VHS NOTES: Lot of previews of note. This is just before
the summer of 2009 and we see a lot of ads for films that will become classics.
The most notable ones are ads for The Hangover and Pixar’s Up (scored
by Michael Giacchino, by the way). We also see ads for lesser films such as the
remake of The Taking of Pellham One Two Three, Angels & Demons and Terminator
Salvation.
As for TV we are obviously on the cusp of several other
critical season finales. The Season 5 Finale of Grey’s Anatomy which
seemed to be leading to the death of Izzie Stevens but actually led to the
death of George O’Malley. (Katherine Heigl would be gone by the middle of
Season Six in controversy.) There are ads for the season finales of Ugly
Betty and Desperate Housewives and we finally get the first real
look at Flashforward, a series that would actually be critical to the
final season of Lost.
Now before we begin, a side note
that might give some insight into many of the flashes we see involving Jacob in
this episode:
Personal
confession: when this episode premiered for reasons that escape me, I missed
the first two minutes and for whatever reason I thought that the Man In Black
was Jacob and that the ACTUAL Jacob was somehow, evil. I didn’t realize the
extent of my error until the last scene.
In a way,
though, my viewing of all of the flashbacks in that sense may have prepared for
a theory that some speculated on leading up to the final season. This theory
argued that while Jacob’s touch had an influence over the survivors in their
lives, it was uncertain whether based on when he appeared in their lives and
what happened as to whether Jacob’s influence is good or bad. This is speculated it in the final chapter but never
truly explored in it. So for the record, let us consider when Jacob appeared in
each flashback and how one might well interpret his actions (some of this will
involve variations on quotes from the book:
Kate: Jacob pays for the lunchbox. Did he save her from the police and being caught shoplifting
or was this an early lesson that she can get away from crime?
Sayid:
Jacob distracted Sayid. Did he save
Sayid from getting killed by a hit-and-run driver or did his distraction
prevent Sayid from pushing Nadia out of the way of a car? (Nikki speculated it
was the latter in the final book, but it’s worth considering both.)
Jin
and Sun: Jacob appearance at their wedding. Was “never take your love for granted” a reminder to save them from
future grief or a curse, a la “May you live in interesting times? (It is
irrelevant for the discussion which one of them was the candidate.)
Jack
(after Christian degrades him) : Is
he supporting Jack emotionally against his father’s tutelage outside the OR?
This depends on what your speculation on Christian was. As Nikki reminded us,
Jack may have been misreading Christian’s intentions the whole time so maybe
Jack took this as confirmation of his views rather than the support it was.
Locke:
(after Cooper pushes him out the window): This is the big one. Nikki theorized that he brought Locke back from the
dead with his touch. Here’s another interpretation. He was waiting for it to
happen, meaning he knew it was coming. Does that mean he could have prevented
it from happening if he chose? Taking it further, did Jacob know that this was
the man that the Man in Black was going to use against him to kill him and heal
him regardless? (Did your brain just explode?)
Sawyer
(after the funeral) Now I think the
assumption has always been that Jacob’s giving Sawyer the pen to finish writing
his letter is automatically assumed to be the factor that caused him to go down
that path. Another interpretation: Jacob knew what was happening and therefore
had an idea what Sawyer was doing. Was his words: “I’m very sorry this happened
to you,” supposed to be a sign that he should take consolation from his uncle
and not follow through with his plan? (This theory is harder to prove but I
think it’s worth considering.)
Hurley:
(the cab ride) Is Jacob
convincing Hurley that seeing the dead is a blessing merely just a way to
convince him to come to the island? After all, he knows the importance of
Hurley’s gift, and considering how important it was in the final season, he
knew that Hurley was essential to the end game.
In different
contexts in the final season both The Man In Black and Jacob will confirm that
all of the candidates were ‘irrevocably broken.’ The question has never been answered: Did
they need the island because of that? Or were they broken because of Jacob’s
actions?
Now let’s begin.
Lost has always been a series that has
been about science versus faith. Locke has always had faith that everybody had
been brought here for a reason. Jack has now taken on that faith and he
believes it is to detonate a hydrogen bomb and erase everything that has
happened since the series began. Radzinsky spends much of The Incident certain
that his destiny is to change the world and that means drilling the Swan.
