Last season, I reported that the
Emmys did a much better job recognizing talent than they had in nearly five
years. As if daring to prove that they really can do better, last nights Emmys did a much better job recognizing
talent than they have in awhile, even better than last season.
This may seem hard to fathom to the
casual observer, considering that there were a lot of duplicates from last season
- Game Of Thrones and Veep repeated as Best Drama and Best
Comedy, respectively, Jeffrey Tambor and Julia-Louis Dreyfus won again (Dreyfus
for the fifth consecutive year). But there was a genuine sense that the Emmys
was making a lot more progress in recognizing certain series and actors.
First of all, despite the fact that
HBO won major prizes, this was by far FX's night. Combined with the technical
Emmys, they managed a total of fifteen wins, by far the greatest the network
has ever had. I may not have agreed with Louie Anderson's choice for 'Baskets',
but it was a step away from Modern
Family, which had dominated the Supporting Actor category for the last six
years. And while I'm a little disappointed that Fargo got basically ignored, one could hardly
argue with the winners - People Vs O.J.
Simpson was one of the premiere accomplishments of this seasons, and it was
great to see Courtney B. Vance finally win an Emmy after nearly two decades in
the medium. Sarah Paulson and Sterling Brown's triumphs were even more
satisfying to the heart and to the head, as these brilliant performers triumph.
And it was good to see Ryan Murphy finally get a winner, and a much more subtle
series than usual.
Now, on to some of the more
endearing choices. Yes, Regina King repeated for her work on American Crime, but considering that her
character was completely different than the one she played last year, one could
hardly argue the Emmys were being lazy. It was also nice to see someone other
than Allison Janney win Supporting Actress, even though Kate McKinnon probably
was the last choice on my ballot. And even though I predicted otherwise, it was
wonderful to see Tatiana Maslany finally triumph for her incredible performance
(s) on Orphan Black, much of which
was taken to a higher level this season.
All in all, I had no problem with
the majority of the winners last night. Rami Malek's work on Mr. Robot is among the most stunning
performances on TV. (And I was delighted that after the deer-in-the-headlights
moment after winning, he quoted his series by saying "You're all seeing
this too, right?) I was sorry that Ben Mendelsohn wasn't around to pick up his
trophy for the criminally underrated Bloodline,
a series I have raved about in previous columns. And even though it's getting
to be the tiniest bit tired seeing Jeffrey Tambor and Julia-Louis
Dreyfus at the winners table time after time, both gave among the most powerful
speeches of the night: Dreyfus near tears, when she revealed that her father
had passed away earlier this week, Tambor's self-effacing attitude among his
fellow nominees, and a call to action when he said that he hoped to be the last
male to play a transgender role in Hollywood.
I just wish Jimmy Kimmel had followed through with his mock threat to
take the award away from Maggie Smith, who wasn't there to pick up her third
(and thankfully, final) Emmy for Downton
Abbey.
All told, last night was mostly
delightful. From the opening sequence, where Kimmel tried to get to the Emmys
(and perhaps presciently ran into all three winners of the night) to the final
moments (unlike the Oscars, the Emmys actually finished early this year) this
was one of the more entertaining award shows this year. I have never been one
of Kimmel's biggest fans, but he did a fine job, handling the awards. He
managed to hold up well when he ended up losing 'Best Variety Talk' to 'Last
Week Tonight with John Oliver' (and the sequence with Matt Damon was hysterical
as well.)
And there were a lot of moments of
poignancy. 2016 has been a year where we lost many of the brighter lights in
the film and TV industry, and this
seemed more clear in the 'IN Memoriam' montage where for once, the applause was
saved to the very end. Tambor's tribute to Garry Shandling, and Henry Winkler's
tribute to Garry Marshall were far more moving than the usual hosannas we seem
to get.
Oh, the Emmys weren't perfect. It
still bothers me that 'House of Cards' and
'Better Call Saul' were shut out, as was 'black-ish'. But considering
that they managed to get the majority of the winners right, and that more and
more deserving series keep getting recognized. (I'm still delighted they
recognized The Americans), the Emmys
keeps getting more and more relevant. Who knows? Maybe next year they'll
recognize the final season of Rectify. And
given that they seem to have more and more recognition of nonwhite actors (in
addition to the series listed, Key &
Peele won Best sketch comedy show and Aziz Ansari triumphed for writing Master of None) , they're certain more
and more diverse.
No comments:
Post a Comment