From 2005 to 2011, Kyra Sedgwick
portrayed one of the most unforgettable female characters in the history of
television: Brenda Leigh Johnson on TNT 's The Closer. Masking the ruthlessness of
a Grand Inquisitor in a Georgia
accent, Brenda ran the Major Crimes Division of the LAPD, determined to get
confessions out of the darkest killers. And even if you felt, like I did, that
her character stepped over the line so many times that you almost felt it was
unrealistic, the fact remains that her devotion to her craft was one of the
most engaging work over the past decade. (That is made all the clear
considering that the series spinoff Major
Crime, a show that featured all The
Closer's regulars except Sedgwick
is, on its best day, a pale imitation of that series.)
Sedgwick has been making a gradual
return to TV over the past three years, and now she returns to series TV on
ABC's Ten Days in the Valley. She
plays Jane Sadler, a former journalist turned showrunner for a TV cop drama set
in LA. Apparently having it altogether, her entire life is a mess. Her marriage
has ended in a horrid divorce, she's having an affair with the source of her
latest story, and she's currently addicted to cocaine. The only good thing in
her life is her six-year old daughter, and when she collapses in a drug-induced
stupor one night, her daughter disappears.
If Sedgwick was trying for a role
that was the complete polar opposite from Brenda, she could not have chosen a
more perfect part. Crisis brings out the worst in Jane in a way that would
never handle Brenda. Knowing better than most how critical it is to be
truthful, her first instinct is to turn on her ex-husband for violating his
custody agreement. She lies about the probable timeline to the police,
continues to focus on her job rather than her family, and is more concerned
about her drug dealer not getting found out that finding her daughter. And yet
there are moments - such as a brilliant one when Jane, now at work, talks down
a hypersensitive cast member about a scene she doesn't like - that paint a
complete different picture. Sedgwick is exceptional.
Nothing else about Ten Days is nearly as good, and that's a
major disappointment. The conceit is an interesting one - its a ten episode
series, each episode equally one day in the investigation. There are also some
interesting constructs - the possibility that the kidnapping could be blowback
from the police investigation. And the cast is populated with actors I
personally admire, doing vastly different roles than what we're used to from
them. Adewale Akinnuoye-Agbaje, best known for playing Nigerian thugs on Oz and Lost plays the lead investigator Detective Bird (using a flawless
American Accent, no less). Erika Christensen, who I thought was consistently
Emmy worthy as Julia Braverman on Parenthood,
plays a similar role here as Jane's sister. And Malcolm-Jamal Warner, whose
career has been heading into darker territory over the last few years, is intriguing
as Matt Walker, the head writer on the show Jane is running.
There's nothing wrong with any of
these performances or writing, but there's nothing particularly remarkable
about them, either. Similar ideas have been pursued on recent procedurals like Murder in the First or Secrets and Lies. And you have the idea
there might well be similar problem if Ten
Days makes it to Season 2 - it works once, but it leaves the series with
nowhere to go. And if they do try to extend the kidnapping into a second season
- like they did with the first two years of The
Killing - its runs the risk of dissatisfying the fanbase. (Assuming there
is one; early ratings for this show have been lukewarm.)
None of this makes this series a
particularly bad one - as I mentioned, Sedgwick's work is superb, and the other
performances are fairly good. And there certainly are enough twists and turns
that might make the series more interesting as it plays out. But the fact is
television - and broadcast TV in particular - is so crowded with serialized
procedurals that in order to justify another one, it has to be really
remarkable. Ten Days in the Valley isn't,
and I just think the writers are exposing so much of their hand early on that
it may be hard to justify staying with it beyond, well, ten days.
My score: 3.25 stars.
No comments:
Post a Comment