Written by Chris Carter
Directed by Joe Napolitano
There are only
two real problems with this episode. The first is that it's such an obvious rip-off
of Ice that one might as well just call it Ice II: Revenge of the Mites. But as
will turn out to be the case with a lot of episodes of X-Files, that's not strictly speaking a bad thing. There are enough
differences, and pretty critical ones that only the most devoted nitpicker
could argue over the similarities. And
finally being able to use some of Vancouver 's
natural beauties in a proper setting gives this episode an atmosphere as well
the unique feeling of being trapped in the middle of wide open spaces.
The other problem
is, of course, the lack of an ending. When you set up a scenario where Mulder
and Scully are trapped, with no hope of escape, you know, by the standards of
series TV that they will be saved at the last moment, no matter how implausible
the circumstances--- and the fact that that happens even after they have been
trapped by the wood mites can only take the edge of what is really a scary little
tale Better to have done it in a
cliffhanger near the end of the season.
This is, by a
pretty substantial margin, Carter's best script of the season, mainly because
it's also one of the more simple scripts he has put forth. Stripped down to
it's essentials, our heroes go out with a ranger and a logger to find out what
happens to a logging team in the Northwest, and they find out exactly what
happens, and it damn near kills them. Admittedly, the premise is a little
harder to believe than some of the ones that the series will put forth---
insects, as Scully reminds us, are attracted to the light, not vice versa. But
the special effects and the setup are so striking that we find ourselves
forgoing it, in favor of watching our heroes face the fact that the only thing
keeping them from being entombed by a
cocoon is a single electric light powered by a generator with only a
finite amount of fuel. We saw what happened to the loggers in the teaser, we
know what horrors await when the sun sets.
Viewed a certain
way, one could view this script as an argument in favor of ecology and
preserving nature over the stripping and cutting the loggers have been doing.
(The episode did receive an award from the Environmental Media.) But wisely,
Carter decides not to make that much of this--- and points to him for doing so,
it's a rare act of subtlety for the man. Instead, he sticks to the situation,
and the terror that is lurking out there in the dark. There's also an added
irony that after Spinney the eco-terrorists goes to such lengths to preserve
the trees, he sets up a scenario for a denouement where entire forest is all
but burned to the ground.
The ending, of
course, can only come as something of a disappointment. Still, there is
something more than a bit unsettling than
the fact that our heroes, for all intents and purposes, lose the battle to
nature. We will end up seeing episode after episode where their efforts to
succeed our thwarted by the powers that be; it's somehow more frightening---
and paradoxically satisfying--- to see that our heroes can be brought down by
Mother Nature just as easily.
This episode is
one of the more frightening ones of the first season, mainly because we can
detect the actual fear in Mulder and Scully. It's also Carter's first episode
where he seems to have a better understanding of his central characters than at
any other show we've seen so far. It's absent the usual quips and cockiness as
soon as they end up in the woods, and it leads Mulder to the realization that
for all his cleverness, he is far from
infallible. And watching the iron fisted Scully slowly succumb to terror the
lower the generator gets on fuel shows a level of humanity that she goes
to a great deal of trouble to keep buried.
The writing isn't
perfect, and the special effects are still at the stages where the terrifying
insects look like static. But the fact remains Darkness
Falls is definitely one of the
better episodes of the first season, one that shows what Carter is capable, and
for once, what our heroes are not.
My score: 4.25 stars.
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