I was going to go
into some more detail on How to Get Away
With Murder, but there are a couple of factors that give me pause. For one
thing, Rhimes' connection with it is far less involved then the others---- she
only has a producer's credit. For another, Rhimes is many things, but the one
thing she is not is a plagiarist, and the main construct of this series is a
borderline ripoff of a far better show that was unfortunately not seen by as
many people, Damages
Because the
similarities are too close to be coincidental---- a high profile attorney takes on a group of younger students as her
mentees, and, through a series of flashforwards, we see them involved in the
death of someone close to them. In Damages,
the central character is a civil attorney, and she only takes on one
student, but both student and teachers are far too close in methods for my
comfort.
Then the second season started and
it rapidly became very clear that the
series had no intention of backing away from its Damages roots combined with the usual Rhimes sex overload. The
first episode revealed that Rebecca, the woman who spent most of season 1
wrongly accused of murder was in fact killed by Annalise's second-in-command
Bonnie (Liza Weil, can't you find any better roles). Considered that it was
revealed in the season one finale that her other assistant Frank committed the
murder that started all of Season One's chaos, it seems that once again we are
in that 'ethics-schmethics' world that is at the center of all Rhimes' series.
Now Annalise is forced to lie about Rebecca's fate, something you know is going
to come back to bite her.
Trying to distract the 'Keating
Five' from looking in, she has them get involved in yet another murder where
two adopted siblings are accused of murdering their wealthy parents. Of course, they weren't her clients, but she
fixed by having the attorney's credibility impeached by a placing false
evidence. Of course, she didn't do it herself, she forced one of her students.
Looking at how Annalise does business, I can't help but feel I'd rather have
one of David Kelley's more ethically shady attorneys--- Bobby Donnell or Alan
Shore working for me. They might
commit antics in the courtroom, but at least they stayed just on the side of
the ethics, and they were doing for the right reasons. Annalyse just does it---
well, I still don't know why.
And of course, there's the murder
of Sam to be dealt with, in which Annalise got one of her old law school
classmates (Famke Jannsen) to defend another ex-lover for his murder.
Naturally, it was revealed that they were also lovers. Some would call this is
a daring move; this reviewer just sees it as another way to increase the
options of bedmates, with about the same level of reality. One wonders how
Annalise can even look herself in the mirror. And one of the few strengths
about this series is that she is now beginning to have doubts about just how
poisonous she seems to be the people around her. And we know it's going to come
back to bite her---- the flashforward this season revealed her to be laying on
the ground, apparent dying of a gunshot wound. Which would be interesting if you
didn't know that she was going to survive.
Viola Davis
is the series greatest strength. Her acting is still one of the pillars in
network television today, and it's more than clear that there are a shortage of
roles for black actresses. My question is, considering what we have seen in
series such as Orange is the New Black, Empire, and American Crime, do they all have to be
like this? This series has some intriguing elements to it, but frankly still reminds me of Damages
with a lot more sex. It's running out of time to establish an
identity, unless it accepts the TGIT one it's brands suggest. That's still
something of a tragedy.
My score: 2.5 stars.
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