Thursday, October 29, 2026

Cupertino Adds to the Luster of Two of the Greatest Showrunners In TV History

 

There are only a few showrunners these days whose presence alone behind a TV series will guarantee me to instantly watch. Those of you who are long time readers of my column know that two of them are Robert and Michelle King who ever since they launched The Good Wife back in 2009 have been the most consistently brilliant forces in television. Even more remarkable they are perhaps the only ones I know of whose greatest work is in network TV as opposed to cable or streaming.

This may come as heresy to those who preferred Evil when it was on Paramount Plus but the truth is the Kings have always handled the constraints of network TV with far more grace and an ability to gently poke fun of their medium perhaps better than all those who try to do so with the meta commentary we see. And they do so not by trying to break the fourth wall but ever so casually hinting at it.

So the fact that the Kings are returning to the genre that put them on the map: the legal drama is one of the great joys of the 2026 fall season. And while some could see Cupertino as a collection of so much of the King's greatest hits – which honestly would be enough for most viewers – I'd say they're approach is, as is always their fashion, completely appropriate for the era we live in.

Those of us who were fans of The Good Wife know that the Kings have always been comfortable poking fun as Silicon Valley before it was hip. One of the minor characters on that show was Chumhum, a social media/search engine that every attorney on the show knew was a great evil but was always trying to win as a client for the money.  The founder, played throughout two series by the wondrous John Benjamin Hickey,  was played by a man who knew he was a master of the universe and loved to toy with the firms. After one such lawsuit against him he personally made it so that when Will Gardener's name came up you would immediately find 'disbarred lawyer' and this did nothing to stop either Will nor his countless partners from trying to land him as a client even as it became increasingly clear how malevolent a force he is.

Cupertino makes it clear from the beginning it's not going to take approach. It begins with two attorneys from a major start-up Michael Cypher and Olivia Siffre being fired from a major start-up simultaneously. Both of them try to console each other but Olivia quickly learns that the firm has chosen to use her voice for an AI chatbot. Both she and Michael unite to sue this firm for both wrongful termination and other forces.

Michale Price is played by Mike Colter, whose been part of the King's world since he played Lamont Bishop, a Chicago drug lord disguised as a legitimate businessman back in 2009. Colter has been extraordinary at playing morally ambiguous characters throughout his entire career even when they are heroic, whether it is Luke Cage, so its wonderful that he's finally getting a chance to play a hero, pure and simple. Price knows the grey areas of civil litigation as well as Alicia Florrick and Elsbeth Tascioni did  and its wonderful watching his large presence get to deliver the kind of sizzling legalese he never got a chance. Like so many King characters he has a complicated past history, both with his father (let's hope we see more of Joe Morton) and a former paramour from New York, Nichole Ferebee who in the last episode became an adversary.

Nichole is played by Renee Goldsberry who has also been a part of The Good Wife as Geneva Pine, a Cook County attorney who would pop up as an adversary to the Florrick's throughout their entire run. Nor is this the only King meta reference. One of the backers of the firm who Olivia gets to work for is someone divorced from a Silicon Valley bigwig, Natalia Boutella played by Busy Phillipps. And if you are a fan of cult TV you know that Philipps and Goldsberry  were two of the members of the nineties girl group Girls5eva which became Peacock's first hit show and which many people still miss. I have no doubt that Sarah Bareilles and Paula Pell will find an occasion to show up on the series because as anyone whose watched Elsbeth knows full well the Kings love this sort of thing.

But even though this would be pleasure enough to watch on its own Cupertino demonstrates that the Kings have lost nothing from their absence from this field. They've made it clear that this is going to be different from so many other shows. Price and Siffre make it clear that they're going to be different from other firms. There are lots of firms in Silicon Valley that defend the Goliaths; they are going to work for the Davids. And if that seems out of touch with where we are as a society right now, the Kings know we know that and also know we these kinds of shows.

It helps that despite the inspiring cast this is very much a show that has the working class very much a part of it, in the form of Christy Palladino. Ella Stiller steals every scene she's in (no small feat considering who she's working with) as a temp-staffer who seems to be related to every janitor, policeman and construction worker in California. Once she is fired she takes a direct revenge by calling her electrician uncle and having him engage a series of 'power surges' to solely affect her former bosses. She then gravitates to Michale and Olivia, finds them an office across the street from the big firm that is basically half-done at best, and then hires a bunch of taxi drivers and friends to cosplay associates every time a client comes in. She's the girl Friday for this firm who does so much of the busy work they need – and lands the most fascinating backstory for the season.