Everybody has had faith in other people: Jack for much of the first three seasons.
Many people in the group have faith in Sawyer. The Others have had faith in
Jacob even though they’ve never seen him. Richard and Ilana have had similar
faith. The viewer has had the same kind of faith for five seasons that somehow,
at the end of all this, everything will make sense. (Some of us are clearly
more deluded than others.)
Faith is center stage at The
Incident which received Emmy nominations for Best Direction and Best Teleplay. Locke
has been certain ever since he came to the island that they were all brought
here for a reason. In Season 3, we first learned of the potential man who was
responsible for the island Jacob. Ben claimed to be the only person who talked
to him which Locke and the viewer doubted. We went to the cabin in The Man
Behind The Curtain, saw Ben talk to an empty chair in which he claimed Jacob
was sitting. Locke, like us, thought he was insane until he heard a voice say,
‘Help me’ and the whole cabin exploded.
Since then we’ve been back to the
cabin twice, heard Jacob’s name mentioned more and more frequently, saw
Christian who claimed to speak for Jacob and learned that Richard answers to
Jacob. But we’ve still never actually seen him, and now we learn that none of
the Others ever have – including Ben.
Now in the finale of the
penultimate season of Lost we finally meet Jacob. He is wearing a white
shirt, has white sandals, and sandy blond hair and we see him catch and eat a
white fish. He is joined by a man dressed in black, with black sandals, salt
and pepper hair and a scruff of a black beard. Ever since Locke famously said
in the pilot: “Two players, two sides. One is light, one is dark”, black and
white has been a theme on this series, and it’s been suggested that what’s
happening on the island is some kind of struggle between the light and the
darkness. But during the last five seasons, all the characters have been in
some murky grey area (well, not some of the people in Dharma and quite a few of
the parents of everyone we’ve met) and this has been true every time we meet a
new group.
Ben famously claimed that the Others were ‘the
good guys’ even though we’d spent two seasons believing otherwise. We then
spent season 3 with the Others and learned that while they did keep doing bad
things (kidnapping, brainwashing, murder) they believed that because Jacob was
telling them to do this, they were the good guys. This is echoed when Bram
tells Frank that he’s safe with them because “they’re the good guys.” Frank
doubts them, but it’s now pretty clear that because they are taking orders from
Ilana (who clearly is some kind of disciple of Jacob) that their actions are
that of the good guys.
The freighter folk came to the
island on a mission from Widmore. We thought Widmore was the villain of the
piece (when you hire men like Keamy it’s big hint) but he claimed Ben was the
villain and we were inclined to see it that way. Then Keamy killed Alex and we
believed it more. During Season 5 we’ve pretty much seen all of Widmore’s life
and his family, and while we’re still not convinced he was ever the good guy,
we can see the sacrifices he’s made and why he believes Ben usurped him.
And now Jacob and this mysterious
Man In Black are having this benign conversation as the Black Rock comes to the
island in what seems to have been a hundred and fifty years ago about what
seems to be the nature of humanity. The Man In Black believes that man is
intrinsically evil and Jacob seems to think that they’re not. Though it is
worth noting that everything we’ve seen in the last five seasons does seem to
meet the Man in Black’s dismissal: “They come. They fight. They corrupt. They
destroy. And it always ends the same.” This sentiment is echoed by, of all
people, Bernard and Rose who we finally see what happened to them after they
disappeared back at the start of the season. Rose’s remark that after thirty
years they’re still finding ways to kill each other is very on point – and it’s
telling that Kate doesn’t seem to get the message.
But it is the last series of
exchanges where the Man in Black tells Jacob how badly he wants to kill him
that is clear. He tells Jacob that one of these days he’ll find a loophole.
What’s interesting is not so much how calm both men are about this, but that
both seem to have the placidity of faith – and both of them seem very sure that
the Man in Black can do exactly what he claims he can.
