Written by Kim Newton
Directed by David Nutter
This is a very
different episode, and I wish I could find a way to like it more. There are
some radically new ideas in presentation and style, and the fact that it's one
of a handful of episodes written by a woman, which is something to be
applauded. But it falls into a pattern of episodes that deal with religion, and
it deals with it in a way that is, unfortunately, becoming typical for the way The X-Files approaches it.
It's daring,
especially in the way the episodes are being done, to present a story which has
Scully the believer and Mulder the skeptic. And the idea that Scully would
start to believe a series of religion based killing---- the murders of eleven
false stigmatic, in order to focus on the real one that the killer is after.
And there's also the interesting idea that Scully, for once, is the chosen one
and her partner. But to do it in such a ham-fisted fashion is incredibly frustrating. There's the fact that Scully,
who as she admits at the end of the episode, has drifted away from the church,
somehow manages to pick up on every small religious detail in the episode that
impossibly explains every thing that happens to Kevin Kryder---- not just his
scars, but also the way that she remembers the saints that are involved. And if
she, like the prophecy says, is supposed to protect Kevin, well, she does a
pretty crappy job of it She only arrives
to save Kevin after his mother and Owen Jarvis are killed, Kevin is literally
abducted by Simon Gates under her nose, and Kevin is the one who manages to
push Gates into the paper mesher--- her total help amounts to pulling him to
safety after all this is over. I'm frankly amazed the kid wants to have
anything to do with her after the last few days.
One can almost
forgive Mulder for being so doubtful of organized religion, given his past
experiences, but here, when he tries to play the rational one, it comes across
as acting bull-headed. It's small wonder that Scully calls him out on this as
being able to believe in aliens but not miracles---- frankly by this point he
has it coming. But it doesn't help
matters by having every other kind of religious figure in this episode either a
fraud or something of a deluded maniac. And while its very hard to come to a
paranormal explanation as to why this is happening, its even harder to come to
one as to how Simon Gates and Owen Jarvis have the abilities they have.
Certainly, there's no paranormal explanation coming from Mulder, which makes
one wonder how he gets involved in these kind of things in the first place.
Gillian Anderson,
as always, gives a very good performance, particularly in the last scene where
she goes to confession for the first time in six years. One can certainly see
her struggling throughout the entire episode, and one really wishes that she
could find it deserving of a more deserving story. But unfortunately, as would
be the case of so many other religious episodes on the series (and, to a larger
extent, broadcast TV in the 1990s) can not find a real way to deal with
religion that satisfies anybody. Scully's beliefs seemed badly written, and
Mulder's complains start to sound extremely tired. Mainly, its because the series tends to deal
with religion passively, and real religion is anything but. The writers (and
invariably in these episodes, they are writers who never write for the series
again.) don't seem fit to make the distinction, and as a result we get a weaker
show.
It's a shame
because there are lots of things to admire if not love about the episode. Kevin
Zegers, who was about to begin a very impressive career as a child and then
adult actor, gives a convincing performance as Kevin. Sam Bottoms and Kenneth
Welsh are both very convincing as men at the poles of religion, Bottoms as the
institutionalized father, whose belief in his son's abilities may only be the
work of anti-psychotic; Welsh as the mad killer who seems determined to kill
him. And it's fascinating to see R. Lee Ermey in the teaser, making a rare
appearance as someone who isn't military. The strengths of the performances
almost overwhelm the lack of subtlety in the writing
Ultimately,
Revelations isn't much better than your run-of-the mill X-Files. The
performances carry the day here, but it doesn't change the fact that for once,
there isn't a lot to support them The
question raised in the final words--- if God's speaking, is anyone listening'
is an intriguing one, but as a concept, its a lot less interesting then 'The
truth is out there'. The fact that the episode can't seize on the obvious link
between them is just symptomatic of a larger problem here.
My score: 3 stars.
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