Wednesday, April 29, 2026

Emmy Watch 2026 Phase Three Begins: My Reactions to the 2026 Gotham TV Award Nominations

 

 

A new voice in the ever expanding awards for television is the Gotham TV Awards, which came into existence just two years ago. Focused on recognizing new TV shows of quality that have debuted in the season just past, it has already proven that it has a knack for picking out winners. Last years its winners for Best Drama, Comedy and Limited Series were The Pitt, The Studio and Adolescence and all went on to win the Emmy in their respective categories just a few months later. However lest you think that didn't take a genius to predict they were also very favorable to such dramas as Matlock and Paradise, comedies such as Nobody Wants This and The English Teacher and Limited Series such as Dying for Sex and The Penguin, along with other gems such as Dope Thief and Man on The Inside.

The question was how would they deal with the 2026 Emmys, which have already seen a number of new contenders in the early discussion for awards in quite a few categories. Yesterday the nominations were released and yet again it is very difficult to argue with them.

 

BREAKTHROUGH COMEDY SERIES

Rachel Sennot is recognized twice having produced I Love LA and Big Mistakes. Tim Robinson's The Chair Company is present as is Netflix's Long Story Short and Lena Dunham's Too Much.

It's honestly hard to tell if any of these nominees will break through in the major categories: none of them have dominated the awards conversation the way so many of the other contenders have.

 

BREAKTHROUGH DRAMA SERIES

Here we saw quite a few possibilities. Pluribus and Task are both near sure-things for Outstanding Drama nominations and will likely contending in major categories across the board. Alien: Earth was already nominated for Best Drama by the Critics Choice Awards and it has legs. Knight of the Seven Kingdoms does have the Game of Thrones lineage and the Emmys has been more than willing to let the first season of these franchises get nominated for the big prize, if not necessarily the second. Only Netflix's Dept. Q seems unlikely to contend for prizes.

 

BREAKTHROUGH LIMITED SERIES

Death by Lightning has already been nominated for Best Limited Series by the Critics Choice Awards and the Peabodys. The second season of Beef is almost certain to be a major contender for awards, as is Richard Gadd's Half Man. DTF St. Louis is a harder call but its' definitely going to contend for acting nominations. It remains to be seen of Netflix's Lord of the Flies can have the same success as Jack Thorne's previous show Adolescence. All of these will be in the conversation in the weeks to come.

 

OUTSTANDING LEAD PERFORMANCE IN A COMEDY SERIES

Elle Fanning will definitely be in the conversation for Lead Actress for her work in Margo's Got Money Troubles.  As for Taylor Ortega for Big Mistakes and Rachel Sennott for I Love LA, Sennott has had almost no impact in the end of year awards for 2025 and it's not clear if either she or Taylor Ortega can breakthrough what is already a very front-loaded field.

Tim Robinson has had no real appearance for acting in The Chair Company. Dan Levy can never be counted out for the Emmys at this point but the field he's in is, if anything, more frontloaded than Best Actress.

 

OUTSTANDING LEAD PERFORMANCE IN A DRAMA SERIES

Rhea Seehorn, as we all know is a lock, for Pluribus. As for the rest:

Sydney Chandler for Alien: Earth and Chase Infiniti for The Testaments have slim chances at best to break into what is already a heavily loaded field for Best Actress in a Drama. I love Malin Akerman in The Hunting Wives, I'm glad she was nominated but I'm not giving her a chance.

Peter Claffey for Seven Kingdoms might have a possibility if only because many of last year's contenders for Outstanding Lead Actor in a Drama are no longer eligible, such as Adam Scott and Pedro Pascal.

 

OUTSTANDING LEAD PERFORMANCE IN A LIMITED OR ANTHOLOGY SERIES

In order of likelihood:

Carey Mulligan is a lock for her work in Season 2 of Beef as is Sarah Pidgeon for her work as Carolyn Bessette in Love Story. Matthew MacFayden has received a nomination from the Critics Choice Awards for his work in Death By Lightning so his chances are good. It's hard to know if his co-lead Michael Shannon can break through.

We will have to see if Jamie Bell's work in Half Man is excellent enough to get him a nomination in this category. Riz Ahmed's work in Bait is critically acclaimed but there are already great nominees ahead of him who are locks. MUBI has never really contended for Emmys so I don't think Lili Reinhart has a chance for Hal & Harper.

 

OUTSTANDING SUPPORTING PERFORMANCE IN A COMEDY

Michelle Pfeiffer is almost certainly a lock for Margo's Got Money Troubles and Laurie Metcalf could reign as a dark horse for Big Mistakes.

Personally I'd love to see either Daniel Radcliffe or Erika Alexander nominated for The Fall and Rise of Reggie Dinkins, if for no other reason then we really need network representation here. I don't think Odessa A 'Zion for I Love LA has a chance and I think Haley Lu Richardson has none for Ponies.

 

OUTSTANDING SUPPORTING PERFORMANCE IN A DRAMA

Both Tom Pelphrey for Task and Karolina Wydra for Pluribus are near sure things for nominations. As for the rest, it's hard to say.

I'd love to see Zach Galifianakis in contention for The Audacity and Babou Ceesay for Alien: Earth and Dexter Sol Ansell for Seven Kingdoms might contend. But Supporting Actor has a lot of contenders just from The Pitt alone.

 

OUTSTANDING SUPPORTING PERFORMANCE IN A LIMITED OR ANTHOLOGY SERIES

Nick Offerman was already nominated by the Critics Choice Awards for his work in Death by Lightning and Cailee Spaeny is a near sure thing for Beef. Both Linda Cardellini and David Harbour will be formidable contenders for DTF St. Louis. Only David McKenna's work in Lord of the Flies is a question mark.

 

It's hard to know how the Emmys will react to Outstanding Original Film. I do think Remarkably Bright Creatures will contend and so will Color Theories. I don't really think People We Meet on Vacation has a chance and I know nothing about the other nominees to speak with confidence. Alison Janney will be nominated this year but its going to be for The Diplomat or Palm Royale, not Miss You, Love You. Mountainhead won in this category last year.

 

No question this is a formidable and good list of nominees: as I've said with quite a few groups in the past few months the Emmys could do far worse than giving many of these contenders nominations in a few months and that's not just the ones that will definitely be there.  

Considering how high I've been on so many of these contenders I can't really complain that much. I might have wanted to see All Her Fault in the running for Limited Series and might wonder at the lack of consistency between some of the contenders but I'm mostly fine. The two I'm going to look at on this site in the weeks to come are Margo and Half Men because I believed both would contend even before these nominations came up and I suspect this is only the start in the weeks to come for both these shows and trust me I'll get to Death by Lightning even if its skunked completely.

So Phase Three is off to a good start. I'll be back when the next major group gives its nominations and when that will happen – your guess is as good as mine.

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