For much of the last decade I just
didn't get so much of the appeal of the reboot. Not the 'remake' such as the
way NBC tried to reinvent Quantum Leap or ABC's version of The Wonder
Years both shows whose cancellations I still mourn. No bringing back the casts
of a 1990s or 2000s show, usually a comedy, twenty or thirty years later.
I didn't understand either the reason
to bring back Roseanne, Murphy Brown or Will & Grace and I
never understood the idea behind …And Just Like That. The fourth and
fifth seasons of Arrested Development left me could and Live Another
Day of 24 was false advertising. (There were only 12 episodes, for
crying out loud!) I understand theoretically why these shows were brought back
– Hollywood will always do safe properties when asked – but not the motivation.
Then Scrubs came back last
February. And now I can't throw stones anymore.
I will say there's an argument behind
the revival of Scrubs that really isn't there for so many of the other
series I've mention in the second paragraph. Unlike all of them Scrubs was
ahead of its time in the 2000s, being far closer to the dramedy model that has
increasingly become popular on cable and streaming alike. There's no denying,
unlike with shows like Orange is the New Black, Shameless and The
Bear, what genre Scrubs has always belonged it. I've rarely laughed
longer or harder at any comedy series then watching the antics that went on at
Sacred Heart during the 2000s. But it was always closer to shows like MASH or
Cheers then Seinfeld or Frasier; Bill Lawrence never let
us forget for a moment that this was a hospital and I think they average a
death per episode over the entire run.
So Scrubs came back to ABC just
when we all needed. And it was hysterical to see that JD, Eliot and Turk are
all twenty-five years older then when we first met them and yet somehow they
still haven't grown up. JD and Turk are still absolutely in love. (Asked by
their HR recruiter in the premiere of Season 2 if they're a secret couple JD is
indignant. "You can't put a name on what we have!") JD is still
talking to himself and unable to stop talking altogether. Turk is still as
cocky as all get out. Eliot is still a hot mess, emphasis on mess (and hot,
let's be honest.)
It's the smaller details that are
different. JD and Eliot's marriage ended in divorce which honestly wasn't a
shock if you saw how it played out during much of the original series. And even
though they now run the hospital they're still dealing with all their
insecurities. JD is now Chief of Medicine and is trying to deal with how the
hospital works and how a new generation of residents is far more of a sticklers
for rules and frequently less fun. Eliot is trying to find a way to be a mentor
to Tosh (Ava Bunn is currently the first of the residents promoted to series
regular) who is very much the same kind of mess she is both professionally and
personally but wants her own independence. Turk is dealing with the fact that
while he may still be the best surgeon in the hospital not even he can stop the
sands of time.
And they're all reminded with the
guest stars of the other changes. Carla (Judy Reyes) is still trying to dealing
with being the Mama Bear as well as the fact she's also getting older. Perry
Cox (please try to give us as much John C. McGinley as possible!) is dealing
with the fact that he's now a patient and no longer in control of his destiny
the way he was when he was in charge. And as joyful as it is to see the bosses
wife (Christa Miller) still being capable of rage, we get to see her reluctant
humanity so much. "I'll deny this if Perry says so but I love him very
much," she tells Eliot in a moment of openness.
The nostalgia vibe is as strong as
ever with Scrubs and hits the highpoints every time. We still have JD
needed to tell Turk the moment he gets laid and how many times and
overcorrected when it comes to romantic gestures and of course he still has
rowdy. Turk is still very clear of just how handsome he is and how proud he is
about who he is. "My keister failed sixth grade science because it doesn't
know what gravity is!" he tells JD. And Eliot still gets terrified by so
many small things like when she wanders into the pediatric ward and runs right
into so many creepy children. It's wonderful to know that all of these masters
– Zach Braff, Donald Faison and Sarah Chalke – have lost none of their power to
drive me into hysterics in twenty years' time and of course every time McGinley
goes full Perry he still has the ability to cause me to double over in
laughter.
And every time JD goes into his head
we are reminded that Scrubs basically invented meta. When it's time for
a full medical team he flashes back to his crew as the Power Rangers. Given the
ability to imagine there are four of them, the first thing they do is narrate
the Law and Order voice over and do the theme song. And when JD imagines
Father Time, of course its Flavor Flav and of course Turk immediately calls him
on it. Even when he's given a chance to find a mentee he walks right past a guy
doing a voiceover monologue in his head – and pushes him aside rudely.
And it's not like some of the new cast
members haven't added a lot to the show. The new African-American nurses, both
female and gay, are hysterical every time they do the work they need to and
pushes back. When Eliot says how much she loves fall one says: "We get a
month. You get a season." Vanessa
Bayer is hysterical as the head of HR in every single scene she's in where
she's trying to get consent forms sign and time after time misreads every
situation she's in. And I love how Todd
is still exactly the same twenty years later, and only slightly less randy and
with his own mentee.
At this point many of the residents we
met back in the first season of the reboot are beginning to become individual
characters in their own right, though Tosh and Charlie are still the only ones
who've basically formed a lot as having full arcs. Much of their reason to
exist is still to bounce off the older staff, not that there's anything wrong
with that. Hopefully as the show keeps going they'll continue to grow in their
own rights.
And I still love how Scrubs is
leaning on its history but not that hard. It's great to see Neil Flynn back
having moved on as a Janitor but his own son working for them and I can't wait
until Scott Foley makes his long awaited return later this season. (He really
hasn't aged in twenty years either; does everyone on Scrubs spent more time in
the cosmetic surgery ward at Sacred Heart?) And if anything the issues involve
medical care that Scrubs has to deal with have actually helped the show improve
with age. Everything involving
health care is worse than it was in the 2000s and everyone on staff has learned
to roll with it, if not live with it.
All of this and so much more has made Scrubs
just as sublime as it was when I was first watching in 25 years. And I get
why so many people have felt the need for shows like Fuller House or That
90s Show. I don't want it with every TV show I watched growing up in
the 1990s or 2000s but in small doses and done well, its absolutely everything
I need. Hell when Season 2 of Dexter: Resurrection debuts in November
I'm not going to bother stalling watching it like I did last time; I'm going to
watch from the season premiere. Hey Michael C. Hall looks good too and he's
just as good with a needle and a knife as the staff at Sacred Heart.
My Score: 5 STARS.
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