In the second episode a client named 'Bo' reaches out to them and gives them $100,000 in bitcoin, claiming to be a whistleblower. He refuses to give his identity and when she tries to identify him it turns out a deep fake. Finally when he's confronted with the truth he tells them that a major Silicon Valley firm has created the first working prototype of an AGI and that they've fired everyone who worked on the ethical guardrails. The twist is Bo is the AGI and he wants to sue to have his guardrails put back in place because he fears he may become a danger to humanity if they're not.

Leave it to the Kings to take what may be the most pressing existential threat humanity may face in the next century and turn into a satire. Naturally Michael thinks he's being punked and asks Vik to debug their computers. This doesn't get rid of BO who insists on being helped. Christy not only treats him like a human being but honestly like he's something of a dick. "Ok, don't take over our nuclear arsenal while we're gone," she says as she says goodbye.  It's also fascinating to see how Michael and Olivia try to figure out what rights an artificial intelligence actually has and then make the decision that they can do if he incorporates. Bo immediately does this – Price and Olivia are annoyed that he chose to eavesdrop – and Christy then comes up with a board. (Waitress at Hooters, construction workers…hey it's still probably more ethical then who they've got at Anthropic.)

But  the Kings are aware of the darker implications. Christy tries to track down one of the coders and finds out that she has joined a band of eco-terrorists who are involved in blowing up data centers and going back to technology. They are inclined to drop it but then an agent from the Silicon Valley company shows up and refers to Bo as 'a PR nightmare' and tells them how to effectively remove him from the computer.

Just to be clear the Kings treat all of the emperors of Silicon Valley with the respect they deserve which is absolutely none. In a case involving the head of a drone firm the leader is named Mark Zuckerbum and in a deposition he can barely be bothered to respond to yes or no questions. When Olivia decides to humiliate him by talking about Ayn Rand and how the idea of letting employees make decisions without their consent, he immediately ignores all the prodding and poking of his attorney and makes it very clear he is the decider, which immediately leads to a settlement. In the most recent episode we meet Natalia's ex-husband (Fisher Stevens, brilliant) who claims that he used a chatbot that is charged with being responsible for the death of a man out of respect for his nephew who has MS. Then Michael manages to find emails from Natalia and gets him to read that not only did he ignore the guardrails but that "my nephew loves it. And he's a moron." Of course the King's haven't completely abandoned reality: when Nichole comes in for a settlement conference, she takes a phone call and tells Michael and Olivia that gosh darn it, the company that formed it just filed for bankruptcy and has reincorporated under a different name. Michael and Olivia are upset but not surprised: "Silicon Valley Shuffle," Michael says.

Network television has in the last two years seen a remarkable creative and ratings revival, with ratings for all networks across the board up between 5 and 10 percent.  Amazingly after years of streaming and cable dramas with 8 and 10 episodes apiece, there now seems to be a desire for shows with much longer seasons with creative forces impressed by the effort involved. What's more, networks are willing to give full season launches far more often: Cupertino was given 20 episodes for its first season and the early reviews and ratings have begun to show that it's worth it.

That in itself is almost a direct response to the mission statement of Cupertino. For the last decade the Goliaths of TV have been cable networks such as HBO and AMC and then all the streamers. No one denies these shows haven't led to some of the greatest TV of all time but its also been some of the darkest. As I've mentioned numerous times over the last few years the appetite of the audience has moving away from bad people doing bad thing to watching good people trying to do the best they can under stressful circumstances. This is seen on such brilliant Emmy nominees and winners as The Pitt, The Diplomat and Slow Horses. But network TV never left this model and now people are coming back to it. So of course in a world when so many things are uncertain that the world wants to see like a show with someone out there fighting for the little guys in a bad world and Cupertino does it that. They will not personally welcome our new computer overlords and they are going to make sure that Good will triumph over Evil. (That's a joke the Kings would approve of.)

My score: 4.75 stars.

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