He
shanghaied Sean and Beverly from
the sinking ship that was their own TV series (though really, they wanted to
jump) then had them come to a 'pitch session' at his ranch, where his
contribution was his idea of a show called 'Whores'. Naturally, Netflix was
doing one, but Matt 'just liked whores so much." Even what should have been a dark them when
Matt's father died (inevitable considering the passing of Alex Rocco) turned
into something verging on farce when Matt's mother and his father's mistress
ended up feuding over what was going to be done with his ashes. (Mrs. LeBlanc:
"What am I supposed to do with the coffin?!" Matt: "I don't
know. Just stick it in the garage. You're going to need it eventually."
Even the sentimental moment when Matt was about to scatter his father's ashes
ended up being - well, scattered- when he suffered blowback and got covered
with them.
The last two installments basically
showed Matt at his worse - which is to say, what we expect - when first he
demanded a producer and creators credit for the series that Sean and Beverly
wrote, which led to a bawling out on the Home Shopping Network, which was
resolved, until Matt passed on the pilot. Then Sean and Beverly gave a
marvelous grilling in which they (correctly) for everything that went wrong for
them since they came to Hollywood .
("That you were on a show called Friends is so beyond ironic!!"
should go into one of the great lines of TV history). Sean and Beverly finally
regrouped, wrote another pilot based on their horrid existence Hollywood, and
Matt, in his fashion, apologized (with a plush piece of excrement), which led
to, of course, another fight that I really wish the promos for this series
hadn't given away.
What's perhaps the most surprising
about Episodes was how happily this series ended. Sean and
Beverly finally got their dream project produced - it was called Episodes had the same opening credits as
the series, and somehow managed to get Kenneth Brannagh, Emma Thompson and Isla
Fisher in the leads. Carol actually finally made up with the last boss who
ended up firing her, and it actually looked their was a chance for happiness
there (though in classic Episodes fashion,
it took place in a women's room after she had just thrown up). Even Merc (Jon
Pankow) the ultimate Hollywood sleaze, somehow managed to end up getting the
girl, the literally ageless Morning (Mricea Monroe, who starred in the Pilot) Yet somehow, there was a level of
fittingness to this is well. This is broadcast TV, where everything works out
in the end. You figure the series will probably crash like the last one, that
Merc will end up cheating on Morning and Carol will probably fall for boss
number six. But that's what happens after the credits roll.
The misbehavior and raunchiness of Episodes have it, arguably, Showtime's
funniest and most consistent TV series over the past decade. One could complain
that the seasons were often far too short, but that's more of an effect of the
British influence on the show. I'm really going to miss it now that's its gone,
and I'm really sorry that more people will probably watch a single episode of Man with a Plan than Episodes entire five-season run. Oh,
well. There's always streaming.
My score: 5 stars.
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