Written by Howard Gordon
Directed by Rob Bowman
Until the last quarter of the
episode, Fresh Bones seems little more than a traditional Howard Gordon
episode. Yes, it's another supernatural revenge story--- but what makes this
story above average is the fact that we are misled as to who is seeking the
revenge, and why.
For those who pay attention to such
things, this episode originally aired a few week after a coup in Haiti .
The X-Files doesn't usually try to rip its stories so obviously from the
headlines, but I'm guessing the combination of time and setting was too much
for Gordon to resist. With the added military element, it also meant that
Gordon could point what might be an actual government conspiracy for a change,
but it's rendered a bit stodgy by the fact that he can't seem to do much
original with the voodoo element of the story.
At this point, the storyline of the
zombie has been done (to make an appropriate pun) to death on both movies and
TV, so it's interesting that Gordon chose to put Mulder and Scully face with
what seems to be a very alive looking zombie when McAlpin comes back from the
dead. There are interesting elements to the script--- the story of the toxin in
the blood makes it seem a bit more realistic than some of the others. But
eventually he gets tired of it, and finds himself setting back to cliché---
blood appearing in Col. Wharton's breakfast, Scully get poked with a voodoo
charm (you gotta learn not take those "I'm fine's" so literally
Mulder), and a corpse being found in the bathtub. Not even the surprise arrival
of X nearly halfway through the episodes leads us to think that this story is
particularly special.
It's not until the episode nearly
over that Gordon turns the energy up to 11. It is revealed that the voodoo priest
is not the Haitian who's been imprisoned for most of the episode, but the bald
and rather menacing Colonel who's been abusing the prisoner, and apparently his
soldiers. We find that he's trying to seal Bauvais off, Scully has a voodoo
monster appear out of a wound inside her own hand (that moment gave me chills)
and both agents are saved closer to blind luck and other forces than anything
that they manage to do for themselves. Wharton is killed by Bauvais, who then
appears to be still dead, and we finally learn that the really creepy Haitian
kid Chester who seemed so friendly
to our fellow FBI agents has actually been dead for six weeks. It doesn't
explain how the people in the facility saw him, or why Private Dunham was so
shocked to see him later than an episode. It's a little moment of frission that
would be enough to end the episode on... but it doesn't.
These are such effective spooks and
thrills that you don't realize until the episode over--- until you know the
real fate of poor Colonel Wharton, of course--- that a lot of the plot twists
don't make a heckuva lot of sense. There's the part about Chester, there's the
reason that McAlpin came back from the dead, if Bauvais was a rival voodoo
practioner, why was he not more prepared for Wharton--- frankly all of them
make the episode, more than a little confusing. What basically helps save the
episode beside the overall mood is the solid work from the guest cast,
especially Daniel Benzali (who has made something of a career of playing
menacing authority figures) and Matt Hill's work as the spooked Harry Dunham.
It's also a note to see some very early performances in the careers of Callum
Keith Rennie and Roger Cross in bit parts that don't add much to the story, but
help establish the mood a little better.
It's not a great episode, and by
this time, we're so used to Gordon's manipulations of story over character,
that we almost seem used to the fact that plot has been sacrificed for cheap
thrills. But it's a far better job than we usually get from Gordon, and the
detail that he demonstrates, along with one hell of a kicker (done over the
closing credits, no less) make this another well done episode in the string.
My score:3.25 stars.
No comments:
Post a Comment