Oh, the possibilities. Veep and Fleabag are gone. Russian
Doll and Barry didn’t make the
cut. Atlanta,
still nowhere to be found. So the candidates for the Best Comedy could come
from a combination of new blood and several brilliant series wrapping up their
runs. Will they find room for series that have returned as well, such as Curb Your Enthusiasm and The Connors? Your guesses are as good as
mine, but here are what I think deserve to be here the most.
Better Things (FX)
By far, the biggest snub to last
year’s Emmys, even if you give Russian
Doll and Fleabag their due (which
I did) was the utter shutout of one of the best female run hyphenate series on
television, period. Pamela Adlon’s masterful series, following Sam as she deals
with the complicated lives her children, her friends, and her absolute bitch of
a mother put her through has always been one of the great works of the past few
years. Now, watching Sam as she turns fifty tries to deal with her complicated
children, climaxing in a quincenera where her almost completely absent husband
finally showed up – and continued to demonstrate what a dick he was – continued
to show Adlon’s abilities in just about every field. With at least three
openings in the Best Actress category, Adlon is sure to pick up a nod. Her show
deserves to be recognized as well
The Good Place (NBC)
In its final season, one of the
greatest comedy series of all time didn’t drop the ball. The cockroach club
managed to save the afterlife for mankind, they found out that the Good Place wasn’t
all they had hoped it would be, and finally realized that the best thing they
could do for the afterlife was the best thing that they could do for life. The
final episode where everybody finally reached their perfect ended – and for
Michael, it wasn’t anything like we expected – was a moment of sublime
brilliance that we don’t seem to get that often in the Golden Age. The series
was a level of perfection, and to be clear, if the Emmys don’t give this show a
shirtload of forking nominations, the Judge has my blessing to cancel humanity.
(And can we get a nod for Maya Rudolph as well?)
Insecure (HBO)
The fourth season of Insecure was one of the best seasons
this show has done yet. Issa and Molly spent the entire season drifting apart -
Issa was trying to grow, Molly was trying to sacrifice everything to make a
relationship work. Issa finally seemed to get a happy ending with Lawrence – and then in
the final episode, everything they’d worked for blew up in a few minutes, but
they found their way back to each other. Throw in a true-crime series that was
always playing in the background, some of the hottest sex scenes you’d find
even on cable, and some of the new directions for side characters, and you
didn’t mind that Issa barely talked to herself the entire year. I know I’m not
the target audience for this show, but that doesn’t mean I still don’t love it
Kidding (Showtime)
With so many shows about horrible
men even if in the funniest of comedies, it is so refreshing to see a series
which is center around a man so good, he gives his liver to the man who he just
hit with a car. Jim Carrey’s work is one of the most exceptional pieces of
comic acting I’ve seen in a long time, but as the second season demonstrated,
there’s so much more to it. A dream visit to the real Pickle Barrel falls
caused Jeff to confront his greatest fear and finally face down his father. A real
life broadcast of one of his shows that led to global ramifications. His family
facing the true fallout from Phil’s death – and the realization of how Jeff and
Karen found each other in the first place. I honestly don’t know if Kidding has a future beyond its second
season. So I think it would be fitting if the Emmys gave it some recognition
now.
The Kominsky Method (Netflix)
There are more daring series on Netflix one could see GLOW or Dead to Me getting nominations,
but in this reviewers humble opinion there are few shows on the service as simple
or as gloriously funny. Sandy
went to a funeral, and ran into an old love. He began the process of forgiving
his daughter, which may take a while considering this is far from the first
time. Sandy
found his daughter was dating a man his own age – and became friends with him.
Then he got diagnosed with cancer, and spent time denying it. Throw in all the
lovely cameos and this series made me laugh harder than almost any other show.
I’m a little sad it’s ending after three seasons (hell, they got seven from Grace and Frankie) but that’s the way
the Netflix age works. It deserves to be nominated.
The Marvelous Mrs. Maisel (Amazon)
All right, so when they won the SAG
prize for Best Cast, even they admitted that they voted for Fleabag. But as Midge went on tour and
began the slow arc of becoming famous, and the ramification for her family
became even clearly, you realized that the Palladino’s have developed a comic
work of art more than up to the level of Gilmore
Girls. Midge’s perkiness, Suzie’s frustration as she tried to rise, Abe’s
journey mirroring that of his wife – this is a great period piece, a great
family piece, a great showpiece. What more can you ask for from a comedy?
Ramy (Hulu)
I had my doubts
about this series even after Ramy Youseff won the Golden Globe for Best Actor.
Then again, so did he. But having watched most of the first season, it’s hard
to deny that this series is a true work of genius, at the level of Atlanta or Insecure.
As Ramy tries to negotiate being a Muslim - which has far more depth than
the usual thing – and as we see the lives of his family, you find something
that would appall a lot of people. A Muslim family, at its core, is not that
different from a Christian family or a Jewish one or basically anyone. The
universality makes the show resonate. The Muslim elements make it sing.
Schitt’s Creek (Pop)
What can you say about a series so
popular it puts its network on the map? A series with one of the greatest comic
casts ever assembled? A show that took a different kind of look at the family
life that has an actual family playing the lead roles? Do I think it
necessarily deserves to win the grand prize? I’m not convinced. But I’m a
sentimentalist. And part of me would really like to see Eugene Levy and
Catherine O’Hara up there, not taking anything seriously. I really would.
FOR YOUR CONSIDERATION
Jane the Virgin (CW)
Yes, I know. Most of it aired last
year. But the second half of the final season aired in time to be eligible for
this year’s nominations. And if The
Handmaid’s Tale can thread that needle, why not a series that is a genuine
work of art? Led by Gina Rodriguez, and some of the funniest actors in the
history of television, not only did Jane get everything she deserved, so did
her entire family. And in a world which has become colder and crueler this past
year, we need a series that symbolizes pure joy. This was as great a show as The Good Place was. Why can’t it get a
happy ending too?
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