Written by Chris Carter
Directed by David Nutter
If Aubrey was an episode that, with
a few minor changes, could've run in any police procedural, this episode seems
to go even further by being the first real one that has no supernatural
earmarks at all. What makes it so effective --- and very unsettling---- is that
the villain is one of the truly most ordinary, and therefore more frightening
than a lot of the so-called thriller X-Files.
After years of police procedurals
like Special Victims Unit or Criminal Minds, where the most horrid of
serial killers is just another day's
work for the agents in charge, its almost refreshing to see someone disturbed
about some of the horrors that they're witnessing. It's even more refreshing to
see it almost regarded as a joke when Mulder and Scully are, for once, called
in on something because the agent in charge thinks its paranormal in origin---
and then get told that it's something far more 'mundane'. Indeed, mundane is
almost too polite a word to describe Donnie Pfaster, a man who looks completely
ordinary when we see him in the funeral of the teaser, who we never see kill
anyone, who never seems to so much as raise his voice, even at the episode's
climax. Carter originally wrote Pfaster as a necrophiliac, but Fox forced him
to change the character to make him more palatable, and this may be one of the
rare occasions I'm grateful for standards and practice's meddling. There's
something more unsettling about what Pfaster is doing, and we can understand
why Scully is so revolted by it.
There are two complaints that
inevitably get made about this episode. First, there is the fact this is yet
another episode where Scully gets taken prisoner. However, this is one of
the rare episodes where the abduction is
necessary, as much of this is coming to terms with what happened to her during
her disappearance earlier this season. There is something powerful about
watching her fight back from the man whose actions have revolted her since the
episode started. Then, there's the fact that Pfaster's morphing into various
form--- ending in that of a demon--- seems a superfluous action to make this case
into an X-Files. However, for once the effects serve a story purpose to make
sure that we see how truly monstrous Pfaster is. (Given how both effects would
be terribly abused when the show eventually caught up with him later on, one
can see the point--- but one can't blame Carter for that.)
Admittedly, this is an episode
which starts a rather unfortunate pattern trying to establish Scully's stoicism
after even the most horrible events. One can almost make a drinking game based
on how frequently we hear her say 'I'm fine' when, like when she uses it after
she's been saved, she is clearly anything but. But this episode is exceptional,
because this time, even she's willing to admit she's not fine. Who would be
after going through something as horrific as this?
This is one of the high points of
Season Two, as every element seems to work perfectly. Carter's script seems to
have the usual amount of purple prose during the voiceover, but he more than
makes up for it with one of his best villains, and some of the more memorable
supporting characters. I really wish we'd seen more of Moe Bocks, as he's the
rare agent who seems like Mulder's type of guy, and who seems to respect him all the way through the episode.
Bruce Weitz gives a great example of how good a lawman he could be without
quirks. The direction is well done, and the cinematography is top notch,
particularly in the scenes in holding.
Irresistible demonstrates how well
the show could play when it dared to strip away the paranormal and look into
the face of evil. For much of the remainder of the series, at least once a
season Mulder and Scully would leave the world of the paranormal, and take a
look at some of the darkness within the human spirit. (The sequel would not be
one of those episode, alas, but what can you do?) The closing shots of Pfaster
as a child are somehow more terrifying than the ones of him morphing, because
it reflects how evil can seem utterly banal, and more terrifying than any liver
eating mutant or alien conspiracy.
My
Score: 5 stars
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