Jacob has apparently spent his
entire life following the survivors of Oceanic, possibly from since before they
were born. He comes to each of them at critical moments and with the possible
exception of Kate, it is when they are at points when there faith is being
tested or it is at is lowest. He sees Sawyer when he is burying his parents and
his only path forward is to find revenge. The moment he distracts Sayid, he
loses Nadia – and with it any faith Sayid had that he was a good man. He
touches Sun and Jin when they have married and found faith in each other. He
touches Jack in the aftermath of his first surgery when he claims his father
doesn’t believe in him, even though we see for the first time Jack’s misreading
the situation. He touches Locke just as he has been thrown out a window and
tells him he will be alright. He touches Hurley and tells him to have faith in
himself that he is not crazy and he has not been cursed. And though we never
understand the reason why he chose Ilana, the fact that Jacob asks her for help
is enough for her to have faith in him. Kate is the anomaly in this scenario;
all this seemed to do was give her faith that she could get away with things.
This is true to an extent in 1977.
Jack is certain that if he drops this bomb all the misery will be erased. He
has a faith in himself that we’ve never seen before, but the last time we saw
someone this sure it was when Locke decided to stop pushing the button. Richard
is following Eloise in 1977 because he has faith in the leader, but its not
blind faith: he doesn’t want her to get killed in Dharmaville.
Most of the people who follow Jack
on his mission have faith in him. Jin because he thinks this will get him back
to his wife. Hurley because he has faith in Jack. Miles ends up going to the
Swan because he has faith in Lafleur.
The rest of Jack’s crew have lost
their faith. Juliet has been holding on to the possibility that she and Sawyer
can be together. But it’s critical that the one flashback in the episode that
doesn’t have Jacob shows Juliet at a moment when she loses faith – in this case
when her parents get divorced. Young Juliet believes people who love each other
should stay together and she runs off unable to believe that. Juliet’s entire
history on this show has been constantly falling for the wrong men and now the one
relationship that was healthy has become ash in front of her. James has decided
he will follow Kate and Juliet has nothing left to believe in.
James has spent the last three
years happier than he’s been in his adult life. In less than four days, it has
all fallen apart. When he and Jack have the knockdown drag-out fight that we’ve
known they’ve always wanted to, Sawyer is beating Jack up not so much to stop
him but because he has lost everything to a man who seems to have a blind
faith. Sawyer also gets Jack to admit the real reason he’s doing this: the loss
of Kate has devastated him emotionally. (It’s the most honest Jack is the
entire episode.) The fact that even after everything that’s happened, including
the last week, he still wants Kate to believe in him speaks volumes to his
emotional state.
Sayid as we see has no faith left.
Even as he suffers from a bullet wound inflicted by Roger Linus, he still
spends what he feels will be his last energy making sure this mission will
succeed. When Jack says this will save him, Sayid says: “Nothing can save me”
and it’s clear Sayid believes this one hundred percent. He thinks even if this
brings oblivion he is doomed to hell, and he is trying to bring redemption to
those he thinks can be saved.
Locke has a certainty about him
we’ve never seen before and it shocks everyone around him. Sun is holding on to
the idea she will see her husband. Richard is trying to deal with his faith in
Jacob and his devotion to the system. But in the episode the character who
matters the most is the one who doesn’t get a single flashback.
Michael Emerson is incredible in
this episode. That’s nothing new, of course, but his work here is a revelation.
Ben has always seemed to have a plan, always confident, always sure of himself.
He has done everything in his power the last three years to manipulate the
Oceanic 6, control events, even murder John Locke, all so that he could get
them all on a plane and get back to the island. He was foiled in his chance to
get vengeance on Penny, but there’s a part of him who genuinely believes in the
aftermath of the landing that once he gets back to his people, he can put
things back the way they were.
Then he wakes up and sees Locke in
front of him. We’ll never know if he truly was going to see the monster before
Locke saw him but when he sees the new and improved John Locke, he’s ill at
ease for the first time the whole series. Locke knows things that he never did
before – including where to find the monster. Then he sees Alex and she tells
him to follow John Locke, and seeing Alex clearly fractured him. Then he goes
back to see Richard and Locke is clearly in control of events in ways he never
was before. And that finally breaks him.
Ben looks broken in a way we’ve
never seen at the camp. He’s finally destroyed in a way he hasn’t been. He used
to be the puppet master; now his strings are broken. It’s stunning to watch Ben
be a passenger instead of the driver of events. Even his sarcasm has a cry of
pain.
Finally he is invited into Jacob’s
inner sanctum. The awe on his face is marvelous and painful: he’s never been
here before, never in the presence of a man he spent more than thirty years
loyally serving. Jacob speaks to him and says he has a choice. And Ben doesn’t
seem to understand. Finally he gets to face the man he’s spent thirty years
blindly following, in whose name he sacrificed his daughter, survived cancer
and was banished from the island, all without ever seeing. And he asks the
question that could speak for everybody who has followed Jacob: “Why not me?”
And Jacob doesn’t seem to care. Finally Ben quickly stabs him with the same
brusqueness he did in killing Keamy last season, finally thinking he has done
something of his own free will.
Except…we know he hasn’t. As we
have learned just moments before, John Locke is really most sincerely dead. The
man who seems to be wearing his body is the Man in Black. (Props to Terry
O’Quinn in that scene, the way he instantaneously shifts personalities to
something genuinely evil is another layer upon layer of acting.) Ben has spent
his entire life in service to one force, truly believing he was on the side of
good. Now he has shifted in belief into another force and the island will soon
pay for it.
Admittedly we’re still reeling
from what we just saw in 1977. There is a shootout at the Swan site and Jack
manages to get to the site of the pocket. He drops the bomb down the dig
(there’s clearly a moment he doubts himself). Everybody closes their eyes and
waits. And…”This don’t look like LAX.”
Then we get to see the Incident
play out. This should seem like a replay of the Season 2 finale. The difference
was we were in a hatch and only three people were in it. This time, we’re above
ground and the destruction is far more obvious and glaring. Everything metal
starts heading towards the platform. Jack is knocked cold almost instantly. Dr.
Chang, who has been the canary in the coal mine, tries to shut things down but
his hand is injured. (We’ve known from the film strips that his hand is a
prosthesis; now we see how he lost it.) Miles pulls his father free and tells
him to get as far away from the Swan as he can. (Did Chang survive all this and
get back to civilization, even if he never saw his wife and son? We’ll never
know.)
Radzinsky, keeping with everything
we know about him, gets into a car and tries to drive away – only to have the
car start being driven towards the dig. (Couldn’t he have gotten a rebar
through the chest?) Platforms are collapsing left and right.
And then, a chain grabs Juliet by
the ankle and she is dragged towards the pocket. Sawyer grabs her hand just
before she falls in. The scene that follows is arguably the most heartbreaking
in the entire fifth season and everybody plays it to the max: Josh Holloway
trying desperately to hold on to the woman he loves, Evangeline Lilly, knowing
what’s going to happen and trying to save her friend, Elizabeth Mitchell, now
being torn apart physically to go with emotionally and knowing what she has to
do. The moment she lets go and drops – and when Holloway lets loose a scream of
pain we’ve never heard from Sawyer in five seasons – is absolutely gutting.
But that’s not the final moment,
any more than what happened in 2007. Juliet regains consciousness in the pit.
Blood is leaking from her mouth. She sees the bomb and grabs a rock. She begins
to hit it. “Come on,” she cries. “Come on. Come on, you son of a bitch!”
BOOM. Fade to white.
What has happened? Perhaps we
should have gotten a hint with Jacob’s last words. “They’re coming,” he says
before he is kicked into the fire.
Jacob has always seemed to have a
foreknowledge of what was going to happen in the lives of the Oceanics. He
didn’t seem to do anything to stop himself from being killed. Why? We saw him
weaving a tapestry at the beginning of the episode and by the time its over,
he’s finished weaving. “It takes a long time when you make the thread, but
that’s the point I think,” he tells Ben.
There’s clearly a deeper meaning.
Tapestries tell stories and Jacob has clearly been telling stories of the
island for a very long time. Nothing seemed to surprise him, not even the
arrival of ‘Locke’ and Ben. Is it possible he knew how this would work out? Or
is it just a warning to the Man in Black that his problems aren’t over yet?
The final moments of the episode
show a trailer. “Lost. Final Season. 2010. Destiny Found.” We remember
Jacob’s line when to the Man in Black. “It only ends once. Everything until
then is just progress.” The series is now heading towards the end of its run,
but even after that ending we’re still not sure its over. How satisfying the
final season has been a controversy debated to this day, and it is one I have
thought and rethought about countless time ever since it aired. I will be going
into greater detail when we get to Season 6: what I thought we could get, what
we actually got – and how I’ve changed my mind over the years.
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